If something works well, why keep reinventing it? Not that I personally think Live's interface work all that well, especially that sidebar. At the very least please give me a bigger hit zone with my mouse for clips.
Bitwig Studio announced
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- KVRian
- 806 posts since 1 Sep, 2008 from US
People are so hostile of another DAW looking like their favorite
If something works well, why keep reinventing it? Not that I personally think Live's interface work all that well, especially that sidebar. At the very least please give me a bigger hit zone with my mouse for clips.
If something works well, why keep reinventing it? Not that I personally think Live's interface work all that well, especially that sidebar. At the very least please give me a bigger hit zone with my mouse for clips.
- KVRAF
- 2488 posts since 2 Dec, 2004 from Sydney, Australia
what the...???synthgeek wrote:It still is.osiris wrote:And I remember when Studio One was Kristal Audio Engine and it was free.....
Cowbells!
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christianmusicmaker christianmusicmaker https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=12152
- KVRAF
- 1670 posts since 1 Feb, 2004 from UK
Litigation could get messy pretty quickly.
Where does it stop? The split view Clip / session View and Arrange view to the right is straight out of Project 5. But that app takes some things from Live. The Browser looks pretty similar to Studio One's and Sonars...so who can sue who?
How far back do you go? Midi Tracks, Audio tracks, virtual Transport, Clip this clip that, envelopes...plugin types like EQ's and compressors...on an on...the list is almost endless feature wise between pretty much any host. Where would it end?
Any solicitor could pick out all sorts of similaritires and likely make a pretty good case for the Dev they represent. But then so could at least 3 or 4 other devs IMO with thier solicitors. It's a deep fog of issues that might be best left uncharted for now at least.
I think there will be no winners from any litigation. It would damage consumer confidence pretty badly. Few would buy a product that might be knee deep in litigation and might need to be pulled from market as a result of on going litigation.
I would say on the other side of the coin litigation might draw clearer lines as to what belongs to a DAW dev or not but it's such a messy cross woven spider web of features copied, revised, renamed, improved upon e.t.c that is would be close to insane to sort out.
Yes there has been plenty of real innovation amongst dev hosts IMO but...I think the amount of feature crossover and various similarities (some much more than others) is now part of the fabric of Music software development for better or worse.
Perhaps its a case of how long a dev's idea remains unique to them instead of another dev considering litigation. Not saying anyone is but maybe an attempt to remain as exclusive as possible with a feature or set of features should be the goal instead of any litigation.
I guess dev's know when they feel the line is crossed. Maybe Ableton think BW have crossed it. If they feel sales will be lost to a product too similar to theirs...then Litigation will likely draw in more Devs than Ableton and BW to darken the doors of many a solicitors office.
Where does it stop? The split view Clip / session View and Arrange view to the right is straight out of Project 5. But that app takes some things from Live. The Browser looks pretty similar to Studio One's and Sonars...so who can sue who?
How far back do you go? Midi Tracks, Audio tracks, virtual Transport, Clip this clip that, envelopes...plugin types like EQ's and compressors...on an on...the list is almost endless feature wise between pretty much any host. Where would it end?
Any solicitor could pick out all sorts of similaritires and likely make a pretty good case for the Dev they represent. But then so could at least 3 or 4 other devs IMO with thier solicitors. It's a deep fog of issues that might be best left uncharted for now at least.
I think there will be no winners from any litigation. It would damage consumer confidence pretty badly. Few would buy a product that might be knee deep in litigation and might need to be pulled from market as a result of on going litigation.
I would say on the other side of the coin litigation might draw clearer lines as to what belongs to a DAW dev or not but it's such a messy cross woven spider web of features copied, revised, renamed, improved upon e.t.c that is would be close to insane to sort out.
Yes there has been plenty of real innovation amongst dev hosts IMO but...I think the amount of feature crossover and various similarities (some much more than others) is now part of the fabric of Music software development for better or worse.
Perhaps its a case of how long a dev's idea remains unique to them instead of another dev considering litigation. Not saying anyone is but maybe an attempt to remain as exclusive as possible with a feature or set of features should be the goal instead of any litigation.
I guess dev's know when they feel the line is crossed. Maybe Ableton think BW have crossed it. If they feel sales will be lost to a product too similar to theirs...then Litigation will likely draw in more Devs than Ableton and BW to darken the doors of many a solicitors office.
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Muzik 4 Machines Muzik 4 Machines https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=9550
- KVRAF
- 7829 posts since 6 Oct, 2003 from Quebec
it was tongue in cheek, but it's really a dark copy of ableton live, the clip view, the racks, even the piano roll looks identical
not a bad thing should i add, i might switch if it goes further than ableton for external MIDI gear like sysex support, working program changes, etc
hope its skinnable cause their screenshots are freaking damn ugly
not a bad thing should i add, i might switch if it goes further than ableton for external MIDI gear like sysex support, working program changes, etc
hope its skinnable cause their screenshots are freaking damn ugly
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- KVRAF
- 2323 posts since 4 Mar, 2004 from Portugal (Lagos)
Come on, guys, get real: Live/Bitwig/Usine look so alike as any spreadsheet looks like another one. Or any multitrack looks like another. Or any video editing software, or...
