I would say high mids and beyond, but you get the idea - as the harmonics get higher, have less amplitude, and are more frequent, phase issues become less apparent.Igro wrote:So it's mean that EQ separation needed in lows only. In mid and high mid it's not so important.(claps, hats) Isn't it'?
However, samples and loops of things like claps and hats can have small amounts of sub content due to ambience, analog circuit noise, tape hiss, or vinyl bumps and dust. They can all gang up to steal ur headroomz. But as I said, a bit of untidy is good. Listen to see if it imparts a nice color before rolling off.
Side chaining is an excellent way to separate the bass from the kick but when you're side chaining you're ducking the bass (lowering the volume), so that they're not really occupying the same space in time. it IS possible to have a kick and a subby bass playing at the same time in the same frequency space, you just have to be aware of phase, volume and frequency content (as well as a bit of luck in finding the right pairing).Igro wrote:AND, if anyway hard sidechain will be used for kick and bass, then they still can occupy the same frequencies? As seems like it's the only opportunity.
Some of my favourite tunes have these MASSIVE kick and bass combos, they sound impossible but after a bit of analysis of the waveform and a FFT spectrograph you can figure out what's going on. That's how I learnt most of this stuff - looking at and listening to other peoples tunes.
