Cheers
Miro
This Strip does indeed shine on acoustic material. It treats the signal gently. I would also imagine that it is useful for ambient material where destroying the signal is NOT an option. Seems like a good all around plugin really and the algorithms make it safe rather than aggressive.PFozz wrote:miro pajic:
It is not a problem, really, and I sincerely appreciate your feedback.
Those who love them usually appreciate how "smooth" these plugins are.
Some may not like them for the exact same reason.
They are obviously more usefull as everyday mixing tools than as creative effects (except SD-GATE87 probably).
Most users are currently engineers/producers working either on "soft" acoustic instruments or pure electronic materials (hip-hop / electro).
It's probably easier to get a unanimous positive feedback about something like EAReverb because almost everybody may potentially need a reverb which sounds very natural (even if a lot of users may also need a shimmering/lush reverb tale from another reverb plugin).
Maybe you will like the next eaReckon thing![]()
I don't know when it will be available but it will be a very different beast!
However, I still have to update the ANALOG87 Series, EAReverb and BloXpander before I can finalize this thing...
Thanks again for your feedback!
All the best,
Philippe
I felt the exact same way! It was driving me nuts, I thought I was losing my mind. I *wanted* to like it, it just wasn't doing it for me, and I couldn't figure out why. Still can't!miro pajic wrote:Yes, true but I remember even having a hard time dialing in the desired amount/finding a sweet spot.
...
I also remember that using/turning the knobs was somewhat weird. Didn't like the behaviour (and honestly, I'm not a very picky person when it comes to that!). I think they were very sensitive and hard to "control".
xybre wrote:
Eh? I'm pretty sure each of those companies is totally different and not made by the same guy. If you look at the "about" pages it tells you that.
I demoed it ages ago, but don't remember much. Maybe I'll give it another go...it's just very expensive to consider.xybre wrote:I felt the exact same way! It was driving me nuts, I thought I was losing my mind. I *wanted* to like it, it just wasn't doing it for me, and I couldn't figure out why. Still can't!miro pajic wrote:Yes, true but I remember even having a hard time dialing in the desired amount/finding a sweet spot.
...
I also remember that using/turning the knobs was somewhat weird. Didn't like the behaviour (and honestly, I'm not a very picky person when it comes to that!). I think they were very sensitive and hard to "control".
I'm curious what you think of the Arts Acoustic CL-1 compressor, that's the one that clicked me with immediately. The Glue, Major Tom, and CP2V were all good too, for different reasons.
The CLMS-1 does mid/side or l/r, parallel compression, internal and external m/s sidechain with high and lowpass filters.audiobot202 wrote:I demoed it ages ago, but don't remember much. Maybe I'll give it another go...it's just very expensive to consider.xybre wrote:I felt the exact same way! It was driving me nuts, I thought I was losing my mind. I *wanted* to like it, it just wasn't doing it for me, and I couldn't figure out why. Still can't!miro pajic wrote:Yes, true but I remember even having a hard time dialing in the desired amount/finding a sweet spot.
...
I also remember that using/turning the knobs was somewhat weird. Didn't like the behaviour (and honestly, I'm not a very picky person when it comes to that!). I think they were very sensitive and hard to "control".
I'm curious what you think of the Arts Acoustic CL-1 compressor, that's the one that clicked me with immediately. The Glue, Major Tom, and CP2V were all good too, for different reasons.
Demoing CL1 again now...3 compressors..but really a lot of cross functionality. I'd use one more than the others....xybre wrote:The CLMS-1 does mid/side or l/r, parallel compression, internal and external m/s sidechain with high and lowpass filters.audiobot202 wrote:I demoed it ages ago, but don't remember much. Maybe I'll give it another go...it's just very expensive to consider.xybre wrote:I felt the exact same way! It was driving me nuts, I thought I was losing my mind. I *wanted* to like it, it just wasn't doing it for me, and I couldn't figure out why. Still can't!miro pajic wrote:Yes, true but I remember even having a hard time dialing in the desired amount/finding a sweet spot.
...
I also remember that using/turning the knobs was somewhat weird. Didn't like the behaviour (and honestly, I'm not a very picky person when it comes to that!). I think they were very sensitive and hard to "control".
I'm curious what you think of the Arts Acoustic CL-1 compressor, that's the one that clicked me with immediately. The Glue, Major Tom, and CP2V were all good too, for different reasons.
Price-wise that trio of compressors seems about on par with other such capable plugins.
de la Mancha's Bathtub does all that too, for a 10th of the price though
I see you added the sidechain reference monitor option to SD-COMP87 as well. Kudos for that, it's a big help.PFozz wrote:For your information, CS-STRIP87 as well as the whole ANALOG87 Series has been updated to v1.1.1.
nice i remember emailing about that a few times good to see its going to be fixed soon cant waitPFozz wrote:
I'm glad you like the ANALOG87 series.
FYI, an update should be available soon (I hope to release it within 3-4 weeks).
The "tiny font when editing" issue (Windows only) should be resolved and I may improve the cut filters of SD-COMP87 and SD-GATE87 if everyone agree. I would like to use the same -24dB/octave filters as those implemented in CS-STRIP87 and PR-EQUA87.
After that, EAReverb should be updated as well (featuring a new module in the "Workshop").
... and once the 'update everything period' over, I will reveal a new product to come (I cannot tell you more about it right now)
Thanks again.
All the best,
Philippe
sounds like a very good update i need to get this reverb i love the tone it hasPFozz wrote:EAReverb will not get any new model in the next update.
However, the following improvements should be available:
- Slightly redesigned GUI.
- Better coherency when changing host's samplerate (from 44.1k to 192k).
- Larger font when editing a label (Windows only)
- New module in the "Workshop": LF Management. This new feature will let you narrow (from full stereo to mono) and adjust level of frequencies below a user defined value (from 20Hz to 1000Hz). This feature has been suggested by a KVR member and I must admit it was a damn good idea. Adjusting LF makes EAReverb sit even better in a mix.
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