Though I would support the OP's request/desire, and certainly encourage it as a "learning aid" (as far as it goes), I agree with your statement.jancivil wrote:My idea is that instead of a visual template or chart, to internalize these tendencies by doing it by hand, is going to inform your music in a way that some mechanized way of approach might not. That is to say, someone who has played a beat is going to be able to program it with authority versus someone who has just connected the dots on a graphic.
There are tons of books, and other resources on producing all manner of music, but DOING IT is different, and if you are trying to learn "the rules" and/or "techniques/secrets/structures" for a particular "market" (key word) the idiosyncracies can be overwhelming.
The simple fact is, that "genre's" and "styles" ARE "formulas" which by their nature are constrained within certain expected and/or anticipated parameters. The moment someone "innovates" (deviates), it is (seemingly) either incestuously rejected, or praised as the next "NEW" thing (formula).
While "PLAYING" the beats manually (whether recording it to audio and/or MIDI track) rather than "programming" affords one the "naunce" that (IMHO) only live performance affords. Cleaning-it-up afterwards is just another aspect of "production", which even with the MOST "sterile" programming, is a continous process, of "choices" made, compensated for, played-on, or embellished.
Though you can get "close" with "humanizing" your beats/programmed-riffs (etc.), I've always found that term rather amusing from the standpoint of BEING A "HUMAN", particularly when using a DRUM MACHINE!!!...
(maybe it helps to be a drummer though)
[2c]