Not to say there isn't room for improvement, there always will be. But over the past 10-15 years we've seen quite a revolution of quality and pricing for audio software.
10 or so years ago, it was difficult to find high-quality eq (the kind that didnt generate all sorts undesirable artifacts at e.g. high boosts with narrow q's) for under $1000, where thin metallic reverbs were the norm, with barely an alternative. Where developers (hello Arturia & co) where flooding the market with "emulations" of renowned subtractive synths that sounded nothing like the originals.
Now we have circuit modeled synthesizers, compressors, eq's, silky lush algorythmic reverbs (Hosts of free IR response libraries, finally some decent phasers, flangers, that capture some of the mojo of high-end production tools and in some cases even surpass it, and all for a fraction of the price.
The "dream" of the bed room producer has not only become real, in fact we see more and more studios and established musicians use the exact same software tools we do. (Although some high-end hardware and analog gear still have their advantages, for those that appreciate details
Computer piracy has been around since "Space Wars" was programmed in the 60's.
It's an all too easy target, and gets blamed for everything from Lars Ulrich's clinical depression for not adding a few more "multis" to his multi-millionaire status, tom cruises weird outbursts, and bin laden's staged execution.
Blame Piracy!
Or simply consider 101 market economics.
Supply and Demand.
That's where I'd place my bet.
Cheers and Yo Ho me Hearties!
