That's why Nebula is perfect for mix buss duties. Just insert Nebula in your mix buss and start mixing with your other plugs.Mercado_Negro wrote:With Nebula it's a love-hate situation everyday because it's a pain to use but its programs are above and beyond any other similar plugin, sound-wise. I wish it were more user-friendly and used less resources but I guess the latter won't happen any time soon.
saturation plug in on the master bus?
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- KVRist
- 162 posts since 28 Jun, 2007
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- KVRist
- 239 posts since 21 Apr, 2010
What other settings besides those two are you using ? (Drive\Bias\LP Freq)IIRs wrote:...but the one I use most often is the free Voxengo Tube Amp, in Mode 2 with 8x oversampling:
Great way to subtly thicken a mix or submix without colouring it too much.
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- KVRist
- 161 posts since 11 Feb, 2011 from Duluth
couldn't agree more!!, been A/Bing for the last :30 min on a bass tone. while not saturation based (per the thread), the tones I am deciding between are 1) from a snappier SSL tone from the G SSL, or 2) a combo COMP/EQ of the Waves CLA-2 and a Trident EQ. - I like CLA-2/Trident voluptuousness, but I also like the decisive, controlled snap of the SSL. ...over :30 minutes, back and forth. You are right the option are killing efficiency....mine at least.eytanmich123 wrote:Yes it is coincidence.sadkin wrote:is it coincidence that the Camel Phat banner has been displayed consistently at the bottom of the pages while reading this thread?
You're imagining (probably random banner display)
The "product" I've mentioned doesn't cost you a penny. nada. camel phat (whichsadkin wrote:I've never tried it but noticed its prevalence and have noticed a few folks giving Camel products a 'nod'.
I own) couldn't get me there with the same easiness (though I might get there if
I'll copy the common settings).
Yes, amazing and disastrous at the same time (more of the latter, if you ask me).sadkin wrote:So many options between tape emulators, console bus saturators, compressors and the other tools like FATSO and this new UBK1 - wow, what a time we live in.
One cannot make music while pondering over a thousand tools.
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- Banned
- 22457 posts since 5 Sep, 2001
[DELETED]
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- KVRAF
- 6740 posts since 25 Mar, 2002 from sheffield, england
Drive usually in negative values on a full mix, though I sometimes run it higher but only mix in a small amount of wet signal. Bias is set by ear, though higher settings usually sound too obviously distorted for a full mix (to my ears) and I usually stay below half-way. I usually don't touch the LP filter at all and just leave it wide open.eytanmich123 wrote:What other settings besides those two are you using ? (Drive\Bias\LP Freq)IIRs wrote:...but the one I use most often is the free Voxengo Tube Amp, in Mode 2 with 8x oversampling:
Great way to subtly thicken a mix or submix without colouring it too much.
- KVRAF
- 11369 posts since 3 Feb, 2003 from Finland, Espoo
Hmm.. I remember trying the reviver demo a long time ago but I was not impressed at that time. I remember it having some buzzing issues while creating it's harmonics.ttoz wrote:fielding dsp reviver.heffus wrote:The suspense is killing me.ttoz wrote:wanna know a REALLY cool plugin i bet most of you have never heard of, that sounds BRILLIANT on master bus??
(not bait, real answer coming)
it does what sony inflator and voxengo varistaturator do but without any of the nasty distortion both those products produce.
it creates a very present "warmth" that you can simply feel, subtly, and smoothly, that just sounds better on everything i have put it on. EVERYTHING.
and NO nasty side effects no matter how hard you drive it.
A little known and underrated product, i hope the company stays alive, and they do a 64 bit, i'd happily pay the asking price for it, even though it's almost a week's pension pay lol.
i just worry about investing cause plug in has never seen an update that i know of (correct if wrong) and i think the last build was 2009?? It works flawlessly as it is in MAC as a 32 bit plugin ( i have not tested windwos)..but.. hosts and OSes move on!
Technically you should be able to get the exact same results by carefully tweaking Christian Budde's Christortion plugin.. then again, his plugins are always extremely buggy and not available for OSX.. so scratch that idea!
You might also want to take a look at
http://weldroid.net/track/synesthesia-2-vst
.. though that one is not available for OSX either. (see a pattern here?
