Run a compressor before them to get a more amp-like feel. Aside from that, the sound is excellent, especially the British and Liverpool pedals. The new ones that allow you to bypass the speaker emulation are really cool, too.robojam wrote:I haven't played one, but I've heard the results of playing through one and they sound pretty good - not sure it's easy to tell it isn't an amp, particularly for bass.
Your next amp
- KVRAF
- 20738 posts since 22 Nov, 2000 from Southern California
- KVRAF
- 20738 posts since 22 Nov, 2000 from Southern California
Like Hink, I personally consider this to be a negative.bluelife wrote:I use it with the band, during rehearsals I can't turn it up higher than 2, otherwise I drown the drums.
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- KVRAF
- 21348 posts since 26 Jul, 2005 from Gone
Interesting - what is it that the compressor adds?Uncle E wrote:Run a compressor before them to get a more amp-like feel. Aside from that, the sound is excellent, especially the British and Liverpool pedals. The new ones that allow you to bypass the speaker emulation are really cool, too.robojam wrote:I haven't played one, but I've heard the results of playing through one and they sound pretty good - not sure it's easy to tell it isn't an amp, particularly for bass.
I was certainly thinking of the bass DI, but wasn't sure which guitar DI. There's a tube amp emulator that doesn't specify the original amp - have you used that?
I'm really interested in getting these at some point, but just haven't got round to spending the time in my local Sam Ash to see if I can get to play through one.
- KVRAF
- 20738 posts since 22 Nov, 2000 from Southern California
I recently did a gig with a Peavey Vypyr 60, which is a hybrid amp with a solid state front end, DSP for amp modeling, and a tube back end. It's far better than other digital amps I've played but it still feels strange compared to my tube amps. I may mess around with the output tubes to see if it livens up with 6V6's or EL84's.robojam wrote:It's on my "if I had the money right now" list, as I like the idea of it - I've heard a few of those non-valve amps with a valve somewhere in them and they're variable quality.
- KVRAF
- 20738 posts since 22 Nov, 2000 from Southern California
That chorused, clean Led Zeppelin was pretty cool. Everything else sounds really sterile and over-processed.bluelife wrote:I found this demo ok, the sound is not bad:
- KVRAF
- 20738 posts since 22 Nov, 2000 from Southern California
You've got to try the Jet City JCA20, which are $224 for the head and $269 for the combo. It nails the exact tone you're describing. The Ibanez and Blackheart tube amps are also in your price range but they won't get you the high gain tones you're looking for, not even with a TS7 in front of them.davidka wrote:When dealing with ultra-high gain for metal, personally I prefer a warmer, dirtier distorted sound versus the wellknown fuzzy rectifier one I always find when watching demos of Mesa amps.
- KVRAF
- 20738 posts since 22 Nov, 2000 from Southern California
Tubes and the transformers in tube amps compress, and that's something most emulators (be they analog or digital, hardware or software) often miss.robojam wrote:Interesting - what is it that the compressor adds?
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- KVRian
- 732 posts since 22 Dec, 2010
The 20W head would be great, the 20W combo would be much greater. In my country there isn't any Jet City amps running around, so I'll need some luck finding them. But if tonewise they are future proof, I'll invest more in the first amp projectUncle E wrote:You've got to try the Jet City JCA20, which are $224 for the head and $269 for the combo. It nails the exact tone you're describing. The Ibanez and Blackheart tube amps are also in your price range but they won't get you the high gain tones you're looking for, not even with a TS7 in front of them.davidka wrote:When dealing with ultra-high gain for metal, personally I prefer a warmer, dirtier distorted sound versus the wellknown fuzzy rectifier one I always find when watching demos of Mesa amps.
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- KVRian
- 838 posts since 22 Feb, 2001
@Hink
Sure you are right (I refer to your long post), but go to a shop and try it.
I had a MesBoogie too once:)
We started the band just for fun, so I wasn't looking to invest a 1000 or anything in an amp, that's why I chose the Fender.
All the Tubeamps available upto 300 were only 5 Watt which wouldn't be enough for gigs.
@Uncle E - yes, but it's the only video I found where you can actually listen to some of the patches. The compression could come from YouTube.
cheers
Richard
Sure you are right (I refer to your long post), but go to a shop and try it.
I had a MesBoogie too once:)
We started the band just for fun, so I wasn't looking to invest a 1000 or anything in an amp, that's why I chose the Fender.
