New: AAS Chromaphone - Creative Percussion Synthesizer

VST, AU, AAX, CLAP, etc. Plugin Virtual Instruments Discussion
Post Reply New Topic
RELATED
PRODUCTS

Post

pdxindy wrote:
ariston wrote:Ummm... at first glance, this seems to be Collision repackaged, with a few effects added. I'll try the demo later, but.. any opinions on that from someone who owns Collision?
I have Collision but have not tried the new one to compare. AAS mentions some sort of tying together of the two resonators that looks like it might be a new feature.
Yes, coupling the two resonators makes them interact and yields very interesting, unusual, unheard results.

Post

pdxindy wrote:
Sampleconstruct wrote:
goldenanalog wrote:
Check this out:

http://www.davisblanchardwindchimes.com/

Give a listen to the Westminster Quarters Wind Chime..absolutely gorgeous!

Can this be accurately done with Chromaphone? I'm going to try to spend this weekend giving it a shot.
The decay phase won't be the problem so much but the attacks might be harder to emulate in Chromaphone, those noise bursts can be modelled quite a bit but it's quite hard to make them sound like a real mallet...at least with more metallic instrument emulations.
For that sort of sharp attack I use Zebra... It is outstanding... You have much more control over the attack in Zebra than with Collision (haven't tried Chromaphone yet) For the wind chimes and other struck metal I would use Zebra.
Hmm, I don't think Zebra's Combfilter comes anywhere near Chromaphone, also the Attack is much more tweakable and can be even made into a LFO-modulated, sustained noise texture that triggers the Resonators - just check it out...

Post

Sampleconstruct wrote:
pdxindy wrote:
Sampleconstruct wrote:
goldenanalog wrote:
Check this out:

http://www.davisblanchardwindchimes.com/

Give a listen to the Westminster Quarters Wind Chime..absolutely gorgeous!

Can this be accurately done with Chromaphone? I'm going to try to spend this weekend giving it a shot.
The decay phase won't be the problem so much but the attacks might be harder to emulate in Chromaphone, those noise bursts can be modelled quite a bit but it's quite hard to make them sound like a real mallet...at least with more metallic instrument emulations.
For that sort of sharp attack I use Zebra... It is outstanding... You have much more control over the attack in Zebra than with Collision (haven't tried Chromaphone yet) For the wind chimes and other struck metal I would use Zebra.
Hmm, I don't think Zebra's Combfilter comes anywhere near Chromaphone, also the Attack is much more tweakable and can be even made into a LFO-modulated, sustained noise texture that triggers the Resonators - just check it out...
I love physical modeled sounds! Cannot have too many and look forward to trying Chromaphone. I have Collision, Tassman, String Studio from AAS. Zebra stands right with them for modeling percussion/string sounds.

The AAS stuff has a rounder sound so for some stuff I like it better and it is easier. Zebra has much better control of the attack.

This is an old struck bell sound I did in Zebra... Quite different from the wind chime, but gets the idea of using a metal rod to strike a bell and that sort of sharp metallic attack. I know Zebra a helluva lot better now than then, but it still stands up well.

http://draigathar.org/zebra/sharp-bell.mp3

Post

i f**king love AAS!

Post

Indeed sounds as you described it, pdxindy!

Post

Winstontaneous wrote:Now that AAS have this out of their system, I hope they'll devote their undivided attention to updating Tassman!
Not holding my breath. Im sure there's other bits of T4 they'll decide to cannibalise and repackage instead.
An idiot on Set Theory:
"In some cases there is an object called red that contains everything that is red. In much the same way a pot is a plate."

Post

are there still people waiting for the email from aas? i would love to buy this at the reduced price but haven't had an email until now (owner of 5 aas products). cheers

Post

Gosh wrote:are there still people waiting for the email from aas? i would love to buy this at the reduced price but haven't had an email until now (owner of 5 aas products). cheers
I am :(

Post

Just got mine but I'm in the "W's"

Post

aMUSEd wrote:Just got mine but I'm in the "W's"
I'm in the 'S's' but still nothing :(

Post

So can Tassman 4 do everything this can do?

All the demos sound really nice :)

Post

Nope. I should have been towards the beginning of the line.

Maybe the problem is... you need to own six! :)


Maybe wait a day and if you really want to get this just send them a note. That's what I might do. Because... maybe there was some technical issue and the email was sent but didn't go through?

Gosh wrote:are there still people waiting for the email from aas? i would love to buy this at the reduced price but haven't had an email until now (owner of 5 aas products). cheers
Available on iTunes, Amazon, etc.

Post

thanks sequent. that is exactly what i'm going to do. btw, has anyone noticed that aas has at least gotten rid of their old preset browser? i never understood why you could hide the browser in the standalone version but not in the vsts.

Post

So does this support microtuning (preferably using TUN or SCL)?

Post

pdxindy wrote:This is an old struck bell sound I did in Zebra... Quite different from the wind chime, but gets the idea of using a metal rod to strike a bell and that sort of sharp metallic attack. I know Zebra a helluva lot better now than then, but it still stands up well.

http://draigathar.org/zebra/sharp-bell.mp3
Nice work indy!

As for Chromaphone, this is probably my favourite subset of the Tassman tools and an area I've wanted to see AAS explore further for a long time... I've never tried the Ableton version... Collision, is it?

Anyhow, this is quite nice imo and really useful for the work I do.

Post Reply

Return to “Instruments”