Cheers!
bManic
"Wisdom is wisdom, regardless of the idiot who said it." -an idiot
"They don't ban hate speech; they ban speech they hate." -an oracle
"They don't ban hate speech; they ban speech they hate." -an oracle
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- KVRian
- 1102 posts since 30 Oct, 2005
no and no!!!Mercado_Negro wrote:With Nebula it's a love-hate situation everyday because it's a pain to use but its programs are above and beyond any other similar plugin, sound-wise. I wish it were more user-friendly and used less resources but I guess the latter won't happen any time soon.
I know that Nebula is much harder to use compared to almost any other plugin-BUT for me this is not a big problem IF the sound is SIGNIFICANTLY better than average plugins are...Im sorry but so far I have seen soooo many happy statements about how Nebula program XY sounds better,above and beyond anything...,punchier,clearer...etcetc..than similar emulation from Waves,IKM...you name them...BUT WHERE IS one single AB demo to prove this???
AND-where is one single demo comparing that Nebula program with original sampled hardware??? /not to mention that sometimes is even hard to tell which hardware it was...
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- Banned
- 22457 posts since 5 Sep, 2001
[DELETED]
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- KVRian
- 1102 posts since 30 Oct, 2005
agree,its almost impossible to create hearable buzz only with second and third harmonics,also aliasing is not a big problem...I dont use reviver but its very similar to Nxtasy and other saturators...ttoz wrote:sorry there is no buzzing in reviver. It must have been a bug they fixed.
it's awesome.
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- KVRer
- 2 posts since 24 Jan, 2012
PSP mix saturator has a wonderful warm sound- highly recommended. Also, Waves mpx... I like how it's rolling off the lows. 
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- KVRian
- 673 posts since 22 Sep, 2007 from Caracas, Venezuela
To me it is significantly better though you have a different opinion so it's OK, we're human beings after all and we're not equalkvaca wrote:no and no!!!Mercado_Negro wrote:With Nebula it's a love-hate situation everyday because it's a pain to use but its programs are above and beyond any other similar plugin, sound-wise. I wish it were more user-friendly and used less resources but I guess the latter won't happen any time soon.![]()
I know that Nebula is much harder to use compared to almost any other plugin-BUT for me this is not a big problem IF the sound is SIGNIFICANTLY better than average plugins are...Im sorry but so far I have seen soooo many happy statements about how Nebula program XY sounds better,above and beyond anything...,punchier,clearer...etcetc..than similar emulation from Waves,IKM...you name them...BUT WHERE IS one single AB demo to prove this???![]()
AND-where is one single demo comparing that Nebula program with original sampled hardware??? /not to mention that sometimes is even hard to tell which hardware it was.../
I'd like to spend some hours A/B'ing stuff so you can hear it for yourself but a) I have a slow connection to upload 44.1kHz/24bit wavs and b) the only way to know what Nebula sounds like is when you use it in a project. I'd really wish you could hear what CDSoundMaster's Siemens W295B hi-shelf sounds like and how different is the result when you compare it to your favorite EQ hi-shelf. The VBeQ (API 550A) low end, the way the PoolTeQ works on high mids, etc., etc. Tons of examples but like I said you'd have to use it for yourself to notice these differences. Maybe Nebula is not good for compression, people can even say its consoles aren't good enough but no one, who's used Nebula3 Pro, can ever say there is one single EQ out there that can beat Nebula. There is none, period
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- KVRian
- 1102 posts since 30 Oct, 2005
well,I have Nebula3pro and I never have used their EQ or anything...maybe Im the audio-idiot from your point of view,but I prefer clean EQ like PLPar is and same time dirty saturators like Kramer tape,Amplitube Soldano etc...and thats all Nebula cannot still deliver,no?Mercado_Negro wrote:To me it is significantly better though you have a different opinion so it's OK, we're human beings after all and we're not equalkvaca wrote:no and no!!!Mercado_Negro wrote:With Nebula it's a love-hate situation everyday because it's a pain to use but its programs are above and beyond any other similar plugin, sound-wise. I wish it were more user-friendly and used less resources but I guess the latter won't happen any time soon.![]()
I know that Nebula is much harder to use compared to almost any other plugin-BUT for me this is not a big problem IF the sound is SIGNIFICANTLY better than average plugins are...Im sorry but so far I have seen soooo many happy statements about how Nebula program XY sounds better,above and beyond anything...,punchier,clearer...etcetc..than similar emulation from Waves,IKM...you name them...BUT WHERE IS one single AB demo to prove this???![]()
AND-where is one single demo comparing that Nebula program with original sampled hardware??? /not to mention that sometimes is even hard to tell which hardware it was.../
I'd like to spend some hours A/B'ing stuff so you can hear it for yourself but a) I have a slow connection to upload 44.1kHz/24bit wavs and b) the only way to know what Nebula sounds like is when you use it in a project. I'd really wish you could hear what CDSoundMaster's Siemens W295B hi-shelf sounds like and how different is the result when you compare it to your favorite EQ hi-shelf. The VBeQ (API 550A) low end, the way the PoolTeQ works on high mids, etc., etc. Tons of examples but like I said you'd have to use it for yourself to notice these differences. Maybe Nebula is not good for compression, people can even say its consoles aren't good enough but no one, who's used Nebula3 Pro, can ever say there is one single EQ out there that can beat Nebula. There is none, period
btw-in the past I have heard somewhere on the net AB demo of song treated with Neve Portico and with Nebula similar program-and I hardly can say the difference between both /in mp3 quality and average headphones/and what is even worse-I have most of the time slightly prefered the non-processed audio against the processed ones!
