Would enjoy to have feedback or something,
oh jee and please clean your ears before listening
This is the link:
http://student-kmt.hku.nl/~bas5/CEM/Yorya.mp3
(not downloading? please remove Yorya.mp3 form URL and download manually)
New composition. Check it
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- KVRer
- 8 posts since 2 Feb, 2003 from holland
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- KVRer
- Topic Starter
- 8 posts since 2 Feb, 2003 from holland
Noise is beautiful music too, try to make music with noise it's while different experience..
But thanx for your feedback
But thanx for your feedback
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- KVRian
- 576 posts since 15 Apr, 2004 from Sweden
i like noise in tunes, but in this tune i had to change the volume on my speakers not to get my ears killed.
But musically, i quite like it, dont missunderstand me =)
But musically, i quite like it, dont missunderstand me =)
bleh
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- KVRer
- Topic Starter
- 8 posts since 2 Feb, 2003 from holland
Hmm, well the whole track is about 5:53,
I guess you don't have it all,
This is an time soundscape a journey trough sounds which make a kind of travel structure with reminisce and anticipation.
I guess you don't have it all,
This is an time soundscape a journey trough sounds which make a kind of travel structure with reminisce and anticipation.
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- KVRAF
- 12235 posts since 18 Aug, 2003
Sorry, didn't realize your other thread was a double post and not in the Cafe.
Here's what I said over there:
Well, if it's feedback you want, it's feedback you'll get.
Some really good stuff in there. I quite like the first 45 seconds. My problem with the track as a whole though is that it doesn't all fit together. The problem with too many extraneous jumps in technique is that the whole becomes less cohesive, too much like a medley or promo sampler, like you're saying 'hey everybody, look at my bag of tricks'. I'd like to hear you extend each part out into a motif, to find it's groove, so to speak.
For instance, turn the voices into a seperate track, extend, and then contrast them just with the blasts of shortwave radio noise or the manic zither (or bowed guitar?). That way, as you compose, you figure out the relationship between each of the sounds, not just random juxtaposition.
As always, take feedback with a grain of salt, and keep the tunes coming.
Cheers,
Steve
Here's what I said over there:
Well, if it's feedback you want, it's feedback you'll get.
Some really good stuff in there. I quite like the first 45 seconds. My problem with the track as a whole though is that it doesn't all fit together. The problem with too many extraneous jumps in technique is that the whole becomes less cohesive, too much like a medley or promo sampler, like you're saying 'hey everybody, look at my bag of tricks'. I'd like to hear you extend each part out into a motif, to find it's groove, so to speak.
For instance, turn the voices into a seperate track, extend, and then contrast them just with the blasts of shortwave radio noise or the manic zither (or bowed guitar?). That way, as you compose, you figure out the relationship between each of the sounds, not just random juxtaposition.
As always, take feedback with a grain of salt, and keep the tunes coming.
Cheers,
Steve