No, there are many compressors that will let short peaks through no matter how you set them up.Compyfox wrote:Aren't all compressors/limiters with very fast attack and medium to long release in theory a brickwall limiter?
Brick limiters vs regular Limiters
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- KVRian
- 1275 posts since 9 Jan, 2006
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- KVRAF
- 6740 posts since 25 Mar, 2002 from sheffield, england
The MPL-1 is actually a brick-wall limiter. Its "golden" brother the GPP-1 is perhaps what you were thinking of? But that also has a "brickwall" option, so the dividing line can sometimes get blurred.
The difference is simply that brick-wall limiters guarantee not to allow peaks to exceed the ceiling you specify, usually by means of look-ahead delays. Non-brickwall limiters do not make that promise, and so are free to have a ratio a little less than infinity:1 / sacrifice a tiny bit of attack time in favour of lower distortion / less latency / a particular type of sound / any comnbination of the above.
If you are shaving the peaks off your album before rendering the master, then you probably want the brick-wall. But of course you can get by with a "normal" limiter, or no limiter at all if you are careful.
If you are limiting your drum buss for creative reasons, use whatever works. But if the limiter's main design criteria was to sound good it might work better than a limiter that prioritized a perfect infinite ratio and instantaneous attack time.
The difference is simply that brick-wall limiters guarantee not to allow peaks to exceed the ceiling you specify, usually by means of look-ahead delays. Non-brickwall limiters do not make that promise, and so are free to have a ratio a little less than infinity:1 / sacrifice a tiny bit of attack time in favour of lower distortion / less latency / a particular type of sound / any comnbination of the above.
If you are shaving the peaks off your album before rendering the master, then you probably want the brick-wall. But of course you can get by with a "normal" limiter, or no limiter at all if you are careful.
If you are limiting your drum buss for creative reasons, use whatever works. But if the limiter's main design criteria was to sound good it might work better than a limiter that prioritized a perfect infinite ratio and instantaneous attack time.
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- KVRAF
- 14739 posts since 19 Oct, 2003 from Berlin, Germany
Unless you can "adjust" the output limit of course, which is basically an "output gain" adjustment - sometimes even a "threshold" correction. TLs Maximizer is like that for example.OMNIFEX wrote: A Brick wall limiter in a Maximiser by design cannot exceed 0 dB no matter how hard you drive it.
Hm... "Maximiser by Design", interesting name for that kind of limiters indeed.
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- KVRist
- 284 posts since 23 May, 2006 from Great Neck, New York
The more controls you have at your disposal the better your options of controlling complex material. Some are fond of noticeable artefacts added when limiting whereas others are not.Compyfox wrote:Unless you can "adjust" the output limit of course, which is basically an "output gain" adjustment - sometimes even a "threshold" correction. TLs Maximizer is like that for example.OMNIFEX wrote: A Brick wall limiter in a Maximiser by design cannot exceed 0 dB no matter how hard you drive it.
Hm... "Maximiser by Design", interesting name for that kind of limiters indeed.
I would imagine on the recording end having a lot of compressors, is vital since any minor adjustment can alter the sound. If you are mastering in which, you’ve already accomplished the sound you desire through equalisation the only thing you may need is one versatile compressor to tame some of the dynamics.
I would need to refresh my self with TLS's Maximiser for it's been years I haven't used it on a project.
Cheers!
OMNIFEX
14.8 GB Of VST Effects And Growing By The Moment
14.8 GB Of VST Effects And Growing By The Moment
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- KVRist
- Topic Starter
- 86 posts since 21 Apr, 2005
Thanks for all the answers!!Both are compressors however offer different types of settings.
A Limiter will prevent any overshoot without a lot of artefacts (pumping) that is common with fast release compressors. It retains the dynamics while consolidating the mix to fit within a certain guideline. It can however exceed the set limit if a very strong signal occurs suddenly.
A Brick wall Limiter follows the same method however prevents anything passing beyond the set level no matter how hard it is driven. You will find brick wall limiters useful if you are looking to attain a lot of volume while not exceeding a certain dB mark. However, your dynamics are compromised which can make the mix sound extremely flat.
If you have a compressor with a 2 second or longer release, it can be used as a Limiter however, there are only a few that will be able to do both.
Cheers!
A few questions regarding this.
So a "regular" limiter retrains ALL the dynamics and is therefore NOT a compressor even if its pushed hard? And it CAN under some circumstances let som transients pass. If this is the case, does it just crop off the top of the signal then?
And a "brickwall" limiter is more like a compressor and compresses more the more you push it and does not crop the top but instead compresses it?
Easy to mix these two up i guess...
Is it more important to use a brickwall in the digital domain as a last plugin on my 2bus?
Thanks again for a hot discussion
/R
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- KVRAF
- 6740 posts since 25 Mar, 2002 from sheffield, england
No, you have it all totally wrong. There is no limiter that will "retain all the dynamics": limiters reduce dynamic range, by definition.
All limiters apply compression. They simply do so with a higher ratio / faster attack time.
IMO you shouldn't be allowed to use ANY type of limiter until you have a better fundamental understanding of what they are doing.
All limiters apply compression. They simply do so with a higher ratio / faster attack time.
IMO you shouldn't be allowed to use ANY type of limiter until you have a better fundamental understanding of what they are doing.
