Maybe a stupid question, but hey...
Say i have some chord progression going on, played with synth 1, from the root notes i create a bassline line with synth 2. Then i want to create a melody on top of that played with synth 3.
All the synths play a different sound: synth 1: lead sound , synth 2: bass sound and synth 3: another lead sound.
I know all the notes must stay in the same scale, but now my question: do all the notes that are played with different synths at the same time must form a chord ( 4, 5 notes at the same time )?, or isn't that important?, will it sound good because they play a different instrument?
I hope i made my point clear, sry for my bad english...
Question about chords etc....
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- KVRist
- 353 posts since 22 Feb, 2004
That's what scales are for. If you're using chords from a major scale, you really can't go wrong at all as long as you remain within the same scale.
- KVRAF
- 16823 posts since 8 Mar, 2005 from Utrecht, Holland
How else could a brass band or symphonic orchestra full of monophonic instruments play a nice tune?mispoes wrote:So, different notes, different chords with different sounds at the same time but in the same scale go well with each other?
Sometimes a note which according to the theory is "out of scale" is required for certain effect. Happens more often than you think (especially when you know the scales inside out)
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- KVRist
- 63 posts since 4 Nov, 2012 from Netherlands
In essence all notes that sound simultaneously form a chord, but it might not be a simple triad.
If you keep it all in one scale there's nothing much that can go wrong. There are some things that can sound harsh, for example a 11 on a major chord, or a minor second or flat 9 interval generated between 2 notes. But this can be a really cool effect if applied properly.
Also if the timbre's are really different you can get away with a lot of things.
In general my point of view is if it sounds good, it is.
If you keep it all in one scale there's nothing much that can go wrong. There are some things that can sound harsh, for example a 11 on a major chord, or a minor second or flat 9 interval generated between 2 notes. But this can be a really cool effect if applied properly.
Also if the timbre's are really different you can get away with a lot of things.
In general my point of view is if it sounds good, it is.