Nothing to change the sound for most 4/4 dance stuph:
Klanghelm VUMT
Smartelectronix s(m)exoscope
Voxengo SPAN
For breaks:
DMG Compassion with a custom mod that barely flickers on the gain reduction.
Cheers
Scorb
Yeah, the first bus is acting as your "Analog desk's" master bus.Phase47 wrote: Hmm. This is very interesting re: CPU efficiency. I may have to try this!
I use Mix Control Pro...xybre wrote:So I'm the only one who uses MixControl Pro?
Oh, I totally understood the routing. In addition to the CPU management, it seems this might also add some slightly different mental perspective whilst mixing: looking at three distinct (and smaller) stages, rather than one longer channel strip @ the pre-master fader. I'm dying to try this.TreyM wrote:Yeah, the first bus is acting as your "Analog desk's" master bus.Phase47 wrote: Hmm. This is very interesting re: CPU efficiency. I may have to try this!
The second bus acts as your outboard eq and tape machine.
The third bus emulates the "analog" signal going back into digital (hence the adclip plugin I use) and hitting the digital limiter.
For all intents and purposes, everything eventually gets routed to "main" or the first of the final three busses. So "main" takes the place of what is normally your final stereo output. The final output is now the "final" bus that holds the limiter.
Yep. I enjoy working this way quite a lot. Like you said, it helps with getting you into a different mindset.Phase47 wrote:Oh, I totally understood the routing. In addition to the CPU management, it seems this might also add some slightly different mental perspective whilst mixing: looking at three distinct (and smaller) stages, rather than one longer channel strip @ the pre-master fader. I'm dying to try this.TreyM wrote:Yeah, the first bus is acting as your "Analog desk's" master bus.Phase47 wrote: Hmm. This is very interesting re: CPU efficiency. I may have to try this!
The second bus acts as your outboard eq and tape machine.
The third bus emulates the "analog" signal going back into digital (hence the adclip plugin I use) and hitting the digital limiter.
For all intents and purposes, everything eventually gets routed to "main" or the first of the final three busses. So "main" takes the place of what is normally your final stereo output. The final output is now the "final" bus that holds the limiter.
Very interesting approach.TreyM wrote:I like to spread the final mixdown across 3 busses. In Logic this has the benefit of spreading the load across 3 cores instead of driving a single CPU core, and also sort of simulates working in an analog environment.
First bus: (Main)Into second bus: (To Tape)VUMT
Gain Staging
Waves NLS Buss
Neve setting
The Glue
SSL Buss CompressorInto third bus: (Final)Fabfilter Pro-Q
Only used sometimes to add slight high shelf before tape emu
Reel Bus
Profession 30 IPS settingAirwindows ADClip 2
Simulates A/D convertor clipping. Not always used
Fabfilter Pro-L
Final limiting
Yes, this is interesting... gonna try it on my next project. This is why I just love KVR! I've learnt so much by reading your replies... thanks guys!drakem wrote:Very interesting approach.TreyM wrote:I like to spread the final mixdown across 3 busses. In Logic this has the benefit of spreading the load across 3 cores instead of driving a single CPU core, and also sort of simulates working in an analog environment.
First bus: (Main)Into second bus: (To Tape)VUMT
Gain Staging
Waves NLS Buss
Neve setting
The Glue
SSL Buss CompressorInto third bus: (Final)Fabfilter Pro-Q
Only used sometimes to add slight high shelf before tape emu
Reel Bus
Profession 30 IPS settingAirwindows ADClip 2
Simulates A/D convertor clipping. Not always used
Fabfilter Pro-L
Final limiting
I do it with 2 busses, never thought of the AD chain.
Thank you for sharing, on my way to the studio![]()
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