I know, it's pretty bad and I lose a good chunk on guitars I don't keep but I have fun.xtp wrote:Cool dude, congrats, wow every time I read this thread you have a new one.hibidy wrote: I bought it.
Your next guitar?
-
- KVRAF
- 42529 posts since 21 Dec, 2005
- Rad Grandad
- 38041 posts since 6 Sep, 2003 from Downeast Maine
I forgot to take a pic of me playing it, it's a studio...had no buzz and was the lightest Les Paul I ever picked up. He just got it and the intonation was perfect, the action was very low and it played very well tbh. He said he paid 1299 for ithibidy wrote:I had to chuckle. You'll probably end up liking it so much you'll get oneHink wrote:okay so I have a neighbor coming over for me to check out his new guitar, it's got some string buzzing going on...it's a brand new Gibson Les Paul
The highest form of knowledge is empathy, for it requires us to suspend our egos and live in another's world. It requires profound, purpose‐larger‐than‐the‐self kind of understanding.
-
- KVRAF
- 7825 posts since 20 Jan, 2008
Bumpity......
Is it here yet?
Is it here yet?
Dell Vostro i9 64GB Ram Windows 11 Pro, Cubase, Bitwig, Mixcraft Guitar Pod Go, Linntrument Nektar P1, Novation Launchpad
- Rad Grandad
- 38041 posts since 6 Sep, 2003 from Downeast Maine
where?
The highest form of knowledge is empathy, for it requires us to suspend our egos and live in another's world. It requires profound, purpose‐larger‐than‐the‐self kind of understanding.
-
- KVRian
- 1020 posts since 4 Jun, 2006
What better reason.hibidy wrote: ...but I have fun.
I was reading a thread the other day that said the person did not get why someone would spend a large amount of money on what he/she termed as a 'analogue fetish.'
I thought to myself maybe the answer was the self same reason - for the fun, or enjoyment it brings.
I think it is nice to get a good feeling when you; own/or work with gear you really like.
I know I always get immense pleasure when I play the gear I own.
- Rad Grandad
- 38041 posts since 6 Sep, 2003 from Downeast Maine
as I see it my entire DAW (hardware and software) exists so I can write my own music to jam to on my guitar...I dont need no stinkin bandxtp wrote:What better reason.hibidy wrote: ...but I have fun.
I was reading a thread the other day that said the person did not get why someone would spend a large amount of money on what he/she termed as a 'analogue fetish.'
I thought to myself maybe the answer was the self same reason - for the fun, or enjoyment it brings.
I think it is nice to get a good feeling when you; own/or work with gear you really like.
I know I always get immense pleasure when I play the gear I own.
The highest form of knowledge is empathy, for it requires us to suspend our egos and live in another's world. It requires profound, purpose‐larger‐than‐the‐self kind of understanding.
-
- KVRian
- 996 posts since 14 Jun, 2012 from Toronto, Canada
This might not fit here, but finally got that 30" SX Fretless jazz bass. I wish Fender VI would come fretless! It plays wonderfully, but intonation after 15th fret is ... well, I'm not sure if it's me or the setup. The scale is too short I suppose to sort of "guess" the places.
As for guitar, I think I have too many already. I would rather add to other instruments I can play... I am looking for a mandolin. My very, very old Epi sounds better than most Gibson LPs out there (at least during that huge Gibson QC fail period,) and that Squire thinline tele is seriously good. The electronics however ... uh, it's almost like playing through piezo.
As for guitar, I think I have too many already. I would rather add to other instruments I can play... I am looking for a mandolin. My very, very old Epi sounds better than most Gibson LPs out there (at least during that huge Gibson QC fail period,) and that Squire thinline tele is seriously good. The electronics however ... uh, it's almost like playing through piezo.
It's all about the wavelets. I dream of the perfect additive synthesis.
You can hire me if you are in Toronto! Contact for details.
You can hire me if you are in Toronto! Contact for details.
- Rad Grandad
- 38041 posts since 6 Sep, 2003 from Downeast Maine
trust me, KvR would fair well with more fretless postsschnapsglas wrote:This might not fit here, but finally got that 30" SX Fretless jazz bass.
I hear you on "other" instruments, I want to build a kantele, a psaltery and a bowed psaltery...I too would like a mandolin, but I have found some cool kits so once again that's on "to build" list. You see the truth is, like with my hammered dulcimer I built it's likely I wont play exotic instruments all the time, they spend more time as decorations with cool stories if I build them myself
The highest form of knowledge is empathy, for it requires us to suspend our egos and live in another's world. It requires profound, purpose‐larger‐than‐the‐self kind of understanding.
