Help me figure out the best "Drone" solution for myself...
-
- KVRAF
- 4374 posts since 15 Sep, 2010
-
- KVRAF
- Topic Starter
- 6490 posts since 14 Jun, 2004 from Rochester, NY
haha wow that's totally not my style, but interesting indeed. Looks like I will have to start playing with ableton's looper, dragging and dropping, shimmer, playing with some freeze reverb, perhaps the paulstretch... This is helping me construct my new workflow in my mind, all your input is priceless!!!!
-
- KVRAF
- 4374 posts since 15 Sep, 2010
Well definitly not my style either LOL! But is was to show you that freeze pedal. Really cool for live performances with guitars, you can get some endless drones out of every guitar notes or chords.
Last edited by Neon Breath on Tue Feb 14, 2012 4:39 pm, edited 1 time in total.
-
- KVRAF
- Topic Starter
- 6490 posts since 14 Jun, 2004 from Rochester, NY
Just so you know it's not for live performance, either. I don't play out (anymore)... Most of my songs are made pretty much improvised, that's all that I practice is making up new things every time I sit down, otherwise I'd be bored 
-
- KVRAF
- 4374 posts since 15 Sep, 2010
Oh. I thought it was for messing around live, from your previous post: 'that's a synth though, isn't it? I'd prefer to use my guitar !!!'
-
- KVRAF
- 21348 posts since 26 Jul, 2005 from Gone
I'd echo (no pun intended) some of the advice given earlier. Ebow is great, and if you throw tons of effects like delay, heavy distortion, big reverbs, chorus, etc. on the guitar then you get a lot of interesting drones.
Routing in your DAW can yield good results too - try routing the guitar to two separate tracks and process them differently.
But whatever you do, you can do it live and also process after the fact. If it doesn't sound right, you can sample some of the guitar and put it through granular processors - Reaktor is great for that.
If you don't have an ebow, then you could always try distortion and compression to get some long sustain, and delay can add to that too. If you want low drones, try an octaver too, but maybe EQ off some of the low end so that it's not too bassy (unless that's what you want).
Routing in your DAW can yield good results too - try routing the guitar to two separate tracks and process them differently.
But whatever you do, you can do it live and also process after the fact. If it doesn't sound right, you can sample some of the guitar and put it through granular processors - Reaktor is great for that.
If you don't have an ebow, then you could always try distortion and compression to get some long sustain, and delay can add to that too. If you want low drones, try an octaver too, but maybe EQ off some of the low end so that it's not too bassy (unless that's what you want).
-
- KVRAF
- Topic Starter
- 6490 posts since 14 Jun, 2004 from Rochester, NY
okay so for this kind of stuff, what chorus would be the best to use? I've been toying with ableton live's default chorus... Should I be using charsesis or whatnot? so this is totally on topic, what is the recommended chorus/flanger/phasers to use? (hopefully free)
I know that wow n' flutter is the best for warbles when dealing with drone sounds
Thanks!
I know that wow n' flutter is the best for warbles when dealing with drone sounds
Thanks!
-
- KVRian
- 989 posts since 27 Jun, 2011
Guitar Rig 5 has some awesome pseudo-synth pad-like guitar presets achieved with processing only. Might want to look into that, at least to see how they do it (via demo).
Also, look at some of the Ableton Live effects and instrument racks. Sometimes it's interesting to remove the original instrument and insert your guitar signal. Racks are hugely powerful.
Also, look at some of the Ableton Live effects and instrument racks. Sometimes it's interesting to remove the original instrument and insert your guitar signal. Racks are hugely powerful.
-
- KVRAF
- Topic Starter
- 6490 posts since 14 Jun, 2004 from Rochester, NY
Okay, thanks everyone for helping me switch out of the "drum/bass/guitar/synth" mindset so that I can attempt to go beyond the threshold and further towards my own unique sound!!! Everyone really helped me a lot, I have a lot of the building blocks needed to explore song creation and sound creation, thanks to all of you!!!
-
- KVRAF
- Topic Starter
- 6490 posts since 14 Jun, 2004 from Rochester, NY
Yes I will be messing around REALTIME, but not live performance like at a venue. Sorry for the miscommunication! hahaNeon Breath wrote:Oh. I thought it was for messing around live, from your previous post: 'that's a synth though, isn't it? I'd prefer to use my guitar !!!'
- KVRAF
- 13124 posts since 7 May, 2006 from Southern California
I love using my ebow and loopers for this kind of thing. The looper in Live is great because you can easily send loops you record to clip slots in the session view. I also really like One Small Clue's Lugosi. Takes some learning but it does lots of neat things.
The Grain Shifter in Guitar Rig and Kore is also your friend here.
The Grain Shifter in Guitar Rig and Kore is also your friend here.
- KVRAF
- 2707 posts since 23 Mar, 2005 from Detroit
http://www.kvraudio.com/product/1770
Get Mobius looper (free) and assign some controls to your midi controller, and record the output.
Get Mobius looper (free) and assign some controls to your midi controller, and record the output.
-
- KVRAF
- Topic Starter
- 6490 posts since 14 Jun, 2004 from Rochester, NY
Ah, yes. I've looked at mobius in the past and WOW it scared the hell out of me... My mind would probably explode with the possibilities if I explored it.... Does it have advantages over ableton looper, besides the use of 8 loops?
I might just go with a simple ableton looper instance and drag n drop it's results to different tracks (I only use arrange mode, session mode is too non-linear, I'm weird, I know)
RonC
I might just go with a simple ableton looper instance and drag n drop it's results to different tracks (I only use arrange mode, session mode is too non-linear, I'm weird, I know)
RonC
- KVRAF
- 8101 posts since 13 Jan, 2003 from Darkest Kent, UK
Probably way out of date but a clue to how they achieved their earlier sound: http://vintage.guitargeek.com/rigview/62/
