why not bypass the amp section entirely and go straight to a cab(s) and apply fx after? I can relate to a noisy environment, I live on the busiest street in the area (literally from where I sit at my daw right next to the wind it's about 15 feet to the street) and across from a bridge, on the other side of the river is a hospital. This means sirens all the time, in the summer Harleys etc.chaibuka wrote:+1 Ever since Amplitube Fender came out I've been using the "Almost Acoustic" preset with my semihollow more than anything else. It may not be 100% acoustic but it's a sound I enjoy. I'd really be into more of these simulations.BuleriaChk wrote:I want to use a pickup to record, since I don't have a studio, don't WANT to use mics and all the hassle that implies. I can do everything you suggested live in any one of my guitar packages. But I don't want to be interrupted by the garbage truck down the street, the airplane flying overhead, or the TV next door, since I live in a one bedroom apartment. Nothing worse than being in the middle of a difficult take that is turning out well and having a dog bark outside (and I have experienced that enough to know....)
And purchasing a studio in the countryside may be available to the Beatles, Lady Gaga, Eric Clapton, or yourself, but not to me. The same principle as having the incredible equipment choices for AT3 can also apply to plugged in acoustic guitar...
So I definitely want a plugged in studio equivalent - I certainly accept that others may want real mics in real studios with real groupies and free beer, but software mics and pickup compensation would be far cheaper for me to produce my projects. (I'd have 15 mics I could use right off the bat in AT3)...
You might want to get the Tech 21 RPM for a pre-amp or even a Boss CH-1 where it splits the signal to a bypass and an affected signal. Used as I describe below.
http://www.tech21nyc.com/products/sansamp/rpm.html
When I was in retail often instead of the acoustic guitar amp by fender I would sell those performing with an acoustic a pair of EONs and a small mixer with fx. A little chorus with a very slooooow rate spread across the stereo field sounded great.
Seriously though, why not bypass the amp entirely in sims?
