!! SPITFIRE Launch 2 NEW & VERY COOL PRODUCTION PORTFOLIO BEAUTIES !!

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WE'RE PLEASED TO ANNOUNCE TO VERY COOL AND CHEEKY ADDITIONS TO OUR DRY ESOTERIC AND VERSATILE PRODUCER PORTFOLIO RANGE

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AVAILABLE TO DOWNLOAD NOW AT A LAUNCH PROMO PRICE OF £20 (RRP £25, offer ends 01/08/14) GO HERE TO FIND OUT MORE & BUY.

Here's a walkthrough:



If you’re a fan of rare groove you’ll be familiar with the work of the Electrifying Eddie Harris. Alongside his totally unique set of electrified saxes, trumpets with reed heads and many other delights. Eddie favoured a very distinctive electric piano sound which we have searched high and low for many years to find. We stumbled across a very dusty Vox electric piano in a second hand shop on London’s West End and feel we may have finally found it. So we whipped out our credit cards and brought it straight back to Kings Cross to give it the Spitfire treatment!

This 1960′s electric piano has been given a total Spitfire “once-over” (608 groups, 19638 zones, 8940 samples, 25065 seconds / 418 minutes / 7.0 hours, 6880 mb / 6.72 gb!!) with us deep sampling the unit to give you as close a replication of the sound of the unit via the finest Neve Pre-Amps and Cranesong AD converters. Alongside a host of additional signal paths via rarefied vintage outboard that fit with the style of the instrument.

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...AND NEXT UP?

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AVAILABLE TO DOWNLOAD NOW AT A LAUNCH PROMO PRICE OF £9 (RRP £12, offer ends 01/08/14) GO HERE TO FIND OUT MORE & BUY.

Here's a walkthrough:



Many in the UK would associate this 1960's & 70's toy instrument with a now infamous Australian entertainer. But it's beginnings were also championed by some true legends, namely David Bowie who famously used it on the 1969 Ivor Novello award winning song "Space Oddity". It has since entered our hearts as an old favourite. So we thought it only right to give it a Spitfire "once over".

With numerous round robins and tireless separation of the actual electric noise, DI'd, via it's internal speaker and even the stylus hitting the metal contact plate (at several different dynamic layers!!) so everything is mixable and controllable, this is a very affectionate homage to this family favourite.

For an instrument with this range and scope a sample count of 1,1166 is DEEP. Not only is it available to play polyphonically, we have also taken the trouble to provide a number of signal paths and mic perspectives via the finest ribbon and valve mics, Neve pre-amps and Cranesong AD converters.

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