Well, you have to think of where I'm coming from, and also to keep in mind that even though I myself am on version 3, the radio network I work at(with lots of studio rooms and hundreds of affiliates depending on our audio) is still on 1.5.Blank_Frank wrote:koolkeys wrote:Unfortunately, many stations haven't even jumped to Audition 3 because 1.5 worked so well. I think V3 is superior in most every way to 1.5 though, and the improvements in V3 are huge for the little monotonous tasks.I'm still on 1.5, and I'd be interested in what major leaps forward have been made since then, putting to one side the MIDI/VSTi functionality (which I'm unlikely to ever use). Don't get me wrong, I think it's a great piece of software, I just didn't like the 'makeover' they gave it in version 2, and haven't seen anything since then to convince me to upgrade - and Optomadic's statement seems to back that up.Optomadic wrote:Looks like we've been duped. AA3 is nothing more than CEP with a few more features and veneer.
That being said, the absolute best parts of V3, and others at my work who have upgraded to V3 in their homes agree with me, is in the small things. Little things like having fade handles in the edit screen to do fade-ins and outs. HUUUUUGE timesaver over choosing the old way from the effects menu. Being able to select a peak and instantly have a volume knob appear on the selection so you can turn it down, without any menus needed, is also a biggie. The top and tail views come in handy quite a bit as well.
There have been some very big additions to Audition as well, including some cool effects and even better tools for restoration and such, as well as IMO a much easier to use multi-track area(which is again, very big for radio work).
It's in the little things though. When you are working over a couple dozen production spots at a time, they save oodles of time. I understand that some people won't see it as significant enough, but V3 for me has been the best version yet by far. When I have to use 1.5 in one of the rooms at work, I hate it.
Brent

