Am I The ONLY Person Who Finds FL Studio EXCEEDINGLY HARD To Understand And Use?
- something special
- 8627 posts since 16 Mar, 2002 from Birmingham, Alabama
I tried the demo of an early version and thought, finally a sequencer that works like I think..but I ended up going to Orion and then Cubase. Got version 3 as a birthday present, and could not figure it out to save my life! 
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- KVRAF
- 5573 posts since 30 May, 2006 from Hollow Earth
bluedad wrote:I tried the demo of an early version and thought, finally a sequencer that works like I think..but I ended up going to Orion and then Cubase. Got version 3 as a birthday present, and could not figure it out to save my life!
ABEFLGMOPPRRST 
- KVRian
- 652 posts since 28 Dec, 2011 from Seattle,WA, USA
I've always thought it was weird that people would swear that FL Studio was the easiest DAW on the planet and if you disagreed then you were the problem. To me Reason, Sonar, Cubase Acid, and Live are a lot easier to wrap your head around.
- KVRAF
- 10134 posts since 16 Dec, 2002
I always assumed FL is the way it is due to it being developed over such a chasm of time so some stuff is "hardbaked" eg this is the excuse for lack of full skinning.
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- KVRAF
- 5112 posts since 5 May, 2005 from Stockholm, Sweden
You could say the same about Cubase too I suppose. Doesn't it have some design elements that go back to the early 90s? Hopefully Cubase 7 will be a rewrite but we all say that before every version.VariKusBrainZ wrote:I always assumed FL is the way it is due to it being developed over such a chasm of time so some stuff is "hardbaked" eg this is the excuse for lack of full skinning.
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- KVRAF
- 2973 posts since 18 Oct, 2004
I dunno, I think my brain is just wired more along the lines of linear DAWs like Reaper, Sonar, etc. They make perfect sense to me. Having to deal with patterns annoys me. That's why I've never used my Korg Electribe.
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experimental.crow experimental.crow https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=6258
- KVRAF
- 6895 posts since 9 Mar, 2003 from the bridge of sighs
i enjoy the relatively open architecture of FLS ...
FLS works fine as a linear sequencer ...
i never use 'song' mode , and assemble all my work as one sequence , in 'pattern' mode ...
FLS works fine as a linear sequencer ...
i never use 'song' mode , and assemble all my work as one sequence , in 'pattern' mode ...

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- KVRAF
- 4908 posts since 10 Aug, 2004 from Colorado Springs
Ahh... to wade in at page 6:
What was all of your first 'sequencer'? Mine was the sequencer built into Ensoniq's ESQ1 synth, which you would record patterns either through recording live performance and quantizing if you so chose, or you could step-edit beats on tracks. These chunks were referred to as 'sequences'. 'Songs' were chains of sequences. I never did the step edit thing, as I was more used to recording the snippets of songs as sequences and then chained them together.
Around the same time, people were using their Amigas and Ataris with tracker type things and some of the first 'linear' sequencing programs.
When I made the switch from the hardware sequencer to a full on audio/midi 'sequencer' program, it was hard for me to get my head around the linear timeline thing, but then my brain made the shift and then pattern based stuff became hard to understand.
I just bought a Casio XW-P1 which has a way cool step sequencer/pattern/phrase sampler engine underneath it, and I feel like I'm back in the late 1980's and my brain has to relearn the old ways again. I bought this on purpose and hope to get to the point of being well versed in pattern based composition again, but it never really felt completely natural to me.
Never tried FL, whether it was back in the Fruity Loops days or the present. Ableton Live was hard for me to understand and use as a mainly folk-rock type of composer, but I do understand it's purpose.
I just think that there's a reason that the pattern based composition tools have always had a strong following - it works for some people's brains and for others it's like trying to sign your name with the wrong hand. I bet you some of the best of the baroque composers; those that started toying with patterns in counterpoint; if they lived today would absolutely rock the box with pattern based programs like FL and Ableton. Me, I need a guitar in hand to compose with, or ivories under my fingers. But I fully respect those that can draw in and trigger patterns and explore on the fly. Guitarists that do this use loopers. Similar technique and just as valid as linear composition, but hard for my brain.
What was all of your first 'sequencer'? Mine was the sequencer built into Ensoniq's ESQ1 synth, which you would record patterns either through recording live performance and quantizing if you so chose, or you could step-edit beats on tracks. These chunks were referred to as 'sequences'. 'Songs' were chains of sequences. I never did the step edit thing, as I was more used to recording the snippets of songs as sequences and then chained them together.
