Any Tone 2 Saurus users?
- KVRAF
- 2930 posts since 29 May, 2009 from New Zealand
Ye, I have SM as well (...and
it!), they are completely different beasts though right? If you mean purely complexity wise from a technical parameter number point of view, ye sure, but for the sound it self, and the variety it offers (and the complexity and luchness of the sound, not the technical broohaha per se), it's right up there in quality I think. Just my 2c of course.
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- KVRian
- Topic Starter
- 609 posts since 29 Jan, 2004
Nice. Sounds very analogue and detailed.Gucky wrote:I like the Saurus synth.
Let speak the Saurus for itself I made a Song with Saurus as main synth.
Here it is:
http://www.kvraudio.com/forum/viewtopic ... 99#4909399
- KVRAF
- 26927 posts since 3 Feb, 2005 from in the wilds
I think it is an intriguing synth for sound designers. Interesting set of controls and a lot of functionality in the mod matrix. I wish it used more cpu in exchange for better sound quality though. Push the synth and the sound easily falls apart. Stay in the safe range and it is fine. Some people will not care about that, but I like to explore the edges.xamido wrote:I use it all the time now. I like it. The sound is not like diva, but it's a very efficient synth. Fun to program for sound that musically works. Not for hardcore sound designer though.
- Banned
- 6129 posts since 9 Oct, 2007 from an inharmonious society
Hey there...that track sounds freakin amazing.Gucky wrote:I like the Saurus synth.
Let speak the Saurus for itself I made a Song with Saurus as main synth.
Thanks for that.
Yea it's a cool synth, but I'm so overloaded now, I can't think of getting anything new for a while.
- KVRAF
- 26927 posts since 3 Feb, 2005 from in the wilds
Gucky wrote:I like the Saurus synth.
Let speak the Saurus for itself I made a Song with Saurus as main synth.
Here it is:
http://www.kvraudio.com/forum/viewtopic ... 99#4909399
Excellent track!
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- KVRAF
- 6239 posts since 26 Sep, 2003 from right here, as you can see ...
not really. you could quite convincingly reproduce the original track with saurus. only one exeption: due to the lack of a phaser in saurus the eminent phaserstrings can't be done from within saurus (also the typical bbd chorussed strings themself are a bit more on the hard side). but all the other sounds you could easily reproduce with saurus. you could start f.e. with using only one osc for the lead or disable the chorus.Ingonator wrote:>snip< And of course Jarre used real analog synths so that comparison is a bit unfair maybe.
Ingo
regards,
brok landers
BIGTONEsounddesign
gear is as good as the innovation behind it-the man
brok landers
BIGTONEsounddesign
gear is as good as the innovation behind it-the man
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- KVRAF
- 10260 posts since 19 Feb, 2004 from Paris
Just fyi Xils-Lab synths have 0 delay feedback filters for 3 years.olikana wrote:i only tried the demo weeks ago.
it sounded good and i would have bought it in an instant if i didn't have Diva allready and if the demo had let me engage with it a little more to fall for it.
i'm not aware of any other softsynths with 0 delay feedback filters apart from Diva and Saurus. so for me these are the only 2 synths worth having..
was the Saurus price revised? i thught it was much more than 99$...at that price there's nothing else worth having that i know of (unless u wanna hear that awful plasticky smudged shaping of yesteryears softsynth filters).
Having said that I'm out, and will stay out, of this thread about Saurus .......
http://www.lelotusbleu.fr Synth Presets
77 Exclusive Soundbanks for 23 synths, 8 Sound Designers, Hours of audio Demos. The Sound you miss might be there
77 Exclusive Soundbanks for 23 synths, 8 Sound Designers, Hours of audio Demos. The Sound you miss might be there
- KVRAF
- 5234 posts since 25 Feb, 2008
So that's a yes?xh3rv wrote:There's exceptionally tricky behavior with multiple components, each with nonlinear features, and with feedback from the output back into the original input, and calculated at 0-delay. This is a lot of conditions but meeting them leads to impressive results. Analytically the domain isn't simply the input signal anymore, or the 1-delay case of the input plus the previous output, but input plus something essentially functional. So mathematically the challenge is due to feedback behavior with nonlinear components, but there are less challenging / less computationally intensive ways of doing things where nonlinearity is not so integrated with feedback.hakey wrote:I thought the nonlinearity with filters was due to feedback behaviour.