All the Tubeamps available upto 300 were only 5 Watt which wouldn't be enough for gigs.
@Uncle E - yes, but it's the only video I found where you can actually listen to some of the patches. The compression could come from YouTube.
cheers
Richard
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- KVRAF
- 21348 posts since 26 Jul, 2005 from Gone
There's quite a few around, and some on the Vox site, but I just get the feeling that what I'm hearing on the videos is not what I'd hear if it was played through a PA or decent sized cab.bluelife wrote:@Uncle E - yes, but it's the only video I found where you can actually listen to some of the patches. The compression could come from YouTube
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- KVRian
- 838 posts since 22 Feb, 2001
No, it's not, you could go to a shop and try it, cu
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- KVRAF
- 21348 posts since 26 Jul, 2005 from Gone
That's probably what I'll do. Just have to find some time to go somewhere and try one.bluelife wrote:No, it's not, you could go to a shop and try it, cu
It's still good to get opinion from someone who owns one, I just don't trust what I hear in videos on the web.
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Dean Aka Nekro Dean Aka Nekro https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=162100
- KVRAF
- 6178 posts since 4 Oct, 2007 from Escaped At Last
Uncle E wrote:You've got to try the Jet City JCA20, which are $224 for the head and $269 for the combo. It nails the exact tone you're describing. The Ibanez and Blackheart tube amps are also in your price range but they won't get you the high gain tones you're looking for, not even with a TS7 in front of them.davidka wrote:When dealing with ultra-high gain for metal, personally I prefer a warmer, dirtier distorted sound versus the wellknown fuzzy rectifier one I always find when watching demos of Mesa amps.
You must be mad
- Rad Grandad
- Topic Starter
- 38041 posts since 6 Sep, 2003 from Downeast Maine
Hi Richard, I probably wont be trying it but I'll take your word for it. While I agree 5 watts is a little light I want to point out that judging volume by wattage is very misleading. For instance the difference between a 50 watt and 100 watt head is only slightly noticed...it is not twice as loud and a 5 watt amp would be perceived as half as loud as a 50 watt amp.bluelife wrote:@Hink
Sure you are right (I refer to your long post), but go to a shop and try it.
I had a MesBoogie too once:)
We started the band just for fun, so I wasn't looking to invest a 1000 or anything in an amp, that's why I chose the Fender.
All the Tubeamps available upto 300 were only 5 Watt which wouldn't be enough for gigs.
@Uncle E - yes, but it's the only video I found where you can actually listen to some of the patches. The compression could come from YouTube.
cheers
Richard
Now tubes compress basically and they do so much better than solidstate amps do which is why a tube amp with the same rating sounds much louder than a solid state amp. So that 5 watt amp might a lot louder than you think. The advantage to this and why I said 'being on two drowns out the drummer' wasn't really a good thing in my opinion is because how tube amps clip at higher volumes where solidstate doesn't.
So instead of the same sound louder like you would get by cranking up the frontman a tube amp is going to noticeably sound better, not just louder. FWIW for many years I believed that I liked pumping my 'tone' up louder without changing it was better. My main rig then was a celestion loaded 4x12 wired at 4 ohms and split for stereo. Driving that was my Marshall 9000 tube pre-amp and a CS-400 (400 watt) solidstate power amp. In hindsight my insisting this was the best way was a matter of economics and not reality...a tube power amp was just too expensive
sorry for my long posts
The highest form of knowledge is empathy, for it requires us to suspend our egos and live in another's world. It requires profound, purpose‐larger‐than‐the‐self kind of understanding.
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- KVRian
- 838 posts since 22 Feb, 2001
Hi Hink, thanks for the info, but I knew that already:) I've been playing for 30 years:)
I bought the cheapo Fender because we wanted just to play Rockabilly at the beginning = just clean; now we've decided to do other stuff too, like Creep and Under The Bridge, so I bought the Tonelab for the distortion.
The band is just for fun, so I didn't want to spend too much, but needed a bit of volume,
cheers then
Richard
I bought the cheapo Fender because we wanted just to play Rockabilly at the beginning = just clean; now we've decided to do other stuff too, like Creep and Under The Bridge, so I bought the Tonelab for the distortion.
The band is just for fun, so I didn't want to spend too much, but needed a bit of volume,
cheers then
Richard