LuSH-101
-
- KVRAF
- 2747 posts since 13 Feb, 2012 from Amsterdam
As I said a while back:Keef Baker wrote:For me, as always you guys have done a great job. I bought it without even demoing it as I've not been let down before.bld wrote:...to the question somewhere above: yes, we hear you
thanks for all suggestions and feedback. Have a nice 'tweakend'
Przemek/d16
Do you think you guys are going to do something about the envelope not triggering on consecutive notes without a gap?
It took me a while to figure that one out, but actually you can have the envelopes retrigger on every note. Next to the envelopes you'll find a bunch of LEDs under Reset, select "trig" instead of the default "gate" and you're good to go.
- KVRAF
- 12522 posts since 21 Mar, 2008 from Hannover, Germany
Hi,himalaya wrote:It's set to maximum on the PDF graphic I'm looking at. See again:Ingonator wrote:
The slider for the Resonance in the Funky Bass preset is left empty so i had set i to zero.
This patch sheet and the Synthmania example do not match. It's not that important though as the sound can be emulated by listening to the Synthmania demo.
the right patch sheet is not above the name of the patch but below!!
The picture you presented is from the "Gong" preset.
This should be the correct picture for the "Funky Bass" preset:

BTW also the other image does not look as bad as yours in my copy of the PDF file.
I got the PDf here. ftp://ftp.roland.co.uk/productsupport/S ... 101_OM.pdf
Ingo
Ingo Weidner
Win 10 Home 64-bit / mobile i7-7700HQ 2.8 GHz / 16GB RAM //
Live 10 Suite / Cubase Pro 9.5 / Pro Tools Ultimate 2021 // NI Komplete Kontrol S61 Mk1
Win 10 Home 64-bit / mobile i7-7700HQ 2.8 GHz / 16GB RAM //
Live 10 Suite / Cubase Pro 9.5 / Pro Tools Ultimate 2021 // NI Komplete Kontrol S61 Mk1
- KVRAF
- 5234 posts since 25 Feb, 2008
Changing the filter mode from "NORMAL" to "SH101" (tiny buttons/leds at the LHS of the filter section) makes a huge difference for patches with high-res.ENV1 wrote:
An extremely nice demo of the real 101 because it captures the analog 'rawness' of the real deal very well. The good filter stuff starts around 2:50, so keep at it.
Last edited by hakey on Fri Oct 19, 2012 4:44 pm, edited 1 time in total.
-
- KVRAF
- 5666 posts since 23 Mar, 2006 from pendeLondonmonium
You're right Ingo!
I need to get new glasses, it seems

-
- KVRist
- 214 posts since 6 Jun, 2004
What a goldmine you've just put in front of us Ingo!
Happy days...
JM
------------
https://soundcloud.com/leftside-wobble
- KVRAF
- 12522 posts since 21 Mar, 2008 from Hannover, Germany
TThanks. even better is that there are some fitting audio demos:metrosonic wrote:What a goldmine you've just put in front of us Ingo!
Happy days...
JM
------------
https://soundcloud.com/leftside-wobble
http://www.synthmania.com/sh-101.htm
Ingo
Ingo Weidner
Win 10 Home 64-bit / mobile i7-7700HQ 2.8 GHz / 16GB RAM //
Live 10 Suite / Cubase Pro 9.5 / Pro Tools Ultimate 2021 // NI Komplete Kontrol S61 Mk1
Win 10 Home 64-bit / mobile i7-7700HQ 2.8 GHz / 16GB RAM //
Live 10 Suite / Cubase Pro 9.5 / Pro Tools Ultimate 2021 // NI Komplete Kontrol S61 Mk1
-
- KVRist
- 214 posts since 6 Jun, 2004
Familiar with the stuff at Synthmania but many of the PDF's on the Roland FTP appear to be far cleaners scans than I've encountered elsewhere.Ingonator wrote:TThanks. even better is that there are some fitting audio demos:metrosonic wrote:What a goldmine you've just put in front of us Ingo!
Happy days...
JM
------------
https://soundcloud.com/leftside-wobble
http://www.synthmania.com/sh-101.htm
Ingo
Really great resource.
JM
------------
https://soundcloud.com/leftside-wobble
-
- KVRAF
- 1624 posts since 14 Sep, 2007 from www.koeln.de/en/
Sound of the Lush 101 is great, a lot of presets seem very production-ready.
Not into buying any more Sofsynths atm, though.
regarding CPU use :
maybe they'll release an optimized version CPU wise with an update, like Urs did with Diva.
Not into buying any more Sofsynths atm, though.
regarding CPU use :
maybe they'll release an optimized version CPU wise with an update, like Urs did with Diva.
