What do you think about "Harmonic Mixing"?
- Banned
- 10196 posts since 12 Mar, 2012 from the Bavarian Alps to my feet and the globe around my head
A few days ago I found something about "Harmonic Mixing". So I thought this must be something extraordinary which I've never seen before. But then I looked at this circle with the appealing name "Camelot System", and I was completely disappointed: It seems to be the Circle of Fifths, just a bit rotated...
What do you think about the "Harmonic Mixing"? Is there something special about it that I don't know?
Are there better methods and circles (instead of the Circle of Fifths) to create chord progressions (as the Circle of Fifths is rather about keys and less about chords).
What do you think about the "Harmonic Mixing"? Is there something special about it that I don't know?
Are there better methods and circles (instead of the Circle of Fifths) to create chord progressions (as the Circle of Fifths is rather about keys and less about chords).
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- KVRAF
- 4867 posts since 18 Dec, 2000
isn't is mostly about how djs mix from one song to another within the same key, or flow through the circle of 5ths?
dw
dw
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- KVRian
- 528 posts since 17 Apr, 2009 from portland oregon
As dusted said, the camelot system helps DJ's mix between tracks with harmonically compatible keys.
Might be disappointing if you thought it was a whole new theory on a song's mix though!
Might be disappointing if you thought it was a whole new theory on a song's mix though!
I run a netlabel http://oligopolistrecords.bandcamp.com
Free chill, hip-hop, lo-fi, ambient, experimental, for you! (Send me demos too!)
Free chill, hip-hop, lo-fi, ambient, experimental, for you! (Send me demos too!)
- Banned
- Topic Starter
- 10196 posts since 12 Mar, 2012 from the Bavarian Alps to my feet and the globe around my head
I'm just wondering why DJ's don't have 15 minutes time to learn the Circle of Fifths if they have 5 minutes time to learn the Camelot Circle which is basically the same... 
I have expected an absolutely new outstanding approach...
I have expected an absolutely new outstanding approach...
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- KVRAF
- 16739 posts since 13 Oct, 2009
Because there's nothing to learn with the Camelot system. It's just a label that links key to something that you already know, the hours on a clock. It eliminates the translation stage in that you don't have to think about what keys are adjacent in the circle of fifths. It simply becomes which numbers are adjacent on the clock. The only thing that's not obvious from the number itself is the adjacency of 12 o-clock to 1 o-clock. Major keys are linked to the relative minor keys by the same position on the clock, differing only by a letter. You now learn two simple rules, e.g. move numbers by 1 or stay on the same number and change the letter.Tricky-Loops wrote:I'm just wondering why DJ's don't have 15 minutes time to learn the Circle of Fifths if they have 5 minutes time to learn the Camelot Circle which is basically the same...
I have expected an absolutely new outstanding approach...
It's brilliant in its simplicity and only requires that you think about the actual key the song is in just once.
Yep, or, more to the point, you can sort by either but a camelot number sorts tracks in the order that you want to play them. Your cataloging software doesn't need to know that the label is a "key" and have a special "circle of fifths" sort order.IIRC It's easier to sort by camelot numbers than Gb/Bm, C/Am etc.
- Banned
- Topic Starter
- 10196 posts since 12 Mar, 2012 from the Bavarian Alps to my feet and the globe around my head
So you can label the songs with the Camelot numbers (instead of the keys), and then the DJ (or cataloging) software simply chooses + 1 or - 1 or letter "A" or letter "B" to find a song that fits to the previous song...ghettosynth wrote:Yep, or, more to the point, you can sort by either but a camelot number sorts tracks in the order that you want to play them. Your cataloging software doesn't need to know that the label is a "key" and have a special "circle of fifths" sort order.IIRC It's easier to sort by camelot numbers than Gb/Bm, C/Am etc.
That sounds interesting...OTOH if the computer does everything automatically (by using the "Mixed in Key" software additionally), then the DJ's won't learn any music theory...
- addled muppet weed
- 111288 posts since 26 Jan, 2003 from through the looking glass
do they need music theory if theyre not actually "making" music?
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- KVRAF
- 16739 posts since 13 Oct, 2009
They won't learn much by giving them a difficult to use labeling system either. That's all the circle of fifths is, if, you don't learn what it's about. I know what the circle of fifths is, I know what a fifth is, good or bad, I write music, but, I still prefer the Camelot labels because they simply work better for the intended purpose.Tricky-Loops wrote:So you can label the songs with the Camelot numbers (instead of the keys), and then the DJ (or cataloging) software simply chooses + 1 or - 1 or letter "A" or letter "B" to find a song that fits to the previous song...ghettosynth wrote:Yep, or, more to the point, you can sort by either but a camelot number sorts tracks in the order that you want to play them. Your cataloging software doesn't need to know that the label is a "key" and have a special "circle of fifths" sort order.IIRC It's easier to sort by camelot numbers than Gb/Bm, C/Am etc.![]()
That sounds interesting...OTOH if the computer does everything automatically (by using the "Mixed in Key" software additionally), then the DJ's won't learn any music theory...