From the realization that the domain is more sophisticated than it used to be, theory around differential equations offers a lot of different ways to move forward, but no panacea. There are different classes of problems. I'm assuming Diva's filters (other than the MS20 or one revision of MS20, which were exceptionally plausible to solve symbolically due to low component count, I think Urs mentioned) are constructed to be the type that can be brute-forced with numeric methods - successive approximation schemes - but describing that in detail is beyond me.
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Bronto Scorpio Bronto Scorpio https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=98170
- KVRAF
- 5546 posts since 13 Feb, 2006 from Wiesmoor, Germany
+1brok landers wrote:not really. you could quite convincingly reproduce the original track with saurus. only one exeption: due to the lack of a phaser in saurus the eminent phaserstrings can't be done from within saurus (also the typical bbd chorussed strings themself are a bit more on the hard side). but all the other sounds you could easily reproduce with saurus. you could start f.e. with using only one osc for the lead or disable the chorus.Ingonator wrote:>snip< And of course Jarre used real analog synths so that comparison is a bit unfair maybe.
Ingo
This album was done entirely on freeware synths (and a Small Stone phaser for the strings iirc) 4 years ago for example: http://www.4-3-3-4.de/index.htm
Sounds absolutely convincing imo. Today the Small Stone could easily replaced with ArtsAcoustic Big Rock for example.
Cheers
Dennis
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- KVRian
- 867 posts since 26 Jul, 2009
not true, and last time i checked they still don't.Lotuzia wrote:
Just fyi Xils-Lab synths have 0 delay feedback filters for 3 years.
.......
keep enjoying of your plasticky zaps
- KVRAF
- 3878 posts since 28 Jun, 2009 from Wherever I lay my hat
You forgot toolikana wrote:not true, and last time i checked they still don't.Lotuzia wrote:
Just fyi Xils-Lab synths have 0 delay feedback filters for 3 years.
.......
keep enjoying of your plasticky zaps
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- KVRAF
- 10260 posts since 19 Feb, 2004 from Paris
How comtemptuous .....olikana wrote:not true, and last time i checked they still don't.Lotuzia wrote:
Just fyi Xils-Lab synths have 0 delay feedback filters for 3 years.
.......
keep enjoying of your plasticky zaps
I would have liked to ask you "how did you checked them" cos I just think you dont have the first clue or knowledge of how to check if a filter is 0df or not, but I'll just leave it like that, as it's a Saurus thread.
Oh yes .... and
Now back to Saurus. And whatever you answer I won't be in this thread again. This was just to try to share some true information. And its done.
Last edited by Lotuzia on Thu May 03, 2012 12:30 pm, edited 1 time in total.
http://www.lelotusbleu.fr Synth Presets
77 Exclusive Soundbanks for 23 synths, 8 Sound Designers, Hours of audio Demos. The Sound you miss might be there
77 Exclusive Soundbanks for 23 synths, 8 Sound Designers, Hours of audio Demos. The Sound you miss might be there
- KVRAF
- 12522 posts since 21 Mar, 2008 from Hannover, Germany
I already mentioned that i did not do 1:1 copies of all sounds. I fact only the Brass was specifically designed for Oxygene 4.brok landers wrote:not really. you could quite convincingly reproduce the original track with saurus. only one exeption: due to the lack of a phaser in saurus the eminent phaserstrings can't be done from within saurus (also the typical bbd chorussed strings themself are a bit more on the hard side). but all the other sounds you could easily reproduce with saurus. you could start f.e. with using only one osc for the lead or disable the chorus.Ingonator wrote:>snip< And of course Jarre used real analog synths so that comparison is a bit unfair maybe.
Ingo
The other sounds were done before i had the idea to use them in that track.
BTW my quote you mention was about the fact that i used an almost "dry" song except for internal FXs and a Compressor. opposing to that Jarre first used real analog synths and second heavy processing in his track. In the Abacab example i used an EQ too so it sounds slightly different.
Ingo
Ingo Weidner
Win 10 Home 64-bit / mobile i7-7700HQ 2.8 GHz / 16GB RAM //
Live 10 Suite / Cubase Pro 9.5 / Pro Tools Ultimate 2021 // NI Komplete Kontrol S61 Mk1
Win 10 Home 64-bit / mobile i7-7700HQ 2.8 GHz / 16GB RAM //
Live 10 Suite / Cubase Pro 9.5 / Pro Tools Ultimate 2021 // NI Komplete Kontrol S61 Mk1
