izonin wrote:The softies just don't work in a real musical situation.
Inigo Montoya wrote: You keep using that word. I do not think it means what you think it means.
izonin wrote:The softies just don't work in a real musical situation.
Inigo Montoya wrote: You keep using that word. I do not think it means what you think it means.
They fail *miserably* - or there are some minor differences if you really look closely?Urs wrote:I agree.izonin wrote:All software emulations of anologue synths fail miserably.
It'd be funny if it was this guy:Grain Bastard wrote:[
You got a band website so we can hear this stuff that we are missing?
It depends on how serious you are about your music. I always look closely.hakey wrote:They fail *miserably* - or there are some minor differences if you really look closely?Urs wrote:I agree.izonin wrote:All software emulations of anologue synths fail miserably.
Do they?hakey wrote:izonin wrote:All software emulations of anologue synths fail miserably.
No, 'physical modelling' is called 'physical modelling'.izonin wrote:Yes, it's called hybrid modelling.hakey wrote:whyterabbyt wrote: he is the guy who insists physical modelling uses samples after all.
The DX7 is an exception, it doesn't have filters. It doesn't try to emulate.whyterabbyt wrote:It'd be funny if it was this guy:Grain Bastard wrote:[
You got a band website so we can hear this stuff that we are missing?
http://soundcloud.com/izonin/80s-bliss-demo-song
Oh, I guess that proves it then. A Selmer, oh my.izonin wrote:Yep, the sax player in my band actually plays a Selmer. The softies just don't work in a real musical situation. Except maybe for some ambient pads in the background.ariston wrote:I'm sure you're speaking from an impressive backdrop of personal experience with these matters.izonin wrote: The thing is, if you're playing in a band, and the guitarist has an amazing PRS and the sax player brings his Selmer, you'll want to be on their level, too. That's when you realize why softsynths can't compare sonically.
Ah, that was a question to Urs - it's a bit of a turn around from his view on the matter not so long ago.izonin wrote:It depends on how serious you are about your music. I always look closely.hakey wrote:They fail *miserably* - or there are some minor differences if you really look closely?Urs wrote:I agree.izonin wrote:All software emulations of anologue synths fail miserably.
Actually there is only a handful of softsynths not emulating hardware afaic... + this discussion has a beard that would reach around this globe.izonin wrote:All software emulations of anologue synths fail miserably.
But it had the same meaning in the context of that discussion.whyterabbyt wrote:No, 'physical modelling' is called 'physical modelling'.izonin wrote:Yes, it's called hybrid modelling.hakey wrote:whyterabbyt wrote: he is the guy who insists physical modelling uses samples after all.
kinda irrelevant to what I found funny, and an inconsistent argument, since only a tiny handful of softsynths try to emulate either.izonin wrote:The DX7 is an exception, it doesn't have filters. It doesn't try to emulate.
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