
For the record, I didn't make this with DC in mind, it just happened to be sort of finished in time to enter, so I did. It was a last-minute decision, so it doesn't have a whole heap of presets. If it is within the rules, I will make some more and upload them here. If anyone else would like to share some of their sounds, we could get a library going, which would suit it's role for basic, every-day use. It was made in the SynthEdit 1.1 Beta, so it shouldn't suffer from the multi-threading problems of old and it supports "MIDI learn" by right-clicking on any control. You will also find fairly extensive, and hopefully worthwhile, use of tool-tips to help you decipher the teeny-weeny GUI.
Philosophy
I made SIMPLICITY with convenience in mind. I find the UI layout to be very useful in Orion and hopefully some of that may transfer to other hosts. It is designed to be a "bread & butter" type synth, so you can add half-a-dozen and stack them in a corner of your host UI and get to them really easily when you need to tweak anything.
The Bits
The oscillators are Chris Kerry's 2k Unison Oscillators, so they are of the highest quality. Because they have unison built-in, you can stack 7 voices for almost no extra CPU overhead. All but SAW 1 and SINE have width modulation, exactly like PWM, so it's easy to get big, moving pads and interesting leads from them. Use the Pulse control to set the width. PWM modulation uses the envelope [of course]. Turn sync on for hard biting bass attack.
The filter uses SE's standard State-Variable Filter, locked into low-pass mode but with 12 or 24dB/octave slope available. Envelope modulation uses the same envelope as the VCA, with different interpolation methods [slope] available for different kinds of sounds. Velocity modulation has 4 different levels. Env Mod can also be set to negative, so that it closes the filter instead of opening it, which is also good for long, evolving pads and such.
The LFO syncs to host tempo and provides 5 destinations through 3 knobs. The first two knobs go to different destinations when you turn them left or right, the third knob is for Cutoff, and turning left changes the phase so that it is opposite to the others.
The rest of it is pretty straightforward, although the overdrive is not as good as I wanted it to be. Mono mode is required for Portamento to work, but because of the way the oscillators work, you still get unison in Mono mode. [Bonus!]
