Now I don't know any reason why the major labels should distribute music that most peoples don't like. They want to make the most money out of it, so they're searching for the most popular music.Lost_Highway wrote:Not necessarily. Music at the top of the charts may well be the music that sells more copies than music not in the charts, or in different charts, but it doesn't follow that most people like it. "Popular" is a misnomer. You need what? - in the region of 60 000 to 150 000 sales to get to number one in the UK, depending on the competition, out of a population of 60 million plus.Tricky-Loops wrote:Commercial music is music that most peoples like.
Now I realise that all that that demonstrates is the number of people who like it enough to part with money to obtain it and that rather more people will like it if they hear it on the radio or on TV. But still, that's a long way from most of the population at large. It's maybe the best-selling, maybe the most popular among the recording-buying public but that's all.
I had this mental stage some years ago when I didn't want to listen to the Top 40 any more (and I have listened decades to it every week). I thought, this is all bad music, they only want money, all sound the same, they don't like good musicians etc.
But now I listen to the Top 40 again. IMO there is much we can learn from. That doesn't mean that I want to make mainstream music. But I have to observe the mainstream music in order to see what's currently in. And then I can even avoid some trends, for example all those Autotune stuff (which declines slowly, fortunately).