After actually reading this thing I, too, am doing this....
wall-of-sound? wtf??
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- KVRAF
- 16977 posts since 23 Jun, 2010 from north of London ON
Barry
If a billion people believe a stupid thing it is still a stupid thing
If a billion people believe a stupid thing it is still a stupid thing
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thecontrolcentre thecontrolcentre https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=76240 - KVRAF
- 37262 posts since 27 Jul, 2005 from Scottish Borders
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- KVRAF
- 3071 posts since 29 Sep, 2005
When I pick the dots more appear.thecontrolcentre wrote:
Walls of LsD
Now I won't run out! Endless supply I'm so happy 
vurt and Mushy Mushy should see this cause they said:
Happy musiking!Mushy Mushy wrote:+1 plsvurt wrote:ill take as much as you can supplyhighkoo wrote:eat the acid
dsan
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- KVRAF
- 16977 posts since 23 Jun, 2010 from north of London ON
Ahhh. Such a wonder wall. I only have one problem.Nielzie wrote:
Hmmm wall of beer..
I can't indulge in it anymore!!!
Barry
If a billion people believe a stupid thing it is still a stupid thing
If a billion people believe a stupid thing it is still a stupid thing
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- KVRian
- 632 posts since 3 Sep, 2009 from Vancouver
Sober? - unfortunatelytomtoo wrote:You read it before work ? So you are sober ?!awol9000 wrote:I can't believe I chose to read this thread in entirety rather than being on time to work.
Did you get it ??
Did I get it? - No
LOL
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- addled muppet weed
- 111293 posts since 26 Jan, 2003 from through the looking glass
you have to read it backwards then it makes sense.
start with last post...
start with last post...
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- KVRAF
- 16136 posts since 13 Nov, 2012
The Wall of Sound forms the foundation of Phil Spector's recordings, in general. However, certain records are considered to have epitomized its use. The Ronettes' version of "Sleigh Ride" used the effect heavily. Another prominent example of the Wall of Sound was "Da Doo Ron Ron" by The Crystals.
Spector himself is quoted as believing his production of Ike and Tina Turner's "River Deep, Mountain High" to be the summit of his Wall of Sound productions, and this sentiment has been echoed by both George Harrison (who called it "a perfect record from start to finish." and Brian Wilson.
Perhaps Phil Spector's most infamous use of his production techniques was on the Let It Be album. Spector was brought in to salvage the incomplete Let It Be, an album practically abandoned by The Beatles, performances from which had already appeared in several bootleg versions when the sessions were still referred to as Get Back. His work resulted in the legitimately released album being what the LP cover called "the freshness of a live performance, reproduced for disc by Phil Spector." "The Long and Winding Road", "I Me Mine", and "Across the Universe" are often singled out as those tracks receiving the greatest amount of post-production work. The modified treatment (often misrepresented as a "Wall of Sound", although neither Spector nor the Beatles used this phrase to refer to the production) and other overdubs proved controversial among fans and The Beatles themselves. Eventually, in 2003, Let It Be... Naked was released, an authorized version without Spector's additions.
Outside of Spector's own songs, the most recognizable example of the "Wall of Sound" is heard on many classic hits recorded by The Beach Boys (e.g., "God Only Knows", "Wouldn't It Be Nice" — and especially, the psychedelic "pocket symphony" of "Good Vibrations"), for which Brian Wilson used a similar recording technique, especially during the Pet Sounds and Smile eras of the band.
Spector himself is quoted as believing his production of Ike and Tina Turner's "River Deep, Mountain High" to be the summit of his Wall of Sound productions, and this sentiment has been echoed by both George Harrison (who called it "a perfect record from start to finish." and Brian Wilson.
Perhaps Phil Spector's most infamous use of his production techniques was on the Let It Be album. Spector was brought in to salvage the incomplete Let It Be, an album practically abandoned by The Beatles, performances from which had already appeared in several bootleg versions when the sessions were still referred to as Get Back. His work resulted in the legitimately released album being what the LP cover called "the freshness of a live performance, reproduced for disc by Phil Spector." "The Long and Winding Road", "I Me Mine", and "Across the Universe" are often singled out as those tracks receiving the greatest amount of post-production work. The modified treatment (often misrepresented as a "Wall of Sound", although neither Spector nor the Beatles used this phrase to refer to the production) and other overdubs proved controversial among fans and The Beatles themselves. Eventually, in 2003, Let It Be... Naked was released, an authorized version without Spector's additions.
Outside of Spector's own songs, the most recognizable example of the "Wall of Sound" is heard on many classic hits recorded by The Beach Boys (e.g., "God Only Knows", "Wouldn't It Be Nice" — and especially, the psychedelic "pocket symphony" of "Good Vibrations"), for which Brian Wilson used a similar recording technique, especially during the Pet Sounds and Smile eras of the band.
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- KVRAF
- 2454 posts since 5 Oct, 2003
huh. acid is the best. for music. I don't like your cheap joke but that's ok cause I quite like you. I quite like psychoxkps also. I love this thread.highkoo wrote:eat the acid
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- KVRAF
- 2454 posts since 5 Oct, 2003
psychoxkps has left the room. and I am sad as a result. So sorry if I offended you in any way.
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- KVRAF
- 2454 posts since 5 Oct, 2003
'vurt wrote:ill take as much as you can supplyhighkoo wrote:eat the acid
I just love that stuff
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- KVRAF
- 2454 posts since 5 Oct, 2003
thanks for addressing me but I don't understands what you are referring to.psychoxkps wrote:iam not even out.... killmaster.. ni forums:)) unfiltered? like filtred absolut vodka??:DD