Cakewalk's Rapture and Wavetable Synthesis Question
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- KVRAF
- 2429 posts since 11 Jan, 2009 from Portland, OR, USA
This is confusing me, hoping someone here can answer this seemingly simple Q:
The other "wavetable" synths I own (Largo and Massive) offer very clear methods of modulating the "wavetable position" of the selected wavetable loaded into a given oscillator. This is, as far as I understand it, a crucial aspect of what Wavetable Synthesis is -- a long list of single cycle waveforms and the ability to step through them via some form of modulation.
All the reviews, ads, articles on Rapture call it a wavetable synth, and you can load any of 250 or so supplied 'wavetables' -- but I see no options whatsoever for stepping through the wavetable once it's loaded into the oscillator. what gives here? what makes this a wavetable synth if you can't actually set up modulation to step through wavetables? I've looked through the documention, the reviews, forum discussions, and found nothing addressing this-- though one review commented that the "wavetables are very short" -- so are the available waves even really wavetables to begin with? If they are "short" and can't be stepped through, what then makes them wavetables?
Feel like I must just be missing something here, would appreciate any input from those in the know..
thank you!
-M
The other "wavetable" synths I own (Largo and Massive) offer very clear methods of modulating the "wavetable position" of the selected wavetable loaded into a given oscillator. This is, as far as I understand it, a crucial aspect of what Wavetable Synthesis is -- a long list of single cycle waveforms and the ability to step through them via some form of modulation.
All the reviews, ads, articles on Rapture call it a wavetable synth, and you can load any of 250 or so supplied 'wavetables' -- but I see no options whatsoever for stepping through the wavetable once it's loaded into the oscillator. what gives here? what makes this a wavetable synth if you can't actually set up modulation to step through wavetables? I've looked through the documention, the reviews, forum discussions, and found nothing addressing this-- though one review commented that the "wavetables are very short" -- so are the available waves even really wavetables to begin with? If they are "short" and can't be stepped through, what then makes them wavetables?
Feel like I must just be missing something here, would appreciate any input from those in the know..
thank you!
-M
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- KVRist
- 358 posts since 4 Dec, 2009 from muskegon MI
I think rapture uses only one cycle(i don,t have it so don't hold me to that).
Wavetable synthesis just means it modulates and/or distorts a series of points that make the waveform over time, so while not key, morphing is still nice.
Wavetable synthesis just means it modulates and/or distorts a series of points that make the waveform over time, so while not key, morphing is still nice.
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- KVRAF
- 5666 posts since 23 Mar, 2006 from pendeLondonmonium
You can read my thoughts on this subject in this thread:
http://www.kvraudio.com/forum/viewtopic.php?p=3976744
Simply put, Rapture has been wrongly promoted and advertised as being a 'wavetable' synth. The above thread explains why i think that.
http://www.kvraudio.com/forum/viewtopic.php?p=3976744
Simply put, Rapture has been wrongly promoted and advertised as being a 'wavetable' synth. The above thread explains why i think that.
- Beware the Quoth
- 35433 posts since 4 Sep, 2001 from R'lyeh Oceanic Amusement Park and Funfair
Sorry, the term 'wavetable' has been a viable definition for this kind of thing since the earliest days of digital synthesis, long before it was being done in realtime, or multiple (indexed) waveforms were being used in a single table. Check your Chamberlain et al.himalaya wrote:Simply put, Rapture has been wrongly promoted and advertised as being a 'wavetable' synth. The above thread explains why i think that.
An idiot on Set Theory:
"In some cases there is an object called red that contains everything that is red. In much the same way a pot is a plate."
"In some cases there is an object called red that contains everything that is red. In much the same way a pot is a plate."
- KVRAF
- 12522 posts since 21 Mar, 2008 from Hannover, Germany
Many confusions are still there about the term "wavetable synthesis". If you talk about the way the PPG Wave and/or the Waldorf synths work another term to describe it is "wavetable scanning".
The Waldorf synths (e.g. Largo, PPG Wave 2.V, Blofeld, Q, Wave, Microwave etc.) offer real "wavescanning synthesis", others are e.g. Virus TI, NI Massive, Synthmaster 2.0, Zebra 2.5, Surge, etc. Those have tables of up to 128 waves which you could scan through using e.g. envelopes or an LFO.
In the Microwaves for example this worked in a way that it included around 250+ single cycle waveforms from which you could then program a wavetable which includes "pointers" to the waveforms. The transition between two waves is then interpolated. Same way it worked in the PPG Wave, while it was more a "switching" than an interpolation of the different waveforms in that case.
This interpolation could also be found in the wavesequences of the Korg Wavestation which is more or less a wavetable using ROM samples instead of single cycle waveforms. Opposing to the "classic" wavetable scanning you could get a defined row of waveforms/samples this way. You could achieve a similar resuult with the new OS4 of the Virus TI since you could use the step sequencer for the modulation of the wavetables now. Same is possible with e.g. Largo (Step LFO) or Synthmaster 2.0.
