Gibson Brands Announces Intention to Acquire Cakewalk Inc.
- KVRAF
- 12268 posts since 7 Sep, 2006 from Roseville, CA
More of a Fender man myself, but whatever. Cakewalk seems to me like an odd fit for the Gibson brand, but what do I know? 
Logic Pro | LUNA Pro | OB-X8 | Prophet 6 | OB-6 | Rev2 | TEO-5 | Pro 3 | SE-1X | Minitaur | Deepmind 12D | Slim Phatty | TR-1000 | Analog RYTM mk2 | Digitakt 2 | TD-3 MO | TD-3 | Maschine+
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- KVRAF
- 7123 posts since 22 Jan, 2005 from Sweden
They had such a partner in Roland, doing hw and software integrated products.
So what's new really?
Obviously Cakewalk did not perform well enough.
Distríbution worldwide through Gibson or Roland are equally good. Will local musicstores do boxed upgrades on Cakewalk?
Not a good thing this.
But will have a look at X3 as I hope is around the corner.
So what's new really?
Obviously Cakewalk did not perform well enough.
Distríbution worldwide through Gibson or Roland are equally good. Will local musicstores do boxed upgrades on Cakewalk?
Not a good thing this.
But will have a look at X3 as I hope is around the corner.
- KVRAF
- 12268 posts since 7 Sep, 2006 from Roseville, CA
Looking forward to GibSonar X3! 
Logic Pro | LUNA Pro | OB-X8 | Prophet 6 | OB-6 | Rev2 | TEO-5 | Pro 3 | SE-1X | Minitaur | Deepmind 12D | Slim Phatty | TR-1000 | Analog RYTM mk2 | Digitakt 2 | TD-3 MO | TD-3 | Maschine+
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- KVRAF
- 4727 posts since 25 Mar, 2006 from The city by the bay
Opcode Systems, Inc. was founded in 1985 by Dave Oppenheim and based in and around Palo Alto, California, USA. Opcode produced MIDI sequencing software for the Mac OS and Microsoft Windows, which would later include digital audio capabilities, as well as audio and MIDI hardware interfaces. Opcode's MIDIMAC sequencer, launched in 1986, was the first commercially available MIDI sequencer for the Macintosh computer and one of the first commercially available music sequencers on any commercial computer platform.
At the time Opcode went under, the Studio Vision sequencer was at the front of the pack, with arguably the best MIDI editor written to this day.
In 1998, Opcode was bought by Gibson Guitar Corporation. Development on Opcode products ceased in 1999.
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- KVRAF
- 7123 posts since 22 Jan, 2005 from Sweden
That could very well happend here as well. They emphasized how valuable their R&D Labs.rp314 wrote:Opcode Systems, Inc. was founded in 1985 by Dave Oppenheim and based in and around Palo Alto, California, USA. Opcode produced MIDI sequencing software for the Mac OS and Microsoft Windows, which would later include digital audio capabilities, as well as audio and MIDI hardware interfaces. Opcode's MIDIMAC sequencer, launched in 1986, was the first commercially available MIDI sequencer for the Macintosh computer and one of the first commercially available music sequencers on any commercial computer platform.
At the time Opcode went under, the Studio Vision sequencer was at the front of the pack, with arguably the best MIDI editor written to this day.
In 1998, Opcode was bought by Gibson Guitar Corporation. Development on Opcode products ceased in 1999.
It's hard to make a business with software alone due to piracy.
Had a couple of Tascam portastudios in the 80's, good stuff. A new line of hardware controllers and recordingsystems maybe.
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- KVRian
- 1171 posts since 1 Jan, 2013
I love Gibson guitars, but I've had enough of Cakewalk. They just don't seem to get their s*it together.
So for me it's: bye Cakewalk/Sonar/Tascam/Gibson/whatever, and hello Steinberg!
So for me it's: bye Cakewalk/Sonar/Tascam/Gibson/whatever, and hello Steinberg!
Optimal number of audio plugins is one more than you currently have.
- KVRAF
- 2158 posts since 11 Oct, 2007 from Almanya
Not a Sonar user or Gibson player myself, but I'm always curiously observing, and usually things don't tend to get much better if "big ones from outside" take over others from inside the "scene". So I'm really curious how that's going to work out...
Could mean extreme changes to Sonar, maybe because someone at Gibson really wants to do something with Cakewalk, or it could just be the old "you have something we need, we'll buy you and let you bleed out in the corner" trick again. Guess we'll see...
Could mean extreme changes to Sonar, maybe because someone at Gibson really wants to do something with Cakewalk, or it could just be the old "you have something we need, we'll buy you and let you bleed out in the corner" trick again. Guess we'll see...
Reaper user? Get my free JSFX plug-ins, also available via ReaPack extension.
- KVRAF
- 14501 posts since 16 Feb, 2005 from Planet Earth, Somewhere
As a former devouted lover of Studio Vision Pro, I would like to extend my sympathies to the Cakewalk users.
To this day I wouldn't even buy a Gibson guitar strap.
rsp
To this day I wouldn't even buy a Gibson guitar strap.
rsp
sound sculptist
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- KVRian
- 1171 posts since 1 Jan, 2013
I guess that Roland wasn't very pleased with that digtal sack of bugs they called X2.
Thank god I don't own V700...
Thank god I don't own V700...
Optimal number of audio plugins is one more than you currently have.
- Rad Grandad
- 38041 posts since 6 Sep, 2003 from Downeast Maine
they'll raise the price because of the Gibson name and start reinventing it a zillion ways by releasing signature versions of software with certain pluggins and configurations the "stars" use to raise the price even more (the Jordan Rudess signature DAW cannot be that far off
)...but still because it's Gibson there will be plenty of people to support them. You cannot blame the customers though because if you've been using Cakewalk for a long time (which is obviously the case for many) you might want to suck it up and stick with what you know. 
I'm sorry but over the years no one can convince me that Gibson does as much good for music industry as it does bad...I guess it's wait and see when or if this happens.
I'm sorry but over the years no one can convince me that Gibson does as much good for music industry as it does bad...I guess it's wait and see when or if this happens.
The highest form of knowledge is empathy, for it requires us to suspend our egos and live in another's world. It requires profound, purpose‐larger‐than‐the‐self kind of understanding.
- KVRAF
- 6097 posts since 5 Jul, 2001 from Just about .... there
lol, I feel the same way about all the "signature" plugin packs. I mean who in their right mind pays $50+ for a set of compressor and/or EQ presets for a devices that has two knobs and two switches and no reference to the source material that defined the settings to begin with. It's never made any sense to me. But, you are probably not far off what will happen.Hink wrote:they'll raise the price because of the Gibson name and start reinventing it a zillion ways by releasing signature versions of software with certain pluggins and configurations the "stars" use to raise the price even more (the Jordan Rudess signature DAW cannot be that far off)...but still because it's Gibson there will be plenty of people to support them. You cannot blame the customers though because if you've been using Cakewalk for a long time (which is obviously the case for many) you might want to suck it up and stick with what you know.
I'm sorry but over the years no one can convince me that Gibson does as much good for music industry as it does bad...I guess it's wait and see when or if this happens.
If you have to ask, you can't afford the answer