Last edited by darsho on Fri Oct 19, 2012 7:23 pm, edited 4 times in total.
-
Oliver Chesler Oliver Chesler https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=162892
- KVRist
- 45 posts since 13 Oct, 2007 from Berlin, Germany
Hi Everyone,
I created some audio of the presets I created on SoundCloud:
http://soundcloud.com/thingstocome/lush ... ded-oliver
I created some audio of the presets I created on SoundCloud:
http://soundcloud.com/thingstocome/lush ... ded-oliver
Oliver Chesler
www.wiretotheear.com
www.wiretotheear.com
- KVRAF
- 26963 posts since 3 Feb, 2005 from in the wilds
JimmiG wrote:¨dexterbella wrote:To do this with Diva I would need 8 instances of the synth, half a dozen seperate arps/step sequencers and about the same number of additional fx and it would have taken about ten times longer to setup/route than the few minutes I spent tweaking LuSH. Would it sound better? Possibly. Would it have been as much fun to do? No. Would my CPU cope? Definitely not.
In short, two different synths doing different things. For me personally I'd take LuSH over Diva every time.
The advantage of doing it the traditional way rather than the "two-finger song" way, is that once you've set it up, it's much easier to work with. You can have parts fade in and out, change effects (use third-party effects), swap out the synth in one of the tracks for a completely different one (or even send the MIDI to a hardware synth), set up different sends for different parts, slightly tweak the sequences as the song progresses etc.
I understand the "WOW-factor" of hitting a couple of notes and having a whole song come out, but personally, I prefer to build the song myself in the DAW. That's kind of the whole purpose of a sequencer/DAW. If I'm goiong to use the synth itself as the sequencer, mixer, master effects etc. I might as well skip the DAW and run it inside a simple VST host to save on CPU and RAM.
The other huge advantage of using separate instances is cause they can use multiple cores... I am quite liking the sound of Lush but there are some factory presets where I get crackles with 1 note on my 2.8ghz i7...
- KVRAF
- 26963 posts since 3 Feb, 2005 from in the wilds
ENV1 wrote:For those who wanted some sort of 'acoustical reference point':
An extremely nice demo of the real 101 because it captures the analog 'rawness' of the real deal very well. The good filter stuff starts around 2:50, so keep at it.
PS: High volume strongly recommended.
Does anyone have any single layer Lush presets that emulate some of these sounds? If Lush effectively emulates the SH-101, then it should only need one layer to come relatively close to the sound.
- KVRist
- 293 posts since 3 Mar, 2011
[quote="JimmiG"
The advantage of doing it the traditional way rather than the "two-finger song" way, is that once you've set it up, it's much easier to work with. You can have parts fade in and out, change effects (use third-party effects), swap out the synth in one of the tracks for a completely different one (or even send the MIDI to a hardware synth), set up different sends for different parts, slightly tweak the sequences as the song progresses etc.
I understand the "WOW-factor" of hitting a couple of notes and having a whole song come out, but personally, I prefer to build the song myself in the DAW. [/quote]
For me it's not so much about WOW-factor as FUN-factor. LuSH has enough flexibility in it's architecture to allow automating fading in layers and so on but I'm not going to be using LuSH to replace Reaper any time soon. It just provides a fun, easy, intuitive interface to mess around with ideas in a different way to my usual workflow - often these things can lead to exploring artistic avenues that I might not otherwise have explored. It is a very long time since I had this much fun playing with a VA synth.
The advantage of doing it the traditional way rather than the "two-finger song" way, is that once you've set it up, it's much easier to work with. You can have parts fade in and out, change effects (use third-party effects), swap out the synth in one of the tracks for a completely different one (or even send the MIDI to a hardware synth), set up different sends for different parts, slightly tweak the sequences as the song progresses etc.
I understand the "WOW-factor" of hitting a couple of notes and having a whole song come out, but personally, I prefer to build the song myself in the DAW. [/quote]
For me it's not so much about WOW-factor as FUN-factor. LuSH has enough flexibility in it's architecture to allow automating fading in layers and so on but I'm not going to be using LuSH to replace Reaper any time soon. It just provides a fun, easy, intuitive interface to mess around with ideas in a different way to my usual workflow - often these things can lead to exploring artistic avenues that I might not otherwise have explored. It is a very long time since I had this much fun playing with a VA synth.
-
- Banned
- 18651 posts since 2 Oct, 2001 from England
i think they didntCyforce wrote:i think the D16 guys, are genius on DSP coding, so i'm very sure, they can and has created a highly accurate emulation of the Sh-101.

