Naming (triad) chords

Chords, scales, harmony, melody, etc.
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Hi,


I have a 1bar loop with 6 triad chords, all on the white keys, so they are somewhat related to the natural minor, aeolian mode.

But I need a fast, foolproof method of naming them, please help me out!

Cheers :D

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flowdesigner wrote:I have a 1bar loop with 6 triad chords, all on the white keys, so they are somewhat related to the natural minor, aeolian mode.

But I need a fast, foolproof method of naming them, please help me out!
By sight? By ear? Including Inversions? What do you mean "somewhat related"? What is your context?

Please be a more specific...

JR

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There are no shortcuts afaik. Depending on the context the same triad can represent different chord names.

I wanted to write up something by myself, but pointing to work someone else has done is faster: http://cnx.org/content/m11995/latest/

But that doesn't tell what I had in mind.

So anyway, what I'd do is first determine the root of the chord. Often when there's a perfect fifth (7 semitones) in the triad, then the lowest is candidate for the root note. Also try weather the two inversions of the triad contain a perfect fifth.

Accompanying bass notes are also candidates for being the root. But look out for the bass being third or fifth relative to the root!

Then from the root, determine weather there's a minor or major third.
Finally look for additions such as 7th, major 7th, 9th, suspended, diminished variations.

That method covers most of the usual chords found in simple progressions. But it takes practice.

If you are in a hurry, then do post the 6 triads and one of us will tell you the names.
My MusicCalc is temporary offline.
We are the KVR collective. Resistance is futile. You will be assimilated. :borg:

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Thank you! (also for replying to my other posts)


I guess it would be naive to be in a hurry wheoun the intention, motivation is to learn.

But your post was very good!

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what do I call a triad containing c#3 e3 and g3?

I understand it is related to a-major chord, im playing the chord over a a-major bassline

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c# e g by itself would be a c# dim

but with an A in the root that becomes an Adom7

that's about as simple as it gets
when I can answer these sort of questions we haven't ventured very far into the woods
which leads me to believe you haven't put a lot of effort into cracking a theory book -- a little study can take you a long way.

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