See, Propellerhead's Ernst is able to point out what he sees as the weaknesses of using VSTs, but there are, and will remain, huge advantages (which obviously he's not about to advertise)braj wrote:Not to mention you have competition for low prices for your furniture, and buy it used. There are certain plugins that I have that if I bought new would have been 75% more.headquest wrote: I guess it's like furnishing your home in a way - you could buy absolutely everything from IKEA and spend less time shopping around, but more time connecting it all together.
+ Freedom of Choice for the user
+ Flexibility to use in multiple hosts (e.g. notation software like Sibelius/etc, Audio editing and mastering programmes such as Audition/Wavelab/etc)
+ Hardware acceleration
+ VST3 Note Expression (a major innovation I think, but one PH don't seem aware of even)
+ VST3 dynamic scaling to CPU (or whatever it is called...)
+ Option to avoid using dongles/Codemeter (important for those of us who have had driver conflicts - but PH proved they aren't reallyh interested in this when I reported it)
+ many more that are mentioned in this thread already...
Did anyone yet mention ARA - the new technology that allows Melodynne to be directly integrated into Studio One v2, and which potentially revolutionises how plug-ins work??
But to me the big one will remain this: Freedom of Choice.
Why? - because this is what drives innovation.
Propellerhead's closed system is, and will always be, about conforming to their vision and specification only. And they aren't exactly willing to take much notice of user requests, as any long term user will know (e.g.the requests that eXode has mentioned)
Most of the major innovations in music technology in the last decade would not have happened if the industry let itself be bound to Propellerhead's way of working. Let's hope that the next decade goes the same way, and that genuine innovation doesn't get squashed by the likes of Propellerhead/AVID/etc.