Other synths which are promoted as wavetable synths like e.g. Rapture or Z3TA+ are just "normal" ROMplers or use single cycle waveforms.
The Waldorf synths (e.g. Largo, PPG Wave 2.V, Blofeld, Q, Wave, Microwave etc.) offer real "wavescanning synthesis", others are e.g. Virus TI, NI Massive, Synthmaster 2.0, Zebra 2.5, Surge, etc. Those have tables of up to 128 waves which you could scan through using e.g. envelopes or an LFO.
In the Microwaves for example this worked in a way that it included around 250+ single cycle waveforms from which you could then program a wavetable which includes "pointers" to the waveforms. The transition between two waves is then interpolated. Same way it worked in the PPG Wave, while it was more a "switching" than an interpolation of the different waveforms in that case.
This interpolation could also be found in the wavesequences of the Korg Wavestation which is more or less a wavetable using ROM samples instead of single cycle waveforms. Opposing to the "classic" wavetable scanning you could get a defined row of waveforms/samples this way. You could achieve a similar resuult with the new OS4 of the Virus TI since you could use the step sequencer for the modulation of the wavetables now. Same is possible with e.g. Largo (Step LFO) or Synthmaster 2.0.
Other synths which are promoted as wavetable synths like e.g. Rapture or Z3TA+ are just "normal" ROMplers or use single cycle waveforms.
Ingo Weidner
Win 10 Home 64-bit / mobile i7-7700HQ 2.8 GHz / 16GB RAM //
Live 10 Suite / Cubase Pro 9.5 / Pro Tools Ultimate 2021 // NI Komplete Kontrol S61 Mk1
Win 10 Home 64-bit / mobile i7-7700HQ 2.8 GHz / 16GB RAM //
Live 10 Suite / Cubase Pro 9.5 / Pro Tools Ultimate 2021 // NI Komplete Kontrol S61 Mk1
- KVRAF
- 9217 posts since 23 Jul, 2002 from Pequot Lakes, MN
Which is why I describe Largo/Massive/PPG style synthesis as wavescanning instead of wavetable synthesis.whyterabbyt wrote:Sorry, the term 'wavetable' has been a viable definition for this kind of thing since the earliest days of digital synthesis, long before it was being done in realtime, or multiple (indexed) waveforms were being used in a single table. Check your Chamberlain et al.himalaya wrote:Simply put, Rapture has been wrongly promoted and advertised as being a 'wavetable' synth. The above thread explains why i think that.
The strict definition of wavetable synthesis is that waves are stored in a table- that's it.
ew
A spectral heretic...
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- KVRian
- 995 posts since 25 Apr, 2005
Yes, wavetable synthesis is purely synthesis from a single cycle of an arbitrary waveform stored in a lookup table. This technique predates wavescanning and goes back to MUSIC II by Max Mathews, which could store precalulated waves in arrays.ew wrote:Which is why I describe Largo/Massive/PPG style synthesis as wavescanning instead of wavetable synthesis.whyterabbyt wrote:Sorry, the term 'wavetable' has been a viable definition for this kind of thing since the earliest days of digital synthesis, long before it was being done in realtime, or multiple (indexed) waveforms were being used in a single table. Check your Chamberlain et al.himalaya wrote:Simply put, Rapture has been wrongly promoted and advertised as being a 'wavetable' synth. The above thread explains why i think that.
The strict definition of wavetable synthesis is that waves are stored in a table- that's it.
ew
Playing back single cycles can sound dull so a number of methods have been introduced over the years to liven the sound up, such as wavescanning which allows morphing between waves.
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- KVRian
- 1238 posts since 12 Mar, 2002 from Kentucky
Yes. People get confused and wrongly promote their assumption that wavetable means wave sequencing. Maybe because the Korg line was so popular and they let you program wave sequences that were so prevalent in late 80's music.
All I need to be happy is one more VSTi.
- KVRAF
- 12522 posts since 21 Mar, 2008 from Hannover, Germany
Look my post above...ew wrote:Which is why I describe Largo/Massive/PPG style synthesis as wavescanning instead of wavetable synthesis.whyterabbyt wrote:Sorry, the term 'wavetable' has been a viable definition for this kind of thing since the earliest days of digital synthesis, long before it was being done in realtime, or multiple (indexed) waveforms were being used in a single table. Check your Chamberlain et al.himalaya wrote:Simply put, Rapture has been wrongly promoted and advertised as being a 'wavetable' synth. The above thread explains why i think that.
The strict definition of wavetable synthesis is that waves are stored in a table- that's it.
ew
Ingo Weidner
Win 10 Home 64-bit / mobile i7-7700HQ 2.8 GHz / 16GB RAM //
Live 10 Suite / Cubase Pro 9.5 / Pro Tools Ultimate 2021 // NI Komplete Kontrol S61 Mk1
Win 10 Home 64-bit / mobile i7-7700HQ 2.8 GHz / 16GB RAM //
Live 10 Suite / Cubase Pro 9.5 / Pro Tools Ultimate 2021 // NI Komplete Kontrol S61 Mk1
