Does the Scale depend on the Tempo??
- KVRAF
- 4805 posts since 21 Jan, 2008 from oO
Hey,
i wonder if a scale depends on a tempo...
is that right?
or do i have to use the F scale when i produce in 145bpm??
please light me on this..
i consider this formular..wich works pretty good.. : ((145 bpm/60)x9)x2=43,5 hz wich is an F...
and it works very good for a kick..but does it even force the scale to be in F or F minor or F sharp..stuff like that..
thanks
i wonder if a scale depends on a tempo...
is that right?
or do i have to use the F scale when i produce in 145bpm??
please light me on this..
i consider this formular..wich works pretty good.. : ((145 bpm/60)x9)x2=43,5 hz wich is an F...
and it works very good for a kick..but does it even force the scale to be in F or F minor or F sharp..stuff like that..
thanks
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- KVRAF
- 1669 posts since 4 Nov, 2007
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- KVRian
- 1084 posts since 12 Sep, 2008 from Your basement
Wow, so the formula relates metric frequency (BPM) to pitch frequency (Hz)? That's interesting, but entirely unnecessary since the relationship would not register even unconsciously in human beings from the planet earth.Zork wrote:Hey,
i wonder if a scale depends on a tempo...
is that right?
or do i have to use the F scale when i produce in 145bpm??
please light me on this..
i consider this formular..wich works pretty good.. : ((145 bpm/60)x9)x2=43,5 hz wich is an F...
and it works very good for a kick..but does it even force the scale to be in F or F minor or F sharp..stuff like that..
thanks
Perhaps much more evolved species might complain about the "dissonance" between the metric cycles and the pitch frequency but no one I personally know would perceive that.
Or perhaps if you are getting into ultra-ultra Milton Babbit serialism and everything has to be mathmatically related then, yeah...um...you should consider those parameters.
But in general, no, you don't have to consider relationships between pitch and tempo.
It creates interesting questions though...such as if you modulated to a new key center, you'd have to slow down or speed up the tempo!
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- KVRian
- 903 posts since 14 May, 2003
There is no dependent relationship whatsoever between scale ("key", I think is what you mean) and tempo.
- KVRAF
- Topic Starter
- 4805 posts since 21 Jan, 2008 from oO
very nice!
thanks for the information..
maybe this pitch / temp relation is a little outta space hehe..
people who use this cosmic octave stuff see a streight relationship between tempo and pitch(finetuning)
but for me i think that goes a little too far as well..
thanks for the information..
maybe this pitch / temp relation is a little outta space hehe..
people who use this cosmic octave stuff see a streight relationship between tempo and pitch(finetuning)
but for me i think that goes a little too far as well..
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- KVRAF
- 6377 posts since 8 Jun, 2009
No it doesn't. But I'm curious as to why you thought it might. What genre are you producing? I ask because some dance genres use very low-frequency kicks or kicks tuned to the main bass note to get more bass presence into them, so what you might be picking up is the fact that sub-bass dominated genres like dubstep use notes that lie around a G, because G1 has a fundamental of about 50Hz (which is pretty darn low). F1 can't be audible to many people but I guess you can get a double helping thanks to F2 at 87Hz or so.
Or did you warp a kick from 120 to 145bpm, which then altered the kick frequency?
Or did you warp a kick from 120 to 145bpm, which then altered the kick frequency?
Last edited by Gamma-UT on Fri Oct 30, 2009 5:22 pm, edited 1 time in total.
- KVRAF
- Topic Starter
- 4805 posts since 21 Jan, 2008 from oO
Im into dance music production yes..
Called Fullon as a subgenre of psytrance..and just realized all this scale thing to be very nice to use , and i found this page..
http://www.trancetutorial.com/Scales%20Page%202.htm
so i wondered if i could use any of the scales with any tempo..since most Fullontracks that are produced at 145bpm are written in an F scale..
Called Fullon as a subgenre of psytrance..and just realized all this scale thing to be very nice to use , and i found this page..
http://www.trancetutorial.com/Scales%20Page%202.htm
so i wondered if i could use any of the scales with any tempo..since most Fullontracks that are produced at 145bpm are written in an F scale..
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- KVRian
- 1084 posts since 12 Sep, 2008 from Your basement
Sometimes late at night when I am trying to sleep and when the wind isn't blowing, I can hear this note:Zork wrote:Hey,
i wonder if a scale depends on a tempo...
is that right?
or do i have to use the F scale when i produce in 145bpm??
please light me on this..
i consider this formular..wich works pretty good.. : ((145 bpm/60)x9)x2=43,5 hz wich is an F...
and it works very good for a kick..but does it even force the scale to be in F or F minor or F sharp..stuff like that..
thanks
http://www.space.com/scienceastronomy/b ... 30909.html
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- KVRAF
- 6377 posts since 8 Jun, 2009
Yes, any tempo, any scale. The F is just for maximum bass impact, so as you move away from it you get more variety but you might find yourself asking "where did the bass go?". I'm surprised they use one so low but it does sort of make sense for psytrance.Zork wrote:Im into dance music production yes..
Called Fullon as a subgenre of psytrance..and just realized all this scale thing to be very nice to use , and i found this page..
http://www.trancetutorial.com/Scales%20Page%202.htm
so i wondered if i could use any of the scales with any tempo..since most Fullontracks that are produced at 145bpm are written in an F scale..
Anyone who's seen Jah Wobble live will know the impact of very low basslines - when your sternum starts to move by itself, you know Wobble's in the house.
- KVRAF
- Topic Starter
- 4805 posts since 21 Jan, 2008 from oO
ok, thanks for your help!
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- KVRian
- 523 posts since 22 Jul, 2008
Zork wrote:Hey,
i wonder if a scale depends on a tempo...
is that right?
thanks
For someone, maybe. Yngwie Malmsteen tend to play blues scale when he is slowing down, and his harmonic minor when he is back in his normal tempo
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- KVRist
- 441 posts since 30 Apr, 2007
Your frequency choice for a "kick" has more to do with the capabilities of typical speakers and also what listeners perceive as heavy bass. I don't really see any connection to the tempo of the song. A lot of dance music will have heavy kick and tempos around 140, but that's just the nature of the music and not a connection between the two things.
Ironically it has always seemed to me that people who *actually want to dance* prefer a lot slower tempo than what so called dance music caters to. Like in the Dr. Dre commercial for Dr. Pepper, it is so true.
Ironically it has always seemed to me that people who *actually want to dance* prefer a lot slower tempo than what so called dance music caters to. Like in the Dr. Dre commercial for Dr. Pepper, it is so true.