how would you match lyrics to a melody?
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- KVRAF
- 1907 posts since 29 Oct, 2003
YOU TAKE SOME WORDS. THEN, YOU BEND & SPANK THEM UNTIL THEY START BEHAVING.
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SteveBurley2000 SteveBurley2000 https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=179450
- KVRist
- 86 posts since 28 Apr, 2008
From various books I've learnt the following, which I'm trying to do myself.
Generally, go through each syllable and decide whether it is a short or long syllable in normal conversation.
Mark underneath them thus '-' for short and 'u' for long. (Or whatever symbols you prefer)
Each '-' and 'u' represents a note.
Remember to adjust the length of notes to emphasise important words or syllables, i.e. Yesterday, So, Far and Away in the opening line of Yesterday are longer for emphasis.
Then, using normal conversational tones, determine the relative pitch of each syllable. 1 being the tonic, 8 being the octave etc. Determine whether each syllable is higher or lower than the previous one. Cross check to make sure you don't go off kilter. Again change a pitch to achieve emphasis. Mark the pitch number underneath each syllable as well.
i.e. Yesterday, So, Far and Away in the opening line of Yesterday are also higher pitches than in conversation for emphasis.
Finally, a further adjustment for emphasis is to get key words first or last in a line of lyric.
Each line needs to fit a single or couple of bars.
So split your lyrics into bar lengths.
I hope this helps
All the best
Generally, go through each syllable and decide whether it is a short or long syllable in normal conversation.
Mark underneath them thus '-' for short and 'u' for long. (Or whatever symbols you prefer)
Each '-' and 'u' represents a note.
Remember to adjust the length of notes to emphasise important words or syllables, i.e. Yesterday, So, Far and Away in the opening line of Yesterday are longer for emphasis.
Then, using normal conversational tones, determine the relative pitch of each syllable. 1 being the tonic, 8 being the octave etc. Determine whether each syllable is higher or lower than the previous one. Cross check to make sure you don't go off kilter. Again change a pitch to achieve emphasis. Mark the pitch number underneath each syllable as well.
i.e. Yesterday, So, Far and Away in the opening line of Yesterday are also higher pitches than in conversation for emphasis.
Finally, a further adjustment for emphasis is to get key words first or last in a line of lyric.
Each line needs to fit a single or couple of bars.
So split your lyrics into bar lengths.
I hope this helps
All the best
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- KVRist
- Topic Starter
- 36 posts since 29 Mar, 2010 from Hawaii
Thanks for the advice.SteveBurley2000 wrote:From various books I've learnt the following, which I'm trying to do myself.
Generally, go through each syllable and decide whether it is a short or long syllable in normal conversation.
Mark underneath them thus '-' for short and 'u' for long. (Or whatever symbols you prefer)
Each '-' and 'u' represents a note.
Remember to adjust the length of notes to emphasise important words or syllables, i.e. Yesterday, So, Far and Away in the opening line of Yesterday are longer for emphasis.
Then, using normal conversational tones, determine the relative pitch of each syllable. 1 being the tonic, 8 being the octave etc. Determine whether each syllable is higher or lower than the previous one. Cross check to make sure you don't go off kilter. Again change a pitch to achieve emphasis. Mark the pitch number underneath each syllable as well.
i.e. Yesterday, So, Far and Away in the opening line of Yesterday are also higher pitches than in conversation for emphasis.
Finally, a further adjustment for emphasis is to get key words first or last in a line of lyric.
Each line needs to fit a single or couple of bars.
So split your lyrics into bar lengths.
I hope this helps
All the best
i really appreciate it:)
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SteveBurley2000 SteveBurley2000 https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=179450
- KVRist
- 86 posts since 28 Apr, 2008
However, I'm looking forward to trying mausoleums method in the future.
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- KVRist
- Topic Starter
- 36 posts since 29 Mar, 2010 from Hawaii
lol ok i'll PM you the lyrics...but how exactly would this help?kelvyn wrote:Kinda difficult to know what you want... You can PM me the lyrics and I can give you some tips if you want.
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- KVRian
- 1281 posts since 9 Mar, 2008 from netherlands
It might help you understand how to use words with melody if you see your lyrics tweaked to fit the melody.... I'm no Elvis Costello or Martin Fry but I spend a lot of time on lyrics as they are the meat of emotion in a vocal song.
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- KVRist
- Topic Starter
- 36 posts since 29 Mar, 2010 from Hawaii
haha ok...kelvyn wrote:It might help you understand how to use words with melody if you see your lyrics tweaked to fit the melody.... I'm no Elvis Costello or Martin Fry but I spend a lot of time on lyrics as they are the meat of emotion in a vocal song.
i'll send it now...but idk bout the melody part...
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- KVRist
- 81 posts since 17 Aug, 2009
+1 and some
SteveBurley2000 wrote:From various books I've learnt the following, which I'm trying to do myself.
Generally, go through each syllable and decide whether it is a short or long syllable in normal conversation.
Mark underneath them thus '-' for short and 'u' for long. (Or whatever symbols you prefer)
Each '-' and 'u' represents a note.
Remember to adjust the length of notes to emphasise important words or syllables, i.e. Yesterday, So, Far and Away in the opening line of Yesterday are longer for emphasis.
Then, using normal conversational tones, determine the relative pitch of each syllable. 1 being the tonic, 8 being the octave etc. Determine whether each syllable is higher or lower than the previous one. Cross check to make sure you don't go off kilter. Again change a pitch to achieve emphasis. Mark the pitch number underneath each syllable as well.
i.e. Yesterday, So, Far and Away in the opening line of Yesterday are also higher pitches than in conversation for emphasis.
Finally, a further adjustment for emphasis is to get key words first or last in a line of lyric.
Each line needs to fit a single or couple of bars.
So split your lyrics into bar lengths.
I hope this helps
All the best
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- KVRAF
- 21348 posts since 26 Jul, 2005 from Gone
I find it helps to pick up a guitar or sit at a piano and just play around with the words sat where I can read them and just work on both simultaneously until I get vocal melody and chords or instrumental melody worked out.