I'm not using derivative here in the legal sense, rather the lay sense. Perhaps a different choice would avoid confusion.whyterabbyt wrote:Relying on a tool to create a piece of work makes the work a derivative of the tool? That's an entirely new definition of derivative I've never seen argued anywhere before.ghettosynth wrote:But you miss the point completely. Your work is derivative. You do not develop synthesizers, and if you did, you most likely don't create programming languages to create synthesizers, and if you did, you probably don't design computers to run the programming languages, and if you did, you probably are not a physicist or materials scientist developing the semiconductor technology necessary to build the computers...Perimeter Sound wrote:ghettosynth - I'm not really interested in argueing the whole concept with a lawyer, or you. I just don't see the point in sampling someone else's work for my own, why bother getting up in the morning. Legally or otherwise, that's my only concern, my work, my life, my interest in doing what I do.
The analogy is really clear. A preset library is clearly a derivative work, in the non-legal sense that it depends on the creativity of others, in the same way that using an arp preset to create a loop is a derivative work. We aren't talking about using an arp+synth preset, simply an arp preset. In other words, it's a selection of rules that determine which notes should play and in what order when one holds down keys.
You are simply using some aspect of the work others as a starting point for your own creativity. You wouldn't get very far with your preset library if the synth didn't exist.
