beat test
- KVRAF
- Topic Starter
- 3726 posts since 30 Jan, 2005 from rochester, ny
jazzy, core,
i reduced the density by about 50% which adds a lot more gaps between events. doing so causes the randomness of the timing of events to be even more obvious.
beat test 2
can anyone guess what (very simple) technique i used to create the timings of the individual drum layers (two of which are present in this version, with one sometimes dropping out) ... ? hint: you can really hear this technique in action from :20 to :40. :-)
i reduced the density by about 50% which adds a lot more gaps between events. doing so causes the randomness of the timing of events to be even more obvious.
beat test 2
can anyone guess what (very simple) technique i used to create the timings of the individual drum layers (two of which are present in this version, with one sometimes dropping out) ... ? hint: you can really hear this technique in action from :20 to :40. :-)
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- KVRAF
- 8099 posts since 12 Dec, 2003 from Canada
Not sure what to say other than I found them to be out of context.rachmiel wrote:poly, jazzy,
what about the cymbals don't you like?
i'm such a non-drum-aficionado that all of these lazyfish Krypt samples sound pretty much equally effective as electronica blips and blaps to me. to tell the truth, i don't much like the samples. i find them musically dull. but i quite like the sound of a dense/chaotic overlapping of them.
- KVRAF
- Topic Starter
- 3726 posts since 30 Jan, 2005 from rochester, ny
i trust your gut. :-)polyslax wrote:Not sure what to say other than I found them to be out of context.rachmiel wrote:poly, jazzy,
what about the cymbals don't you like?
i'm such a non-drum-aficionado that all of these lazyfish Krypt samples sound pretty much equally effective as electronica blips and blaps to me. to tell the truth, i don't much like the samples. i find them musically dull. but i quite like the sound of a dense/chaotic overlapping of them.
when i go on a walk with my gurlfriend nancy and we pass by a patch of wildflowers she sees (and takes delight in or sometimes gets personally offended by) specific flowers: jack in the pulpit, veronica, blood root, whatever. i see: flowers. or, more like: blobs of shape and color.
when it comes to drums, you guys are nancys, hearing all sorts of specific nuance. mostly, i just hear: drums (tom, snare, cymbal, kick, etc.).
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- KVRAF
- 8099 posts since 12 Dec, 2003 from Canada
Wheels are turning now...
Flower Drum Song
Drums and Roses
A snare by any other name...
I'll just happily go by The Nancy of Drums henceforth.
Flower Drum Song
Drums and Roses
A snare by any other name...
I'll just happily go by The Nancy of Drums henceforth.
- KVRAF
- 7270 posts since 4 Apr, 2005 from here and there
Listened to both versions. In the 2nd one I tried (failing) to recognize the beat. I believe it works much better for what you were after.
Cheers
Cheers
- KVRAF
- 4798 posts since 14 Jun, 2004 from USA
lol, did Rick just call me a nancy? 
I do like the specific effect of stuttered twisting and drum blending, just not all of the sound choices. The cymbals just felt a bit abrasive and much louder than the other drum hits.
As for the technique, with DAW's there are a million and one ways to achieve this particular result, including happily slapping the face of drum controller like a 3 year old. That is another reason why creative sound choices can add a layer of unintended complexity to the technique, I suppose.
(By the way, I feel comfortable enough with you and the fact that you are a musical genius to be able to make the "3 year old" reference and know you wouldn't misunderstand and think I was insulting your work here. I know you know what you are doing)
I do like the specific effect of stuttered twisting and drum blending, just not all of the sound choices. The cymbals just felt a bit abrasive and much louder than the other drum hits.
As for the technique, with DAW's there are a million and one ways to achieve this particular result, including happily slapping the face of drum controller like a 3 year old. That is another reason why creative sound choices can add a layer of unintended complexity to the technique, I suppose.
(By the way, I feel comfortable enough with you and the fact that you are a musical genius to be able to make the "3 year old" reference and know you wouldn't misunderstand and think I was insulting your work here. I know you know what you are doing)
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- KVRAF
- 3046 posts since 30 Mar, 2002 from 51°53'N 02°15'W
Probably going to sound weird but even though I can't hear a discernible beat I can "feel" a groove - maybe because I'm listening on headphones in the dark so no other stimuli? Beat test 2 sounds/feels familiar for apparently no reason at all.
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- KVRAF
- 1585 posts since 13 Nov, 2005 from St. Paul
i'm also not hearing groove in here. it's an interesting combination of sounds, no doubt, but not something one could really tap the toes to. although i liked the first one, the second one was even more to my liking.
it reminds me a bit of zyklus für einen schlagzeuger with the different percussion tonalities. just a bit, it's structurally totally different of course. it has some of the same appeal to my ears.
it reminds me a bit of zyklus für einen schlagzeuger with the different percussion tonalities. just a bit, it's structurally totally different of course. it has some of the same appeal to my ears.
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PurpleCatfishBettie PurpleCatfishBettie https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=211816
- KVRAF
- 3278 posts since 22 Jul, 2009
Ok, here's a little (well, 10-minute) jam with those 2 loops:
http://www.fileden.com/files/2010/2/1/2 ... st_Jam.mp3
http://www.fileden.com/files/2010/2/1/2 ... st_Jam.mp3