I love your enthusiasmAcer Hyperspace wrote:-Presets for the Amplitude, Phase and Wave in the Oscillators and a knob for precise control of each partial in the same Amplitude and Phase section (so I don't need to spend a lifetime staring at 1 millimetre-wide partials and clicking and dragging about just trying to get the intended waveform)
-A larger interface, or different skins and sizes (So I won't have to bear looking at the tiny 1 millimetre-wide partials in the Oscillator section described above)
-More unheard-of and mind blowing presets.
The thing I love about Octopus is the clarity and logic of the design. For me it fits beautifully my understanding of FM synthesis and is an absolute joy to work with for creating presets because everything is there right in front of you. Context hopping is minimal whilst working on a sound.
Where I do agree with you is that some kind of preset system and better editing for the additive portions of the synth would be good. Those areas could do with some refinement. However, and somebody will probably shoot me for this, I'd be happy if all the additive stuff was removed and all that was available was a sine wave per operator.
Why? you ask. If you flick through the presets many of them don't even begin to touch the additive partials, simply, I believe, because it is so remarkably easy to create harmonically rich waveforms from simple sine waves if you know what you're doing. The ability to adjust freq. ratios and phases is pretty much all you really need (IMO!!!). The DX7 did alright like that after all
Anyway, would still love to see an Octopus 2 or maybe Octopus Squared with 64 Ops...
