Of course you may.masterhiggins wrote: May I ask what you were expecting?
And it's probably not even something "groundbreaking" - simple because that groundbreaking stuff is already covered in other sequencers.
But well, I can give you just a few examples:
- Polyphonic editing of audio material, Melodyne DNA style. And if not, Apple should just cooperate with Celemony and realize it through their (apparently "open for everyone") ARA bridge. Just as Studio One did.
- Major EXS enhancements. I mean, they bought Redmatica. Yet, the EXS hasn't changed at all (oh, there's "Round Robin" now - what a great deal...).
- Parallel inserts. Those would be kickass for a whole lot of operations (I could go into the details...).
- Buf fixes galore. Not sure how many there are, but apparently some "bugs" (or "less then ideal" things) are still just the same.
- A professional audio editor. In LPX it seems to look good (waveform display and such) but I'm not sure whether it's just a change in makeup. In fact, I'm pretty sure that it's pretty much just that... unfortunately.
- Volume handles for audio regions. That's just a really, really nice feature of, say, Cubase/Nuendo. I fail to understand why not each and every sequencer in the world offers that.
I could defenitely go on with quite some other things, just that I don't have enough time right now (moving houses...).
Ah well, let me add that I had to change my opinion on the new "Drummer" thing. At first I thought it was just some other case of "thrown in content for free", but apparently it's really tightly integrated, offering certain things that no other sequencer/plugin combination does. So, thumbs up for that one. I'd defenitely use this. Also thumbs up for the MIDI plugins (even if they could/should have been there since ages...).
But that's pretty much it and it's also still quite beyond me why this has taken them 4 years.
- Sascha
- Sascha
