chord progressions
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- KVRer
- 8 posts since 14 Mar, 2012
I was just wondering do you guys create your chord progressions by just playing with different notes until you get a nice sounding progression or do you stick to using the I ,ii, iii, IV, V, vi, vii and using inversions and sevenths. Because normally try different notes until I get a nice sounding chord then from their continue on to the next chord until get something that sounds good together. Would it be more effective if i did it using more music theory?
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- KVRAF
- 2118 posts since 1 Apr, 2004 from Athens, Greece
The more stuff you learn the faster it gets to get where you want. Theory and ear training are big pluses because you will learn to remember the sound of each chord so you'll be able to guess which one you need much faster than trying random notes.
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JumpingJackFlash JumpingJackFlash https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=44005
- KVRian
- 1227 posts since 10 Oct, 2004
It would probably be quicker if you knew more music theory. You would probably rely on trial and error less, and instead understand what chords go well together, what don't, and why (and, just as important, understand how to get from one chord to the next in an appropriate manner).Lkay wrote:Would it be more effective if i did it using more music theory?
Of course a certain amount of trial and error will always be present in any creative endeavour; music theory is not a recipe book to making good music, but it often provides a framework and guidance on getting your music where you want it to go.
Unfamiliar words can be looked up in my Glossary of musical terms.
Also check out my Introduction to Music Theory.
Also check out my Introduction to Music Theory.