Well from what I understand in a lot of ways if you have Omnisphere you have basically tried Trilian, just not the particular library. But Trilian, having fewer presets than Omnisphere, probably has a bigger market for new patches I would guess, and really has a lot of untapped potention. It definitely isn't just for bass sounds though that is the majority of the presets that it ships with. I asked Spectrasonics about the possibility of more synth-only presets and they said that was really the focus of Omnisphere more than Trilian (from a business perspective I don't think they want Trilian undercutting Omnisphere in this area, so they don't look to build out its synth presets.)Arksun wrote:Never tried Trilian, but have heard good things about it.braj wrote:I already voted for Omnisphere (which I don't currently own) but I'l like to change that to Trilian, which I think has so much potential for sound design particularly straight-ahead synth sounds (getting away from bass patches). There is a huge collection of sound sources there and a very powerful synth engine which to many is a bit intimidating. I would definitely buy a quality set of Trilian patches myself.
Including interesting arps and well-selected front page controls would be ideal.
Anyhow, I hope you or some other patch programmers consider it, as I really think it is such an untapped resource. I'm not a great sound designer but I've made some nice patches for myself in this way, and someone that understands that powerful engine much better could do a lot with it.
and the same exact thing is true for Trilian. Maybe you can make for them both, whatever skills and tricks you have will be applicable to both systems, it would be a good way to leverage your knowledge to maximum effect 