Around the same time, people were using their Amigas and Ataris with tracker type things and some of the first 'linear' sequencing programs.
When I made the switch from the hardware sequencer to a full on audio/midi 'sequencer' program, it was hard for me to get my head around the linear timeline thing, but then my brain made the shift and then pattern based stuff became hard to understand.
I just bought a Casio XW-P1 which has a way cool step sequencer/pattern/phrase sampler engine underneath it, and I feel like I'm back in the late 1980's and my brain has to relearn the old ways again. I bought this on purpose and hope to get to the point of being well versed in pattern based composition again, but it never really felt completely natural to me.
Never tried FL, whether it was back in the Fruity Loops days or the present. Ableton Live was hard for me to understand and use as a mainly folk-rock type of composer, but I do understand it's purpose.
I just think that there's a reason that the pattern based composition tools have always had a strong following - it works for some people's brains and for others it's like trying to sign your name with the wrong hand. I bet you some of the best of the baroque composers; those that started toying with patterns in counterpoint; if they lived today would absolutely rock the box with pattern based programs like FL and Ableton. Me, I need a guitar in hand to compose with, or ivories under my fingers. But I fully respect those that can draw in and trigger patterns and explore on the fly. Guitarists that do this use loopers. Similar technique and just as valid as linear composition, but hard for my brain.
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- KVRAF
- 16740 posts since 13 Oct, 2009
Yes, but cubase has some of the same, abstractly speaking, limitations. I'm not saying that they DAWs are similar, just that cubase has some workflow features that are hard-baked and unlikely to change. I doubt that it will get a modern windowing interface any time soon. I'm assuming here, that 6.5 is still a windowing nightmare as I haven't upgraded from 5.lotus2035 wrote:You could say the same about Cubase too I suppose. Doesn't it have some design elements that go back to the early 90s? Hopefully Cubase 7 will be a rewrite but we all say that before every version.VariKusBrainZ wrote:I always assumed FL is the way it is due to it being developed over such a chasm of time so some stuff is "hardbaked" eg this is the excuse for lack of full skinning.
- KVRAF
- 4180 posts since 10 Oct, 2002 from Nashville, TN USA
I love FL Studio. I had a thread asking for help when I first switched from Orion to FL Studio and remember there were some things I just didn't see right away--but you've just got to stick with it for a week or so and explore the interface and methods rather than trying to do actual work. I think that is what freaks people out: having to learn something new instead of just being fluent right away. Took me a while, too, as I'm not a big reader of manuals, but their manual is pretty good and has screen shots to help make things clearer. And now, with YouTube videos made by generous people, users have it so easy. 
It's a great piece of software, imo. I always feel like a wise old bird when I think about the upgrade fees I've avoided since version 4 or 5. That's a lot of money still in my pocket!
It's a great piece of software, imo. I always feel like a wise old bird when I think about the upgrade fees I've avoided since version 4 or 5. That's a lot of money still in my pocket!
Last edited by Shane Sanders on Tue Sep 25, 2012 5:43 pm, edited 1 time in total.
- KVRAF
- 5175 posts since 29 Apr, 2006
I have a special place in my heart for FL. I will not date her until she can deal with my multiple time signatures though.
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- KVRian
- 660 posts since 12 Sep, 2007 from Sweden
With almost any DAW, I can fire it up, load a VST, paint in some notes and have it play them back, without refering to a manual or tutorial for instructions. For me, FL Studio miserably fails this test. I guess it's just too different, which is why people either hate it or love it.
Hardware: Akai MPK61, MFB-Synth II, Roland JX-8P, Virus TI Snow, KORG MS2000R, Roland SH-01
Favorite software: Sylenth1, Synth1, Messiah, ME80, OPX-Pro II, Zebra 2, Diva, Reason, Studio One V2 Pro
Favorite software: Sylenth1, Synth1, Messiah, ME80, OPX-Pro II, Zebra 2, Diva, Reason, Studio One V2 Pro
- KVRAF
- 14157 posts since 20 Nov, 2003 from Lost and Spaced
- KVRAF
- 5112 posts since 5 May, 2005 from Stockholm, Sweden
Yep it's the same old, same old. Still love Cubase though.ghettosynth wrote:I'm assuming here, that 6.5 is still a windowing nightmare as I haven't upgraded from 5.
Halion 4 may be a sign of things to come though. Undockable, resizeable windows, a built in Mixer which may very well be a taste of what is next for Cubase 7's mixer.

