Thanks for the extra evaluation time. I emailed you about an extension so this should work out, nicely.
Regards, James
No offense but I hate when they say that. It is the same thing that all SSL clones mfr. say, from Alan Smart to GSSL...andy_cytomic wrote:It is based on a very famous mix bus compressor by a British company (if you read the article you will get a hint)
That is my point, because the intent and purpose is no longer concealed and now the device will have to live up to an open comparison/competition with a particular product. Its very different... saying, My GSSL sounds like an SSL G but with two extra features which make it better than an SSL G which is why you should buy it.aciddose wrote:never has there been a case where one company was sued by another for open competition and in fact in the past companies were far more confrontational about their marketing.
Hi Perry, I was asked directly by SSL to remove all there name and trademarks from my web page and any marketing, but that phrases like "famous British mix bus compressor" was fine.Perry Grinn wrote:No offense but I hate when they say that. It is the same thing that all SSL clones mfr. say, from Alan Smart to GSSL...andy_cytomic wrote:It is based on a very famous mix bus compressor by a British company (if you read the article you will get a hint)
I am sure it is a great compressor + I'm a likely candidate for a not-to-far-off buy, as long as its stable, I'm just saying... I hate when companies say that bit about it being based on 'a very famous mix buss compressor'. Sorry again, no offense.
-Perry
Well if you are a lawyer willing to guarantee a victory to me when SSL sue me then I still wouldn't do it. I prefer to get along and be friendly when companies make reasonable requests to me, the audio industry is too small for antagonistic behaviour.aciddose wrote:they can legally say it's similar to SSL or that it was designed specifically to function similarly to SSL in their opinion without any issues.
I'm quite happy to go head to head in any comparison tests against analog hardware. In fact I've actually already made the first round of audio examples comparing The Glue to the SSL XLogic G-Series compressor, and there are more to come. Sorry for those that have already seen this link I posted a short while back. This was done with the settings: attack 0.1 mS, release 0.1 S, ratio 10, grain reduction rms needle peaking at -18 dB. The Glue also was set to: Sidechain HP Off, Range Full, Mix 100%:Perry Grinn wrote:That is my point, because the intent and purpose is no longer concealed and now the device will have to live up to an open comparison/competition with a particular product. Its very different... saying, My GSSL sounds like an SSL G but with two extra features which make it better than an SSL G which is why you should buy it.aciddose wrote:never has there been a case where one company was sued by another for open competition and in fact in the past companies were far more confrontational about their marketing.
Do you mean oversampled two times? If so then currently The Glue does not oversample. This feature will be added as a free update to all customers in the near future.Perry Grinn wrote:Is it a double sampled processor? I have a hybrid setup with BLAs PM8 > Mytek 2 channel ADC > BLA/Digi 003 via S/PDIF. On input I'm looking a soft-compression on occasion, so I need a double sampled processor like PSPs FAT... does the Cytomic SSL clone have this?
Yes. OK. Great, thank you.andy_cytomic wrote:Do you mean oversampled...? If so then currently The Glue does not oversample. This feature will be added as a free update to all customers in the near future.
Buss compressors were designed to work on drum busses, and mix busses. The SSL is a particularly famous example of one, known for keeping things punchy and snappy. But, it also sounds great on instruments. Bass guitars, kick drums, vocals, guitars, The Glue can do them all.pheeleep wrote:151 pages![]()
I've been hearing the glue this.. the glue that..
Ok time to try the demoDownloading now...
Why is this considered a "mastering" Compressor? Do you guys use it on inserts as well? Never tried a filter sidechain on a compressor before. What's that all about? I'm familiar with the "pumping" effect sidechain, not this. In what circumpstances would you want to use this sidechain? Does it only sound great on drums and bass or also vocals and other sources? What are some great benefits of the attack being able to go down as low as 0.1?
Lot's a questions.. hehe..
Thanks!
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