Looking for a Huge, 90's Reverb

VST, AU, AAX, CLAP, etc. Plugin Virtual Effects Discussion
RELATED
PRODUCTS

Post

valhallasound wrote:
codec_spurt wrote: Was that a Peavey Bandit?
One of the times I saw Shellac, the bassist (Bob Weston) was taking questions from the audience. The question came up: "What is inside of your custom amp?"

Image

Weston's reply: "A Peavey Bandit."

I think pretty much everyone has owned or played through a Peavey Bandit during some part of their career. I played through the Bandit's baby brother, the Backstage 30, for years.

Sean Costello

Peavey did lots of variations on many types of their amps. I always remember the Bandit as being a single 12 inch 65 watt.

This one was mine - it was a hybrid solid state/valve combo. And you could plug in two guitars though of course you halfed the power rms. It was f**king loud though, but I liked it silly loud then. And I mean silly. I really am lucky to still have such good hearing.


Image


It only pumped out 65 watts RMS and even though this was enough to make the neighbours complain, it still lacked something when playing with a full on metal drummer, which is what I was into at the time.

It had a superb Phaser, which you can see in the blue button, and the reverb was to die for. A true spring, don't know if it was better than any others but it was more than good enough for me. A strat through it sounded like a strat, bringing out the twangs so beautifully..

It had Black Widow speakers iirc.

Sorry I got rid of it really.



And yeah, I know the 'Backstage' too. Great little amp. I had the smallest amp Peavey made apart from the Classic I mentioned. It was only 10 watts. Loud as f**k. And yeah, it had the kinky blue phaser button, and a headphone out so you didn't piss of the parents. Gotta love Peavey. Not sure if that was the Backstage or not. It's all a bit blurry now..

In fact my band at the time had a 1K rig PA system from them with active crossover. But that is beyond the scope of this article. Two towers that it took two men to lift. And that was just the amp ;-)...


Great amps, great reverb, great blue buttons..


cheers.

Post

TAL have three reverb plugins, that cover a good range.
You might find a keeper.

http://kunz.corrupt.ch/Products/TAL-Reverb

:? looks like V1, my favorite, is off the page :-o

maybe bugs existed, that were fixed in V2 and V3,
or just massive improvements?

Post

codec_spurt wrote: Was that a Peavey Bandit?
Yea, it was the old-type 65w(?) one with a Celestion speaker. It wasn't exceptional with no character, but the reverb used to trip the ferk out of me. It sounded alive and had lots of character. I'd like to build some spring boxes or small plates, just to see what happens. I bet you couldn't really go wrong and you'd end up with at least a somewhat unique sound. But the amp itself, a few well chosen pedals and it would sound OK. I had a cheap plastic analog delay that I used and abused on a constant basis. When I fisrt started to mess with VST, hearing and meddling with the dials in Dubstation was an eureka moment as changing the speed with the feedback at 100% made the same damn same spacy sounds. I still swear by Dubstation. The good old ProCo Rat made me sound half-punk too :)

But really, it was this little Fended Champ knock-off 10w amp that I used to really love. The distotion was very fuzzy and saturated and gave nice attack and sustain while sounding genuinely lo-fi. Sometimes I would disconnect the speaker and run a cable from the out to the Bandit. Best of both world, or so I thought back then.

And back on topic :oops:

This spring emu is neat althought it can sound detached.
http://www.kvraudio.com/product/devils- ... -lostin70s
It's

Post

Andywanders wrote:Here's another freebie for you to try...

http://www.vacuumsound.de/plugins.html

Poorplate

Worth a shot maybe
I stayed away from this for years because it used to crash Reaper for me (always loved ADT though). I just ran some moog lines from Synth1, and holy cow I really like what it did. It does have some crazy modulation that I can't seem to control. Do plates do this? This one is going on my list, if I ever make one.

The Kjaerhus and TAL ones tend to ring out too much for my taste, like if I filter out the highs enough to get rid of it, I lose the sheen I'm looking for when playing a synth or guitar. Note that I'm jamming and not mixing. I could get a few very nice small rooms with Classic Reverb. Not really reverb I guess, but more like putting a sound in a room. I made TAL 2 sound pretty nice after playing with the EQ, but the tail seems to break at smaller room sizes. Version 1 is pretty nice, but 3 sounded like an arctic wind no matter how much I closed the low-pass.

I'm still trying out a few more mentioned here and see what I have as far as impulses go. To people reading this looking for opinios or suggestions, please note that I still don't know the second thing about verbs, so don't read too much into it :oops:
It's

Post

Andywanders wrote:Here's another freebie for you to try...

http://www.vacuumsound.de/plugins.html

Poorplate

Worth a shot maybe
Poorplate is one I will have forever, even if I only have limited use for it, when I use it, it works great! :)

Same with KReverb. Not a fan of the Classic Reverb either, but use his Delay a ton, usually in combo with another reverb. His reverb, and Tal's, sound way too tinny for me, especially on higher frequencies. :)

I usually use Glace if I'm trying to create a new texture or pad with it. It has some really excellent presets to just stick a string and/or choir sound in, record it out and edit it down, and you have a new, spacey sound! But as an actual reverb I'd use on a track, probably never. :)

Listening to demos of Eos, I really like it too. That and the other one mentioned up thread (the PSX sounding one, I'm bad with names offhand!) might be some good company until I can afford Valhalla! :lol:

Post

Asuyuka wrote:
Andywanders wrote:That and the other one mentioned up thread (the PSX sounding one, I'm bad with names offhand!) might be some good company until I can afford Valhalla! :lol:
D16 Toraverb. Looooooooove that one, although I tend to use it for long, unreal verbs and maybe there's better options for more realistic room sounds.

Valhalla costs about the same, and from what I hear around here, might be the ultimate algo verb. You can demo both.
It's

Post

2CAudio B2 is capable of what you are looking for.

Very flexible tool.

Post

PatchAdamz wrote:2CAudio B2 is capable of what you are looking for.

Very flexible tool.
Agree. :!: :D

Making it even more so right now in fact...

Max size is now 625 meters in our latest build BTW... (previously it was 256). This results in some HUUUUUGGGGGGGGGGEEEEEEEEEEEEEEE spaces, with very LLLLLLLLLLLLLLOOOOOOOOOOOOOOOOOOONNNNNNNNNNNNNNNNNNNNNGGGGGGGGGGGGGGGGGGGGGG delay times... very cool.

plus a few other tricks we've just added for more sound-design oriented stuff...

Post Reply

Return to “Effects”