What are you listening to now? Look on my works, ye Mighty, and despair!

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Tuatara

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Forget the video, the song is nice, though, I like the bass during the funky solo and the synthwork, especially towards the end...


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Autechre - Clipper

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Santana & McLaughlin - Naima
This is the same method MJ used when he was working on Anthony Marinelli's Thriller.

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John Frusciante - Your pussy's glued to a building on fire
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TRS - Dead Flowers
This is the same method MJ used when he was working on Anthony Marinelli's Thriller.

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Blut Aus Nord : all three of the '777' albums (Sects, The Desanctification, Cosmophy)
An idiot on Set Theory:
"In some cases there is an object called red that contains everything that is red. In much the same way a pot is a plate."

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I recently took a dive into the "Michael Jackson - Xscape" album.


I am not surprised of the money milking, neither of the loudness. But I am(!!!) surprised from when the original songs actually where time wise. And why they were dropped.

The original from Xscape for example, sounds like as if it was made between 1995 (History) and 1997 (Blood on the Dancefloor) - which was his typical sound at that time. The lyrics also clearly stab at the fact that it might be a "sequel" to "They don't care about us" (and the song's real meaning and the controversy revolving around it).

"Do you know where your children are", fits perfectly into the times of "Dangerous" 1991. It has a similar sad feeling like "Who is it".

"Slave to the Rhythm", could have worked for "Blood on the Dancefloor" and successive albums. "Take me to a place without a name" is also in style of "Dangerous". "Love never felt so good" is soundwise actually one of the eldest. It sounds to me like as if it was from "Thriller" or "Bad", maybe even older. His voice sounds younger.


Nonetheless, the "upmixed" versions are actually sounding great. Xscape alone has a nice vibe of oldschool RnB, with a sub-tone of (yes, dare I say it): "Drop it like it's hot" by Snoop Dog and Pharrell Williams, or Missy Elliot's stuff from mid 2000's. I definitely dig the more electronic oriented version of "Do you know where your children are", "Slave to the Rhythm" is a bit too much overdone chart stuff for my liking (think Timbalake, mixed with every other half naked chick on screen) - but it's a cool mix nonetheless.



Is the album worth it?

Well... considering that it's technically another(!) remix album (and there are still great fan/bootleg remixes floating around, like "They don't care about us" by Mikkas), I can't tell. At least it's not totally disappointing. You actually get 8 upmixed songs, 8 "original versions" that were unreleased so far (which show a great retrospective) and one "mix" with Timberlake. Plus a documentary (that I've yet to see) on Disk 2 for 16bucks (Amazon, Deluxe Pack). The regular edition with only 8 tracks for 13bucks is a bit of a ripoff compared to that.
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Axel F Meets Metal
This is the same method MJ used when he was working on Anthony Marinelli's Thriller.

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Just stumbled upon this guy and I really like what I've been hearing so far.

https://soundcloud.com/arkist
:borg:

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Ben Frost - Steel Wound
No longer a moderator.

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John 5 -Remixploitation, it's an instrumental guitar album and pretty good. If he just accepted the role as a singer also, it would be better, the other bands he's been in get old mainly because of the stupid lyrical content.
The only site for experimental amp sim freeware & MIDI FX: http://runbeerrun.blogspot.com
https://m.youtube.com/channel/UCprNcvVH6aPTehLv8J5xokA -Youtube jams

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Curtis Mayfield - Superfly
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Kyuss - Hurricane
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