My favorite exploit of VR is automating the pre-delay with a lowish decay usually on long sustained notes. With a super low tempo I can get drum rolls/hits or a nice tremolo. It's cool because the tempo of VR's rhythm is linked to the slope of the automation I make. Often I do this on a few sends to get polyrhythms. It's also great for disturbing alien gurgles. Dark modes work especially well!
I dunno, I think I could be doing more with this technique...
Changing the pre-delay sounds better in VR than other reverbs I recall using? Most of them just click?
ValhallaWobbleSlop.JeffSanders wrote:Would still love to see a Valhalla Plate or a delay with tons of wobble and sloppy tape goodness.
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I just had a bug in Logic I think were the dark modes were louder than the bright. Starting and stoping the transport seems to have fixed it.
I emailed the JUCE (VR uses it IIRC) and host devs and about this too, but all JUCE (well the 4 that I have) plugins have a white border in Audiomulch and Numerology on OS X. In Numerology it's on the bottom and right in Mulch it's on the left. Not a big deal and I have no idea if there is even anything you could do...