Guess why
.
Guess why
Eventually something intelligent will appear written here. Watch this space.
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- KVRian
- 546 posts since 8 Mar, 2007
So far the similarities to Live are a little to close for comfort. They even had the gall to name them 'scenes'.
I remember when Adobe sued Macromedia over UI similarities and won.
Carey
I remember when Adobe sued Macromedia over UI similarities and won.
Carey
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- KVRist
- 247 posts since 16 Apr, 2004
This is great news !
Finally some real competition !
I've tried live 8 demo in the past but crashed 3 times in a 4 hours session.
No third party plugins installed on a fresh osx installation on a macbook pro 2010.
Not good at all.
I was using live when it was version 5 and it was great but i think it is overpriced and it is expensive to update so i use Logic Audio now.
Cant wait to try this new DAW
Very funny btw:
Finally some real competition !
I've tried live 8 demo in the past but crashed 3 times in a 4 hours session.
No third party plugins installed on a fresh osx installation on a macbook pro 2010.
Not good at all.
I was using live when it was version 5 and it was great but i think it is overpriced and it is expensive to update so i use Logic Audio now.
Cant wait to try this new DAW
Very funny btw:
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- KVRian
- 804 posts since 18 Apr, 2011
Told myself I wouldn't get involved in all this, but it seems I've been drinking a but this evening..
IMHO:
Who gives a damn if they're copying features? We live in the age of post modernism in case you didn't know. There's no such thing as original any more (i jest a bit).
Like music itself, it's no longer about whether the elements comprising your creation are totally unique, it's about the elements you chose, and how you put them together. So if they beat ableton at their own game, then congratulations. I'm a bit skeptical that this could be possible on a version 1 release, but who knows!!

IMHO:
Who gives a damn if they're copying features? We live in the age of post modernism in case you didn't know. There's no such thing as original any more (i jest a bit).
Like music itself, it's no longer about whether the elements comprising your creation are totally unique, it's about the elements you chose, and how you put them together. So if they beat ableton at their own game, then congratulations. I'm a bit skeptical that this could be possible on a version 1 release, but who knows!!
- KVRAF
- 2488 posts since 2 Dec, 2004 from Sydney, Australia
That is some serious, awesome news Claes!claes@vemberaudio wrote:hi lalo, thanks for for understanding.. actually there's some features developed for bitwig coming into surge soon!lalo wrote:Wow! Great Stuff!
being a Shortcircuit and Surge user now i really know why Claes was less active on those monsters recently!
congrats to Claes and the other people behind BitWig!
a.
cheers,
claes & the bitwigs
Cowbells!
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deleted deleted https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=1
DELETED
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- KVRist
- 43 posts since 3 Jan, 2011
It seems strange to me that ableton leave the bitwig thread on their forums.
What if bitwig was not ableton 9 but an official fork ? As chromium/chrome browsers.
Bitwig would be the place to test new features, for customers who likes new features.
And live9 would be the stable software with the bitwig functionnalities, which would come later when they seem stable enough...
Also, the official "skin" would not be the same, and exclusivities would be live only.
That's just an assumption
What if bitwig was not ableton 9 but an official fork ? As chromium/chrome browsers.
Bitwig would be the place to test new features, for customers who likes new features.
And live9 would be the stable software with the bitwig functionnalities, which would come later when they seem stable enough...
Also, the official "skin" would not be the same, and exclusivities would be live only.
That's just an assumption
- KVRAF
- 2488 posts since 2 Dec, 2004 from Sydney, Australia
FWIW, I think the audio world develops much slower than (for example) the 3D world. You would think various spline types in sequencers are standard these days. Other useful line types could be: bezier/sine/square/noise etc. with different parameters for each type, like fadein/amplitude/speed/fade out, etc and even then these parameters could be automated with one of these spline types itselfaMUSEd wrote:Only automation straight lines? Would be an improvement on Live if they offered some spline based curves. Can it record automation fully? (unlike Live only in Arrange view)
Cowbells!
- KVRAF
- 2147 posts since 30 Oct, 2006 from Australia, NSW
And a big wig (one) at thatNeP94 wrote:It seems strange to me that ableton leave the bitwig thread on their forums.
What if bitwig was not ableton 9 but an official fork ? As chromium/chrome browsers.
Bitwig would be the place to test new features, for customers who likes new features.
And live9 would be the stable software with the bitwig functionnalities, which would come later when they seem stable enough...
Also, the official "skin" would not be the same, and exclusivities would be live only.
That's just an assumption
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