Thank you; I added this to the list on the main web site.pljones wrote:Try http://www.drealm.info/Wolfgang_Palm/Plex2.html - GoDaddy hosting, no bandwidth limits.
Some old £169.99 vsti gem from the past -- now FREE!!!
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- KVRAF
- 1940 posts since 16 Aug, 2004 from Vienna, Austria
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- KVRAF
- 16977 posts since 23 Jun, 2010 from north of London ON
Used first mirror here..took 2 minutes.
Opened it up in Reaper...my what sounds!!!
Thanks for doing this up!!

Opened it up in Reaper...my what sounds!!!
Thanks for doing this up!!
Barry
If a billion people believe a stupid thing it is still a stupid thing
If a billion people believe a stupid thing it is still a stupid thing
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- KVRAF
- 2169 posts since 7 Dec, 2005
This is directly from the manual:
Basic concept
PLEX uses a new analysis/synthesis technology developed by
Wolfgang Palm. The concept provides the means to split all kinds of
sounds into 4 components which will reproduce the original sound
when applied together. The components are chosen in a way that
each contains certain specific properties of the sound. These are:
• The gradual sound color changes of the original sound over time. A time
varying digital filter is used for the approximation. In the PLEX program, a
yellow icon represents this Filter component.
• The lower frequency spectrum of the remaining signal. In PLEX, a red icon
represents this Base component.
• The upper frequency spectrum of the remaining signal. In PLEX, a green icon
represents this Top component.
• The Level development of the Base and Top signals, i.e. the gain envelopes
that you can set in the Base and Top views of the ADSR envelope page and
apply to other presets by using the preset parameter selector fields in the
Preset Group page.
Although all cover the same spectral range, the Top components of a
piano sound, a violin, or a trumpet each have a different structure.
Each component only contains a certain acoustic domain. A Base
component will only contain the lower harmonics of the original
sound. It won't contain sound color or volume change information.
A Top component is similar, but it contains the high frequencies instead.
The time varying Filter component only contains the sound
color development over time but no other information about the remaining
parts of the signal like cycle length or noise intensity.
This strict separation of important characteristics makes it possible,
for example, to freely interchange all the Base components with each
other and still maintain a natural sound character or sound sequence,
respectively.
Simple, eh?
And the system requirements:
To use PLEX you will need at least:
• A PC with a 600 MHz Pentium III /comparable AMD processor or faster,
running Windows 2000 or Windows XP and at least 180 MB of free RAM.
• A VST 2.0 compatible host application that supports virtual instruments, such
as Cubase SX/SL or VST (version 5 or later) or Nuendo. This must be
correctly installed on your computer.
Which means that you should be able to run about 1000 instances of Plex on a 6-core computer!
Wolfgang Palm: You made my day, sir! VERY nice!
Basic concept
PLEX uses a new analysis/synthesis technology developed by
Wolfgang Palm. The concept provides the means to split all kinds of
sounds into 4 components which will reproduce the original sound
when applied together. The components are chosen in a way that
each contains certain specific properties of the sound. These are:
• The gradual sound color changes of the original sound over time. A time
varying digital filter is used for the approximation. In the PLEX program, a
yellow icon represents this Filter component.
• The lower frequency spectrum of the remaining signal. In PLEX, a red icon
represents this Base component.
• The upper frequency spectrum of the remaining signal. In PLEX, a green icon
represents this Top component.
• The Level development of the Base and Top signals, i.e. the gain envelopes
that you can set in the Base and Top views of the ADSR envelope page and
apply to other presets by using the preset parameter selector fields in the
Preset Group page.
Although all cover the same spectral range, the Top components of a
piano sound, a violin, or a trumpet each have a different structure.
Each component only contains a certain acoustic domain. A Base
component will only contain the lower harmonics of the original
sound. It won't contain sound color or volume change information.
A Top component is similar, but it contains the high frequencies instead.
The time varying Filter component only contains the sound
color development over time but no other information about the remaining
parts of the signal like cycle length or noise intensity.
This strict separation of important characteristics makes it possible,
for example, to freely interchange all the Base components with each
other and still maintain a natural sound character or sound sequence,
respectively.
Simple, eh?
And the system requirements:
To use PLEX you will need at least:
• A PC with a 600 MHz Pentium III /comparable AMD processor or faster,
running Windows 2000 or Windows XP and at least 180 MB of free RAM.
