hibidy wrote:
But a hardtail
I dunno, I can't play it first so I'm pretty nervous about it but....don't you think that looks great?
A neighbour has one of those...plays beautifully.
hibidy wrote:
But a hardtail
I dunno, I can't play it first so I'm pretty nervous about it but....don't you think that looks great?
A Carvin store was actually right across the street from the last JRR location. They make great playing guitars and those Allan Holdsworth signature model pickups are supposed to be some of the best sounding pickups available.hibidy wrote:
But a hardtail
I dunno, I can't play it first so I'm pretty nervous about it but....don't you think that looks great?


I wonder why certain images are blocked out in OperaUncle E wrote:It's an interesting company. My first decent guitar was a Carvin, it had a harsh sound because of the hard rock maple body and ebony fretboard that they were using back then but it played like butter and looked gorgeous. Imagine this with a Bisby:
That's a beauty! I'd own one if I could play 7's or a 26.5" scale.chokehold wrote:Definitely this one.
Looks a bit strange, I admit, but I already have the cheap-o 6-string non-Prestige version of it, and that handles just nicely.
Having the 26.5" scale is already a big step with the RGD421, and the prestige brings a neck that's laid out for a 7th string -- will make it so much easier to tune down to A# without screwing with the neck tension all the time.
It has to be this EXACT ONE Ibanez guitar or no Ibanez at all, because all others have their damn volume knobs where I want to put my hand.
I bet that'll be awesome on all strings, not just the low B. Piano tone.chokehold wrote:Having the 26.5" scale is already a big step with the RGD421
The mahogany body and neck should keep it from sounding harsh like mine. Also, I'm guessing a figured maple top is softer than Canadian hardrock maple. A rosewood fretboard would probably guarantee amazing tone but ebony does look beautiful and feels super slick.hibidy wrote:It's mahogany neck/body with a flamed maple top and ebony fingerboard. I can change those options but I really wanted that setup.
bluedad wrote:
someday, I will get my baby back.
Excellent taste Rob/Chokehold dude, I not long ago picked up an RGD320Z for under £300, Absolute steel for the price. I was going to buy one of the Iron Label models and still might do. This Saturday coming up my little local are having a Ibanez and Laney event where a fellow dude I know only very vaguely is on gear demonstration duties, He uses an Iron Label 8-string RG with trem. The one's that I tried off the shelf had really pathetic gauge strings on them which was no use to me whatsoever in determining if I was going to get one and the place was not my usual where I have no problem asking to change the strings and what not to try something properly in context. So basically the guy will have his setup properly and with at least ballpark gauge strings on it and as I know all the dude's I'm sure he will let me try it to get a proper gauge (sic) on whether it'll be for me or not, We play similar styles at least so its a safe bet, Also Neil is a good mate. Anyway this is the dude in action:chokehold wrote:Definitely this one.
Looks a bit strange, I admit, but I already have the cheap-o 6-string non-Prestige version of it, and that handles just nicely.
Having the 26.5" scale is already a big step with the RGD421, and the prestige brings a neck that's laid out for a 7th string -- will make it so much easier to tune down to A# without screwing with the neck tension all the time.
It has to be this EXACT ONE Ibanez guitar or no Ibanez at all, because all others have their damn volume knobs where I want to put my hand.
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