The goal isn't really to teach DJs about music theory, the goal is to USE music theory to help DJs play better sets.
- Banned
- Topic Starter
- 10196 posts since 12 Mar, 2012 from the Bavarian Alps to my feet and the globe around my head
I suppose that many DJ's want to make their own music sooner or later, and if they already know some music theory it's easier for them than if the computer did everything for them in their life.vurt wrote:do they need music theory if theyre not actually "making" music?
- addled muppet weed
- 111288 posts since 26 Jan, 2003 from through the looking glass
when they decide they wish to make music, then they can learn itTricky-Loops wrote:I suppose that many DJ's want to make their own music sooner or later, and if they already know some music theory it's easier for them than if the computer did everything for them in their life.vurt wrote:do they need music theory if theyre not actually "making" music?
- Banned
- Topic Starter
- 10196 posts since 12 Mar, 2012 from the Bavarian Alps to my feet and the globe around my head
But imagine a top DJ comes on stage, then he/she switches the laptop on with all this great DJ software and "Mixed in Key" and "Find Songs Automatically" and "Occasionally Scratch Program" and "DJ Effects Volume 599" and so on, presses a few keys, and everything plays automatically for hours so he/she can go home...vurt wrote:when they decide they wish to make music, then they can learn itTricky-Loops wrote:I suppose that many DJ's want to make their own music sooner or later, and if they already know some music theory it's easier for them than if the computer did everything for them in their life.vurt wrote:do they need music theory if theyre not actually "making" music?
-- would you call this a DJ??
Then every construction worker can be a DJ without learning anything...
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- KVRian
- 528 posts since 17 Apr, 2009 from portland oregon
There aren't many quality mixing programs that automix in key, so don't complain about something that doesn't happen.
What DOES happen is that talented DJ's will write down the key or camelot designation for each track they think they might use, along with preparing the beatgrid, setting cuepoints, etc.
Once they are in a mix, they can scroll through their library and know immediately and precisely what songs will not only fit the tempo, but the key, and can select accordingly.
It can have pretty interesting results, I knew a dance DJ who played a lot of prime timeslots, he showed me how he would start at low bpm's and keys and mix harmonically upwards building musical excitement alongside the tempo.
What DOES happen is that talented DJ's will write down the key or camelot designation for each track they think they might use, along with preparing the beatgrid, setting cuepoints, etc.
Once they are in a mix, they can scroll through their library and know immediately and precisely what songs will not only fit the tempo, but the key, and can select accordingly.
It can have pretty interesting results, I knew a dance DJ who played a lot of prime timeslots, he showed me how he would start at low bpm's and keys and mix harmonically upwards building musical excitement alongside the tempo.
I run a netlabel http://oligopolistrecords.bandcamp.com
Free chill, hip-hop, lo-fi, ambient, experimental, for you! (Send me demos too!)
Free chill, hip-hop, lo-fi, ambient, experimental, for you! (Send me demos too!)
- Beware the Quoth
- 35439 posts since 4 Sep, 2001 from R'lyeh Oceanic Amusement Park and Funfair
well, admittedly they'd be upping the ante a bit from what a radio DJ does, but yeah.Tricky-Loops wrote:But imagine a top DJ comes on stage, then he/she switches the laptop on with all this great DJ software and "Mixed in Key" and "Find Songs Automatically" and "Occasionally Scratch Program" and "DJ Effects Volume 599" and so on, presses a few keys, and everything plays automatically for hours so he/she can go home...
-- would you call this a DJ??
oh, good god. well, we can't have untrained people playing records in public, that would be anarchy. can we legislate against this, because the next awful step is electricians and chippies playing in bands...Then every construction worker can be a DJ without learning anything...
An idiot on Set Theory:
"In some cases there is an object called red that contains everything that is red. In much the same way a pot is a plate."
"In some cases there is an object called red that contains everything that is red. In much the same way a pot is a plate."
- addled muppet weed
- 111288 posts since 26 Jan, 2003 from through the looking glass
if someone is enjoying themselves and not hurting anyone, does it matter?Tricky-Loops wrote:But imagine a top DJ comes on stage, then he/she switches the laptop on with all this great DJ software and "Mixed in Key" and "Find Songs Automatically" and "Occasionally Scratch Program" and "DJ Effects Volume 599" and so on, presses a few keys, and everything plays automatically for hours so he/she can go home...vurt wrote:when they decide they wish to make music, then they can learn itTricky-Loops wrote:I suppose that many DJ's want to make their own music sooner or later, and if they already know some music theory it's easier for them than if the computer did everything for them in their life.vurt wrote:do they need music theory if theyre not actually "making" music?
-- would you call this a DJ??
Then every construction worker can be a DJ without learning anything...
there are things in this world worth worrying about, what others do in any artistic form, isnt one of them.