
Pass the sugar please
One lump or two


optofonik wrote:Stop yelling and RTFM.
http://seib.synth.net/documents/w22omeng.pdf
Nuff said.
PS: Ap0C552, it's academic at this point (literally) but I hope this helps.
And both of those state that wavetable synthesis involves mowing through the waves/wavetables! So much for 'semantics' and trying to ridicule, but I suppose some will never see it.whyterabbyt wrote:ftfy.
yes, except the latter explicitly states that the wavetable is single-cycle.himalaya wrote:And both of those state that wavetable synthesis involves mowing through the waves/wavetables!
Wavetable music synthesis (not to be confused with common PCM sample buffer playback) is
similar to simple digital sine wave generation [1] [2] but extended at least two ways. First, the
waveform lookup table contains samples for not just a single period of a sine function but for
a single period of a more general waveshape.
ironic. i suppose you never saw the first paragraph, then.So much for 'semantics' and trying to ridicule, but I suppose some will never see it.
Again, I would say, a song (but a very short one).aciddose wrote: sorry to bring an end to your 30-year lasting joy, but what is it called when you put a square followed by a saw followed by a triangle followed by a pulse of noise? is that a wave, or a wave-table? (proper name: a waveform)
jens wrote:What I meant is that theoretically you can get similar transitions between various waveforms with any of them.... so while the synthesis-techniques are totally different, the results are not neccessarily.EvilDragon wrote:It's only similar in the sense that SOMETHING is getting modulated with SOMETHING. The methods of modulation are completely different between those syntheses.
which is a bit like saying 'most people think the Internet is the same thing as the World Wide Web, so Internet Service Providers and other such companies should call themselves something different so as not to confuse people by using accurate terminology'Albert.VST wrote:Again, I would say, a song (but a very short one).aciddose wrote: sorry to bring an end to your 30-year lasting joy, but what is it called when you put a square followed by a saw followed by a triangle followed by a pulse of noise? is that a wave, or a wave-table? (proper name: a waveform)
Semantics and (music)synthesis don't seem to match well, I'm sure you can find a lot of examples from both old hardware to new software.
I would say that in 1982 a company named PPG for the first time made a form of music synthesis generally available to the public that used "nearly twothousand different waveforms in 30 wavetables (each has 64 waveforms)" with the possibility to "run through up to 64 waveforms within the length of one played note". From that point in time this type of music synthesis is commonly known to a part of the world population, namely users of electronic music synthesizers (semantically correct description of this small part of the world population?), as wavetable synthesis.
Just like a few years later a company called Yamaha released another form of music synthesis to the public commonly known in this same part of world population as FM synthesis (although technically and semantically it isn't).
So every company releasing products for this specific group of users in a later stage could, and I think should, be aware of this legacy and to avoid confusion describe their product, although semantically maybe not necessary, with respect to these commonly understood conventions in this group of users. Although these conventions may be wrong in some aspects.
whyterabbyt wrote:
Camel Audio subliminal advertising.
Yeah, basically you're right. But again this is the semantic trouble when one company starts with giving something a name which technically is wrong, but due to some circumstances like popularity, it becomes more of a standard to descibe something in general. It's proven very hard to correct this. And also people's expectations become build on the common use of such a description, even if uncorrect. Not on what the true meaning of such a description is.whyterabbyt wrote: which is a bit like saying 'most people think the Internet is the same thing as the World Wide Web, so Internet Service Providers and other such companies should call themselves something different so as not to confuse people by using accurate terminology'
Hmm... I don't think he was arguing that anything should be changed, rather that where a term gains currency there's not much point in arguing that it is ambiguous, technically incorrect, illogical, historically inaccurate or plain contradictory - the definition of a term is derived from its common usage.whyterabbyt wrote:which is a bit like saying 'most people think the Internet is the same thing as the World Wide Web, so Internet Service Providers and other such companies should call themselves something different so as not to confuse people by using accurate terminology'
in common useage yes. however 'common useage' definitions don't actually negate technical definitions.hakey wrote:the definition of a term is derived from its common usage.
Which would entail persuading all those presently using the ambiguous term/s to agree upon and adopt a new usage. Unfortunately, except in special cases (eg taxonomy), that's not how the English language develops.whyterabbyt wrote:if the common useage term for X overlaps with the technical definition for Y, then you need to do one of two things to remove the confusion you create; find a better common useage term for X, or find a common usage term for Y.
+1Albert.VST wrote:And we here are not better than the rest of the world, so to us old synth geeks Wavetable systhesis is inextricably connected with the synthesis method introduced by PPG in 1982.
yes, if they want to prevent the confusion they're complaining about.hakey wrote:Which would entail persuading all those presently using the ambiguous term/s to agree upon and adopt a new usage.
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