I think its not needed from you-if Acoustica or 3rd parties want to sell more Nebula or N.programmes,they should do it...or stop telling people fairy tales...Mercado_Negro wrote:I'd like to spend some hours A/B'ing stuff so you can hear it for yourself but a) I have a slow connection to upload 44.1kHz/24bit wavs
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- KVRian
- 1102 posts since 30 Oct, 2005
yes-that PSP was my first usable saturator-some 10 years ago...but sadly I dont use it much now,becouse of that MPX and Melda onenixim1 wrote:PSP mix saturator has a wonderful warm sound- highly recommended. Also, Waves mpx... I like how it's rolling off the lows.
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- KVRian
- 673 posts since 22 Sep, 2007 from Caracas, Venezuela
Hey no! You're not an audio-idiot, you just have a different point of view and you prefer other tools, that's perfectly fine. No, Nebula still can't deliver that but Michael Angel, from CDSoundMaster, developed a plug-in called "VTM-M2" which adds that saturation you're talking about when using the R2R. In theory you should use 3 Nebula instances to get very close to tapes behavior: R2R + TapeBooster + VTM-M2. I have used this VTM-M2 plug-in with Waves KMT (first KMT then VTM-M2), setting the KMT at very low record levels (around -9/-12, compensated) and the VTM-M2 adding that extra bite of saturation. Works greatkvaca wrote:well,I have Nebula3pro and I never have used their EQ or anything...maybe Im the audio-idiot from your point of view,but I prefer clean EQ like PLPar is and same time dirty saturators like Kramer tape,Amplitube Soldano etc...and thats all Nebula cannot still deliver,no?Mercado_Negro wrote:To me it is significantly better though you have a different opinion so it's OK, we're human beings after all and we're not equalkvaca wrote:no and no!!!Mercado_Negro wrote:With Nebula it's a love-hate situation everyday because it's a pain to use but its programs are above and beyond any other similar plugin, sound-wise. I wish it were more user-friendly and used less resources but I guess the latter won't happen any time soon.![]()
I know that Nebula is much harder to use compared to almost any other plugin-BUT for me this is not a big problem IF the sound is SIGNIFICANTLY better than average plugins are...Im sorry but so far I have seen soooo many happy statements about how Nebula program XY sounds better,above and beyond anything...,punchier,clearer...etcetc..than similar emulation from Waves,IKM...you name them...BUT WHERE IS one single AB demo to prove this???![]()
AND-where is one single demo comparing that Nebula program with original sampled hardware??? /not to mention that sometimes is even hard to tell which hardware it was.../
I'd like to spend some hours A/B'ing stuff so you can hear it for yourself but a) I have a slow connection to upload 44.1kHz/24bit wavs and b) the only way to know what Nebula sounds like is when you use it in a project. I'd really wish you could hear what CDSoundMaster's Siemens W295B hi-shelf sounds like and how different is the result when you compare it to your favorite EQ hi-shelf. The VBeQ (API 550A) low end, the way the PoolTeQ works on high mids, etc., etc. Tons of examples but like I said you'd have to use it for yourself to notice these differences. Maybe Nebula is not good for compression, people can even say its consoles aren't good enough but no one, who's used Nebula3 Pro, can ever say there is one single EQ out there that can beat Nebula. There is none, period
[EDIT] Oh, I forgot, if you just heard the commercial library that comes with Nebula3 Pro then I understand why can feel that way. That library was OK 4 years ago or so, not anymore. You need 3rd party libraries to hear what's capable of.
