George Shearing is a master of this technique. Essential to what is known as the "Shearing sound." Perhaps my favourite pianist. Anyhow, the most straight forwward illusration of this technique is by the one and only Dick Hyman, pianist and teacher extraordinaire. He also has an instructional cdrom that is very good as well. See here:
Hope it helps.
Ciao!
Block Chords
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gambaytheunspoken gambaytheunspoken https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=23603
- KVRist
- 309 posts since 1 May, 2004
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- KVRist
- 211 posts since 28 Apr, 2009 from Ft. Lauderdale, FL
I think we are not so different.tapper mike wrote:That is where you and I differ.
I would say the exact same thing. We are in complete agreement.tapper mike wrote:Everything is harmony to me. When I play a melody it is in context with the harmony. Melodic content is not scalar repetition.
You are assuming that I use scales in the manner you described. I agree with you that just zipping up and down the notes of a scale as fast as you can is often overdone.tapper mike wrote:When you were a child you may have practiced your abc's. Do you attempt to discuss things by reciting your abc's? Does reciting them really really fast make you look more inteligent or convey the emotive and intelectual ideals in your head?
Would you agree with me that just sitting on a given chord for the prescribed length of time is also overdone? Most chords can be found to naturally occur in one or more scales. In order to get away from just playing static chords it's very common to move to some of the other chords found in the scale. You can generate many simple or sophisticated, harmonic or melodic ideas using this method.
Drugs and alcohol have never helped me creatively, but for others it seems to be an essential part of the process. 