It can be used as static formant filter, but the main attraction is in formant sequencing where "Gremlin" really shines. It starts being really useful if you automate the "hold" button state. I managed HYDi to do some kind of throat-singing, Delay-Lama style
I'll try to record it some time next week.
And it can be useful for that dubshit wobbles with more extreme warp settings (and of course "hold" automated).
About other effects: that dynamic switch is really damn clever. Great synth indeed!
