We control the horizontal. We control the vertical. We even put a color picture on your black-and-white set. There's a signpost up ahead:VSTJuNkiE wrote:[cue 50's doctor voice with sci-fi music] It sounds different because you want it to sound different [cue wobbly Theremin]
Yeah, damn inflation!standalone wrote:And we began betting our lifes and now we are at $10.
"Most of us have no problem achieving sheen"? Did I say I had a problem? ANd what does that mean exactly? But you know, just from the tone of your reply, you sir, sound like an utter fool, and, if I may be so bold, without an ironic bone in your body. My words were, that the original poster may have a point. I myself, I did not speak universally, I spoke for myself, and as it pertained to Fl studio, I named a particular application, that sounded different to my ears, get it, let me say it again, my ears, not yors, not anyone else's, when played in stand alone mode and when played as a vst in FL Studio. If you are unwilling or incapable of reading a simple statement of fact, and your line of defence is to resort to technical mumbo-jumbo, when it's a matter of empirical testimony, seat of your pants kind of stuff, (you know I know it's red but it doesn't look red to me, it looks more scarlet), then as I stated earlier, you are but a fool. Perhaps an educated fool, but still, alas, a fool. I bid you good day, sir!Penis Arcade wrote:FL Studio features advanced Nyquist-compensated and latency-dithered implementation of Fletcher-Munson Curves - outpacing most of the competition in this department, which typically fares far worse in most panning-law luminousity tests.
You sparkle problems point at your own ineptness. Most of us have no problem achieving sheen.
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