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- KVRAF
- 6740 posts since 25 Mar, 2002 from sheffield, england
explains the fundamentals of compression.
A limiter is what you get when the ratio knob is turned up higher than approx. 10:1
A brick-wall limiter is what you get when the ratio is a perfect inifinity:1 (which in practise requires some extra trickery to achieve)
That's all you need to know right now!
A limiter is what you get when the ratio knob is turned up higher than approx. 10:1
A brick-wall limiter is what you get when the ratio is a perfect inifinity:1 (which in practise requires some extra trickery to achieve)
That's all you need to know right now!
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- KVRAF
- 11839 posts since 23 Nov, 2004 from west of east
But he could practice limiting various kinds of music in the privacy of his own home.IIRs wrote:IMO you shouldn't be allowed to use ANY type of limiter until you have a better fundamental understanding of what they are doing.
We escape the trap of our own subjectivity by
perceiving neither black nor white but shades of grey
perceiving neither black nor white but shades of grey
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- KVRian
- 1290 posts since 13 Mar, 2007
IIRs wrote: A brick-wall limiter is what you get when the ratio is a perfect inifinity:1
Funny that they don't call it , more accuratley, a 2x4 machine !!.

Goes in.............

Comes out!!
Financial solvency and KVR Mix as well as oil and water.
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- KVRAF
- 6740 posts since 25 Mar, 2002 from sheffield, england
Someone should make a limiter with dual controls...eduardo_b wrote:But he could practice limiting various kinds of music in the privacy of his own home.IIRs wrote:IMO you shouldn't be allowed to use ANY type of limiter until you have a better fundamental understanding of what they are doing.
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- KVRAF
- 11839 posts since 23 Nov, 2004 from west of east
And a network connection.IIRs wrote:Someone should make a limiter with dual controls...eduardo_b wrote:But he could practice limiting various kinds of music in the privacy of his own home.IIRs wrote:IMO you shouldn't be allowed to use ANY type of limiter until you have a better fundamental understanding of what they are doing.
We escape the trap of our own subjectivity by
perceiving neither black nor white but shades of grey
perceiving neither black nor white but shades of grey
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- KVRist
- Topic Starter
- 86 posts since 21 Apr, 2005
Well, i have been thought that a limiter is a compressor with infinite ratio and therefore i was supprised by this:
"A Limiter will prevent any overshoot without a lot of artefacts (pumping) that is common with fast release compressors. It retains the dynamics while consolidating the mix to fit within a certain guideline."
i was thinking that MAYBE ive missed something
But the difference i was asking about is that a "regular" limiter CAN overshoot? And a brickwall is better in my DAW?
Why even create a Limiter plugin thats NOT brickwall? Whats the benefit?
Have to practise my limiters now
(Will post another topic about compression so take a look at that one. It will contain a rather advanced question
)
/R
"A Limiter will prevent any overshoot without a lot of artefacts (pumping) that is common with fast release compressors. It retains the dynamics while consolidating the mix to fit within a certain guideline."
i was thinking that MAYBE ive missed something
But the difference i was asking about is that a "regular" limiter CAN overshoot? And a brickwall is better in my DAW?
Why even create a Limiter plugin thats NOT brickwall? Whats the benefit?
Have to practise my limiters now
(Will post another topic about compression so take a look at that one. It will contain a rather advanced question
/R
Last edited by rymdis on Wed Feb 10, 2010 9:04 pm, edited 1 time in total.
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- KVRAF
- 11839 posts since 23 Nov, 2004 from west of east
I suppose this would be true if the limiter didn't raise the noise floor. Good question.rymdis wrote:well, i have been thought that a limiter is a compressor with infinite ratio and therefore i was supprised by this:
"A Limiter will prevent any overshoot without a lot of artefacts (pumping) that is common with fast release compressors. It retains the dynamics while consolidating the mix to fit within a certain guideline."
We escape the trap of our own subjectivity by
perceiving neither black nor white but shades of grey
perceiving neither black nor white but shades of grey
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- KVRian
- 1290 posts since 13 Mar, 2007
It depends on the source material. If you only have a few short peaks here and there and trim them , the you really won't change the RMS VS peaks relationship ( DYNAMICS) that much .
If you grind and squash like a 2x4 then there is no crest factor left. That's messeing with the dynamics a tad bit .
google "loudness wars"
If you grind and squash like a 2x4 then there is no crest factor left. That's messeing with the dynamics a tad bit .
google "loudness wars"
Financial solvency and KVR Mix as well as oil and water.
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- KVRist
- Topic Starter
- 86 posts since 21 Apr, 2005
contrary wrote:It depends on the source material. If you only have a few short peaks here and there and trim them , the you really won't change the RMS VS peaks relationship ( DYNAMICS) that much .
If you grind and squash like a 2x4 then there is no crest factor left. That's messeing with the dynamics a tad bit .
google "loudness wars"
But as you "trim" the transients as most people do with their limiters to be able to raise the overall dynamics even further i have to agree that you dont alter the dynamics too much when this is done but refering to my original question; i dont want to trim the transients with something that cant catch ALL of them. So from what ive read here a brickwall is the safest bet.
I still dont understand the second post with the difference. They are limiters so they should work in the same manner, even if they are brickwall or not, right? Only difference is that brickwall is programmed to catch ALL stuff.
thanks for interesting posts!
/R
