i'd be happy with 2 bog standard digital oscillators (which produce allready perfect sines, saw, pulses at all ranges)...no need to emulate any particular synth model. the dsp for good oscillators is there since years. white noise might be more tricky (for some reason white noise sucks in most softsynths, especially when put through some resonance it dries up in a nasty digital way)penguinfromdeep wrote:Naah, it would take longer time, much longer for Andy to add some oscs too, because it needs to be done properly. For example to analyze the hardware throughly like he did for the filters (depending which models he would choose for the oscs). I prefer it this way for now, let the technology mature and who knows what Andy will come up in the future. That said, can't wait for tomorrrow! I will be the first in line!
in any case it was really mainly just the filters which needed a dsp overhaul (as previous filter dsp of the past 20 years was flawed). so with the drop he's done allready 90% of the work towards a synth
V0RT3X wrote: why not be happy the way it is ?
Confused
cos i have not much use for filters by themselfs .
and i'm not gonna run oscillators from another synths into the drop and complicate my life, no matter how good the drop is.
if i bought it i'd probably just use it for self oscillating sounds or for some high pitched noises from the lfos (which i believe go into audio range?).