-
- KVRAF
- 42529 posts since 21 Dec, 2005
Of course it fits, and congrats!schnapsglas wrote:This might not fit here, but finally got that 30" SX Fretless jazz bass. I wish Fender VI would come fretless! It plays wonderfully, but intonation after 15th fret is ... well, I'm not sure if it's me or the setup. The scale is too short I suppose to sort of "guess" the places.
As for guitar, I think I have too many already. I would rather add to other instruments I can play... I am looking for a mandolin. My very, very old Epi sounds better than most Gibson LPs out there (at least during that huge Gibson QC fail period,) and that Squire thinline tele is seriously good. The electronics however ... uh, it's almost like playing through piezo.
- KVRian
- 535 posts since 25 Nov, 2010
some original electric gibson w/ 3 pickups(optional) but tremolo:))) in white.. that is cool but too optional.... gibson have one sg of mine satisfaction.. some vanilla color if u know about which iam talking:)
and still don't know if I just buy one electro-acoustic or electric bass or with that two electro-acoustic bass too:DD
and still don't know if I just buy one electro-acoustic or electric bass or with that two electro-acoustic bass too:DD
trust analog.... (owner of digital)
-
- KVRian
- 1020 posts since 4 Jun, 2006
I think we are very lucky Hink, living in the time we do -Hink wrote: as I see it my entire DAW (hardware and software) exists so I can write my own music to jam to on my guitar...I dont need no stinkin band
We get to combine any amount of Vacuum Tube, Solid State and Digital technology as we so choose, and can output a finished product to a commercial level all from within our own homes.
- Rad Grandad
- 38041 posts since 6 Sep, 2003 from Downeast Maine
xtp wrote:I think we are very lucky Hink, living in the time we do -Hink wrote: as I see it my entire DAW (hardware and software) exists so I can write my own music to jam to on my guitar...I dont need no stinkin band
We get to combine any amount of Vacuum Tube, Solid State and Digital technology as we so choose, and can output a finished product to a commercial level all from within our own homes.
Luck just isn't the word for it, it's beyond that now
The highest form of knowledge is empathy, for it requires us to suspend our egos and live in another's world. It requires profound, purpose‐larger‐than‐the‐self kind of understanding.
-
- KVRAF
- 16728 posts since 13 Oct, 2009
I've yet to like a strat-o-like with a humbucker in the bridge. The only fender (strat) that I've ever had was a squire strat that looked something like the one you bought, even pearl white, but it was used when I got it. My bandmates loved the tone, I didn't. That said, the other guitarist in the band played a crappy marshal combo with the bass always turned down, it was always piercing.hibidy wrote:I bought it. 15% off, 18 mo financing no interest, 30 day return policy. It's a beaut. The MM is going back. There are some issues with it. It's really sad, it's a wonderful instrument.
Back to the strat, it's HUGE sounding! I mean, I can't believe a stock fender sounds this huge! Cuts like a knife, in a good way. That atomic humbucker is REALLY high gainAnd that "strat" sound with all positions except the bucker, which is fine because not having a grinder gets boring imho. Has the S1 stuff too, but I don't get too into switching. It has an "all in" switch which just puts the bucker in. So you can set up all the tone/volume for let's say the neck pup and then with a switch go hyper.
Plays like a dream, off the shelf setup is good, and that trem! It's insane, it totally stays in tune and flutters like mad. The new fenders have a pop-in arm and it stays back which is where I like it.
One negative. It's like all other fenders I've owned in that the sheilding sucks ass. 60 bucks will fix that, but I'm kinda pissed.
It's hard to be fickle, but this may solve some of my issues.
I didn't keep it for long but since then I've had a godin and a super cheap crate guitar with humbuckers in the bridge and they always seem to be a pain to manage the singles with the humbuckers.
Then again, I'm really a tele guy. I sure liked that 5 way switching with the series parallel. I think that I'm going to buy a cheap tele clone and wire it that way.
- KVRAF
- 20701 posts since 22 Nov, 2000 from Southern California
I've been wiring tele's like that exclusively these days. I can get the 4-way switches pretty cheap (around $5) if you need one.ghettosynth wrote:I sure liked that 5 way switching with the series parallel. I think that I'm going to buy a cheap tele clone and wire it that way.
btw, I'm sorry for having been away from this thread. I keep getting unsubscribed from it somehow and then you guys all go chatting for 40 pages without me. :-/