• A VST 2.0 compatible host application that supports virtual instruments, such
as Cubase SX/SL or VST (version 5 or later) or Nuendo. This must be
correctly installed on your computer.
Which means that you should be able to run about 1000 instances of Plex on a 6-core computer!
Wolfgang Palm: You made my day, sir! VERY nice!
- KVRAF
- 3471 posts since 19 Aug, 2008 from USA-lien In the 8th Dimention
My 4 gig flash drive and I, are on the next plane to Italy!MaxSynths wrote:
EDIT: download speed 54kb/s, 35 minutes left
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- KVRian
- 1392 posts since 28 May, 2008 from Saint Paul, MN
This is awesome! Thank you 
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- KVRAF
- 3644 posts since 27 Nov, 2003 from beach side australia
yes..thankyou, this is awesome.. really like this 
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- KVRian
- 1111 posts since 1 Jul, 2008
I haven't found time to try it yet but I certainly will.
A wonderful gift - Thank you sir.
A wonderful gift - Thank you sir.
- KVRAF
- 12522 posts since 21 Mar, 2008 from Hannover, Germany
Many thanks to Wolfgang and Hermann for this.
Installation is easy: just add the extracted folder to your vstplugins folder. Works nicely here in Windows 7 32-bit and Ableton Live 8.
Ingo
Installation is easy: just add the extracted folder to your vstplugins folder. Works nicely here in Windows 7 32-bit and Ableton Live 8.
Ingo
Ingo Weidner
Win 10 Home 64-bit / mobile i7-7700HQ 2.8 GHz / 16GB RAM //
Live 10 Suite / Cubase Pro 9.5 / Pro Tools Ultimate 2021 // NI Komplete Kontrol S61 Mk1
Win 10 Home 64-bit / mobile i7-7700HQ 2.8 GHz / 16GB RAM //
Live 10 Suite / Cubase Pro 9.5 / Pro Tools Ultimate 2021 // NI Komplete Kontrol S61 Mk1
- KVRAF
- 2424 posts since 9 Mar, 2004 from Ann Arbor, Michigan, USA
After messing around with Plex tonight, I gotta say this is a VERY useful tool for commercial sound designers out there looking for a fun sketchpad to give their inspiration a solid kick in the butt on days when writer's block hits. Just move icons around the screen and think "Woah! That sounds pretty cool...now how might I make something similar to this sound on this other synth I'm working on? Now let's twiddle some knobs on that other synth and make something even better". More often than not, this kind of approach inspires something completely different than what I thought I would end up with, as well as several spinoff tidbits picked up along the way.
VST PRESETS ---> http://xenossoundworks.com
Bazille, NI Massive, Z3ta, PPG Wave, TAL-J8, RePro, Diva, Spire and more
Bazille, NI Massive, Z3ta, PPG Wave, TAL-J8, RePro, Diva, Spire and more
- KVRAF
- 24415 posts since 7 Jan, 2009 from Croatia
Agreed with that, Xenos. It's really fun to use!
- KVRAF
- 12522 posts since 21 Mar, 2008 from Hannover, Germany
I am already thinking about using a signal analysis tool and reprogramming this with the additive oscillators in Synthmaster 2.5.Xenos wrote:After messing around with Plex tonight, I gotta say this is a VERY useful tool for commercial sound designers out there looking for a fun sketchpad to give their inspiration a solid kick in the butt on days when writer's block hits. Just move icons around the screen and think "Woah! That sounds pretty cool...now how might I make something similar to this sound on this other synth I'm working on? Now let's twiddle some knobs on that other synth and make something even better". More often than not, this kind of approach inspires something completely different than what I thought I would end up with, as well as several spinoff tidbits picked up along the way.
Ingo
Ingo Weidner
Win 10 Home 64-bit / mobile i7-7700HQ 2.8 GHz / 16GB RAM //
Live 10 Suite / Cubase Pro 9.5 / Pro Tools Ultimate 2021 // NI Komplete Kontrol S61 Mk1
Win 10 Home 64-bit / mobile i7-7700HQ 2.8 GHz / 16GB RAM //
Live 10 Suite / Cubase Pro 9.5 / Pro Tools Ultimate 2021 // NI Komplete Kontrol S61 Mk1
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- KVRian
- 1167 posts since 19 Apr, 2004
Nice synth, Thank you for making it free
