[jazz electronic] Nheap - "Hldrrr"

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http://www.nheap.com/audio/nheap_hldrrr.mp3
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this is a track from my new release, Skymotion ,a mix of jazz, electronic, ambient, avantgarde...experimental and melodic.

EDIT:

The album is now available for free again, both in FLAC and MP3 format, on http://www.acustronica.com

release page



some reviews:

selected as one of "The Best Albums of 2009" by Leonard's Lair

selected as one of "The Best Instrumental Albums of 2009" by Hold the Throne

Hldrrr "Today's free MP3" on 16/10/2009 on All about jazz

"Jazz, ambient and electronica just made a baby, and it's pretty good!"Subba-cultcha

"Skymotion is a delightfully atmospheric record which combines jazz, post-rock and electronic music into something wonderfully warm and intelligent. An album which contains style and substance in equal measure."Leonard's Lair

"Smooth and thought provoking, the album has a certain curiosity to it making you feel like a little child exploring the depths of what your ears can hear. I would definitely recommend this album for anyone with an adventurous spirit when it comes to music. I have been listening to it on repeat while writing this review and swear that it has helped my productivity. I feel more artistic after every minute listening."Life ink
Last edited by maxdis on Tue Jul 05, 2011 10:29 pm, edited 2 times in total.

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Just because I find the lack of response to this puzzling.

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Very nice, I will be checking the album soon. Really enjoyed this track. :tu:
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thank you!
core wrote:Very nice, I will be checking the album soon. Really enjoyed this track. :tu:

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As I listen:

the intro is abruptly cut off and replaced with monophonic timbres.

Thanks to the string combo it was leading up to it starts making more sense

Some of your sounds have clicks opening them


What is your chord progession?

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peppy197 wrote:As I listen:
Some of your sounds have clicks opening them

I think you're referring to the sounds around 1:02...
they are reversed sounds, so the clicks would be the rhodes attack; I tried to remove them, but then I changed my mind and keep them...actually I don't dislike
these clicks
What is your chord progession?
not sure about that, but it would be something like
A-/5 aug F#9/A# A-/5 aug F#9


thanks for listening!

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Pleasant chilled jazzy vibe, lovely chords, nice freestyle melodies. I can't hear the bass at all though my ipod headphones though...

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The track has a nice laidback feel, but you pretty much ruined it by overplaying. There's no room to breathe. And despite it being laidback, that doesn't mean that all of the playing has to be. The delayed rhodes or electric piano needs to be restrained, added just at the right time for that extra burst of flavour. I would do another take on this one. The ingredients are there, they are not just arranged and placed in the right manner for this track to be entirely satisfying and pleasurable.
Ciao!

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maxdis wrote:What is your chord progession?

not sure about that, but it would be something like
A-/5 aug F#9/A# A-/5 aug F#9


thanks for listening!

I suspect that is why i find the register width restrained, as your going from A minor to F# using B flat back to A minor back to F which is surely daring but lacks familiarity to ease my lazy mind

I'm only comenting here to force myself to think musically as well, not to be overly critical or anything too serious .

Allen

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peppy197 wrote:
maxdis wrote:What is your chord progession?

not sure about that, but it would be something like
A-/5 aug F#9/A# A-/5 aug F#9


thanks for listening!

I suspect that is why i find the register width restrained, as your going from A minor to F# using B flat back to A minor back to F which is surely daring but lacks familiarity to ease my lazy mind

I'm only comenting here to force myself to think musically as well, not to be overly critical or anything too serious .

Allen
I'm studying piano a little, and I know some music theory, but when I compose, I try to forget all of that...so sometimes I come up with something very weird :-)

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maxdis wrote: I'm studying piano a little, and I know some music theory, but when I compose, I try to forget all of that...so sometimes I come up with something very weird :-)
Good to be daring, otherwise you would come up with monophonic mideival chants for monks if you were to be severly restrained to theory.

But music should have a connection to the intended audience, just as a book about a detective story does not turn into a fairytale half way through without purpose. The script may be of perfect english, but the flow is absurd to the intelligence. In music harmonic rhythm and linear expectancies are a relatively new development in terms of biological neuro cognitive and conceptual consciousness' in modern man, but do have a serious influence on ones' conceptualisation of the musical line.

maybe...

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this track will be soon featured as "Today's free MP3" on All about jazz !!!

http://www.allaboutjazz.com/php/jazzdow ... hp?id=4755

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I'm not getting why people are saying this is over or underplayed, personally. I listen to a lot of electronic-jazz hybrids that emphasize the jazz end of things, and I think this holds up quite nicely. Nice mood, good use of ambient electronics, not a derivative nu-jazz sort of thing. Overall, a good track from my perspective.

I'm downloading your album now--thanks for sharing.

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thank you!!
jmeier wrote:I'm not getting why people are saying this is over or underplayed, personally. I listen to a lot of electronic-jazz hybrids that emphasize the jazz end of things, and I think this holds up quite nicely. Nice mood, good use of ambient electronics, not a derivative nu-jazz sort of thing. Overall, a good track from my perspective.

I'm downloading your album now--thanks for sharing.

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Not overplayed at all. Free jazz, for example, tends to be "overplayed" much more, and I still enjoy it. It really depends on what kind of music you're used to. If you like, say, "New Complexity" avant-garde classical music -- this looks like child's play in comparison. I like it.

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