Operator is a great workhorse - not just for "standard" FM, but for laying down subs, creating percussion, etc. It's only 4 operator but otherwise I think it holds its own. Thing about FM is that these instruments haven't "dated" like the subtractives, where the DSP for filters, etc. is advancing with CPU rates.Ingonator wrote:Just took the opportunity to get the upgrade to Ableton Live 8 Suite (from Standard version) with an included free Live 9 upgrade.
Already had a few single plugins like e.g. Analog and Sampler but the additional ones in the Suite are really nice. Also looking forward to the additional plugins in Live 9 Suite like e.g. the Glue and Max 4 Live.
As i just sold the AAS Modeling collection this is a nice way to have some AAS plugins again and those Live instruments (Analog, Tension, Electric, Colision) seem to be based on some of those AAS plugins (e.g. Ultra Analog, String Studio, Lounge Lizard, Chromaphone). The planned purchase for the Live 8/9 Suite was one reason to sell the Modeling collection.
Also nice to have Operator now as recently i became more interested in FM.
Ingo
The rest are also still useful - missing a few features of their commercial counterparts but you don't usually miss what you don't have
The biggest let-down for me with the built-ins was always Reverb (I don't think I have a very sophisticated ear - "what aliasing?" - but I just don't care for the sound). There are enough solid replacements though, and 9 has the convolution verb. Analog sounds fine but could use an update too (IMHO).